The legendary filmmaker and founder of America’s first indie film studio Troma (Tromeo & Juliet, The Toxic Avenger) is in town this month to conduct a two-day masterclass. He talks to us about cult status and guilty pleasures.

What are the necessary elements in making a good movie?
I do not know what makes a “good movie” but I do believe one very important thing is to follow the Shakespearean mantra “To thine own self be true.”

How do you define cult?
Cult is when you have sold-out retrospectives of your work one day, but get kicked out of line for a screening at Cannes for not wearing a suit another day. Cult is receiving art work and fan letters requesting autographs from around the world, but having to explain your career to extended members of your family another day. Cult is taking the subway as an unrecognized ordinary person, while having legions of fans show up at conventions to show off their Troma body art.

What's the secret to your success or longevity?
Success? Longevity? I think you have me mistaken for Andy Kaufman, who is still alive even after dying from lung cancer. Now that is longevity. No but really, Troma’s greatest success is our loyal and supportive fan base. We’ve always been very interactive with our fans and they have stuck with us over the years.

What is your own personal guilty pleasure or vice?
My own personal guilty pleasure is chewing gum and spitting it on the sidewalk (I hope this gets me frisked at the airport)!

What do you have to say to art-house film buffs?
I respect art-house film buffs for supporting independent art and not fueling the media conglomerates. They understand that art is very important to the human spirit, and is a reflection of society, which is why it is important for us to nurture new and unique voices and support independent art instead of supporting big budget remakes that offer no reflection of the human psyche.

Lloyd Kaufman’s 2-Day Filmmaking Masterclass is on Dec 14-15, 9am-5pm. LaSalle College of the Arts. $495 from www.masterfilmmakers.com.

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Could Rattanakosin be the perfect neighborhood? Can urbanites really survive in these nostalgic dwellings without expressways and trains to whisk them into town? BK finds out about the slow life before the arrival of the MRT changes everything. 

 

Why did you dump Sathorn district to live in the old town?

I’ve always wished I was born 100 years ago. It’s a beautiful era. That’s why I always love to travel around to nostalgic towns like Luang Prabang in Laos, Bagan in Myanmar and Hoi An in Vietnam, where I got married to my wife. We both love old towns. When I started building The Siam Hotel in Dusit district, I realized that our family owned an old building in the old town, too. It’s right in front of Rommaneenat Park. It used to be the office of my family business but was abandoned and became derelict. No one had lived there for more than 60 years.

How has your family adjusted to the area?

It’s really easy. Apart from the inconvenience of renovating the house while we’re living here, we don’t have anything to complain about. If you ask my kids [six and four years old], who were used to living in a condo in Sathorn, they’ll say they never want to move anywhere else. Though my house sits right on the main street [Mahachai Road], I’m so comfortable. If people look up to my window on the second floor, they might see me walking around in my underwear!

Is it convenient?

I’m lucky that my workplace, The Siam, is close to my house and also close to my kid’s school. So we can be at both places within 20-30 minutes in normal traffic. But it’s a bit tricky to get into the city. I don’t really go to the city center unless I have work there. I haven’t been to Thonglor in ages.

 

 

What is the great charm of the area?

This area was once the Sukhumvit of Bangkok. For someone like me, who used to live in New York, it’s the Bangkok version of Soho. It’s bustling during the day but in the evenings, it’s really peaceful—not only my house, the whole district. I love the fact that when I walk down the street, I see people sitting in front of their houses chatting to each other. I often have a chat with my neighbors. It builds trust in the community, seeing the faces of the people around you. That’s what we need in Bangkok. We’ve lost this.

How do you feel about the arrival of the MRT?

I think it will benefit everyone. It will save people time—time we should spend on other things we love, like family. I’m lucky now that this area doesn’t have too much traffic, though.

What are your favorite places around the area?

There are many. For eating, Seven Spoons and Brown Sugar are my favorites. At Seven Spoons, I love their tapas appetizers, which are both good and cheap. I also enjoy strolling around Saphanlek where there are toys and games for sale. I always stop to sip coffee at SOHO Coffee—good coffee for just B35. But my favorite place in the area is Klong Thom Market. I walk around there every weekend looking for antiques and old stuff to add to my collection.

 

 

 

 

What’s so charming about your neighborhood?

Things don’t change much around here. The bars on Phra Arthit might change but my neighbors are mostly the same people I’ve been saying hello to since I was a kid. It’s not as hectic as along Sukhumvit. You can also enjoy the arts very easily, here: from temples to museums, classical Thai music and even the cute old lifestyle of people on my soi. I’m really lucky living here.

What’s made you appreciate art so much?

I was raised in a family of artists. My great grandfather was one of the first people who took care of the Fine Arts Department. There have been Thai dancers, musicians and writers in this house. Basically, this neighborhood has been my place of learning.

You had an office life before; was it hard commuting into the center of town?

The hardest part of living here might be getting around. I used to work in Silom and my record for being on time wasn’t too pretty. Public transport is not punctual, though public boats are your safest bet. But even when I had an office life, the good outweighed the bad by far. Going to the park—watching old people exercising, foreigners juggling, smelling the river [which doesn't stink here] and listening to the waves lap the bank. The parks are essential. It’s where locals meet and interact.

Do you miss being in the city?

Only when I want to see a movie. One thing you really don’t have in the old town is luxury­—but not everyone needs it. For me, I have to trek a bit further for a slice of cheesecake as the nearest mall, Tang Hua Seng, offers only khao mak [fermented rice].

What are your favorite things to do in the old town?

I recommend going to the National Museum. Not so many Thais visit the place. It’s not trendy but it’s got a very charming vibe with its big lotus pond. It’s very quiet there. Taking a boat on a canal tour is also one of my favorite things to do with my dad. Thais don’t know much about it, but it’s amazing.

 

 

Favorite eating spots?

Khao Gaeng Raan Pen on Rambuttri Road and Aa Aisa’s khao mok nuea [beef with biryani rice] and guay tiew gaeng [noodles in curry]. For more proper places, I usually go to Escapade Burgers & Shakes for their burgers or Seven Spoons. The food is so delicious there and you’ve got some good bars, great jazz and top coffee just around the corner.

What’s behind the sense of community here?

I think it has been built from the beginning. During certain festivals, we do some activities together, like making merit. During the film festival, people even open up their homes for screenings. It’s like we’ve preserved the culture of a village. People have respect for each other. If someone wants to change their place into a guesthouse, they would come tell us directly. I think that’s pretty rare. I think it’s because there are hardly any new faces moving in. In the city, people might just move in for the short-term, so they don’t have that sense of attachment. Here, we know there’s a story we all share and we’re proud of it.

What are your neighbors like?

If you grew up here, you can choose to be anything you want. You can be yourself. This freedom allows for lots of different characters and personalities.

Have you ever thought about moving elsewhere?

We were once offered lots of money for our place. But there’s nowhere we could get a house like this. The biggest tree in our house, my dad planted it when he was a kid and it’s grown up with him. I've planted one myself, too.

 

BK ASKS

What do you like most about your neighborhood?

 

Michael Biedassek 

 

co-founder of Bangkokvanguards,

 

lives near Dinsor

 

 

 

I like that we have building regulations in the area, which mean that there’s no skyscrapers and you find old buildings dating back to the beginning of the 20th century. Then there is the village atmosphere, with certain people being known for specializing in specific crafts such as the production of utensils or Buddhist sculptures. It’s a rich community that keeps growing organically.

 

 

 

 

Chanod Tangsin

 

28, business owner, lives in Pom Prap Sattru Phai 

 

 

 

Nothing is new here and that‘s what’s charming about it. Also, no place is isolated. Everything is close by so it’s easy for me to wander around to places like Tha Prachan, Tha Tien and Klong Thom. There is a drawback to living here, though, which is the lack of parking spaces if you need to drive.

 

 

 

 

Sidtrun Santichaikul 

 

28, photographer, lives in Tha Tien

 

 

 

Even though I have had to move a bit further down the road due to the construction of a community mall, what makes the place home

 

is the familiar backstory and faces. The buildings may age but the sense of community remains unique as Tha Tien was the first shophouse community built in Bangkok. We all know each other and our community is similar to what you might find in the countryside.

 

 

 

 

VipaVi VienRavi

 

33, brand consultant, lives in Banglamphu

 

 

 

The vibe in old town is very unique. You've got a beautiful road like Ratchadamnoen with one side being the old European-style buildings and the other side the temples. The area mixes hip Bangkok with the distinctive traditional culture. I'm right also in the middle of every big festival, from New Year to Songkran and it's such fun.

 

 

 

What do you like about your neighborhood?

Life is very diverse in the old town. I love walking down the street because you know you are always going to see different people, from prostitutes in dodgy dark corners to hi-sos in those hotels by the river. Many people bike but I don’t. You see more of what’s going on around you when you walk. I can stop at any building I want to take a look up close or walk down any soi I want to explore. If you live in places like Ladprao, it’s really difficult if you want to just stroll around and the vibe is totally different.

Do you think the MRT will have any impact on people’s lives?

I think we already have decent transportation: buses, boats and tuk-tuks. I can get to the MRT or BTS in about 20 minutes. With the MRT coming, it will be even more convenient, but knocking down the really old buildings in Yaowarat is not the way it should be done. Those buildings should be preserved and the MRT built a better way.

What’s the rent of this shophouse?

B20,000 a month. It costs a fortune living here as you have to fix so many things due to the buildings being pretty old. The worst problem is the termites.

 

 

What are your favorite places?

I find the Khao San area a bit boring, but I like the night market behind Wat Chana Songkram. The vibe is very chill and the space is much bigger. For hanging out, I recommend Babble & Rum at Riva Surya. It's by the river, quiet and the food is not expensive. Khao Tom Fa Mui is a great choice for late-night people. Just make sure you don’t miss the moo krob tord gluea [fried pork with salt]. We also have a good izakaya here at Musashi Bar while Adhere is one of the few places you can find real blues bands in town.

What do you like most about your neighborhood?

I grew up in a family who loves eating. So this place is heaven for me. The food here is cheap and the quality is great. And we’ve got plenty of parks, places where people can connect with each other. It’s perfect for dating, too.

Why did you choose to live on Phra Sumen Road?

We’re lucky that everyone here is against transforming the area into a loud and drunken nightlife area like Phra Arthit. We share the same interest of admiring the culture in the area, so we have pretty unique places like Passport Bookshop, Dialogue, Brown Sugar and lots of little cafes. 

 

 

 

 

 

 

How long have you lived here?

Ked: I was born here. My parents lived here selling salapao (Chinese bun) for 10 years.

Em: I moved here nearly 10 years ago from the Ramkhamhaeng area.

 

How do you get around?

Ked: We both use public transport. As you can see, it’s hard to find parking here.

Em: I have no plans to buy a car. I think it’s really convenient living here. It’s near important places like The Grand Palace or Sao Chingcha [Giant Swing] and even the BMA Office. You will never get lost. Everything is so close at hand.

 

What do you like most here?

Ked: I work in the city center at Ploenchit. Having to travel to such a bustling area, when I reach home I really appreciate how peaceful it is. It’s a slow life, here. I love that the neighbors know each other. I also love that buildings here are low-rise. I’m able to walk and see a clear sky filled with iconic attractions like the Giant Swing.

Em: I like the city planning, here. It’s clearly defined: block after block. It’s like nowhere else in Bangkok. You can walk along the street and see beautiful buildings. Everyone knows each other and there are always shops open on the street for late-night street food, so I feel safe walking here.

 

 

Any cons of living here?

Em: Yes, the protests. As you know, this is a place with a long history, especially regarding politics. As such, Democracy Monument is always one of the main places people gather to protest. It’s quite hard to get around at these times. Other than that, it’s really a pleasure to live around here.

 

Have you ever thought of moving to the city center?

Ked: I considered buying a condo to get to work easier, but then I thought of what we have here: the buildings, the parks, the people. It’s really warm and welcoming. So, I ditched that idea.

 

How do you feel about the arrival of the MRT?

Em: We love it. It’s going to be great for people and tourists to visit here. I don’t think it will change the sense of community that much, because many people who live here come from families who have lived here for generations. It’s hard for them to sell up and move out.

 

What’s your favorite place in the neighborhood?

Ked: I love Lan Kon Meaung for its cheerleader troupes practicing their routines, old people doing their tai chi... I also love Phra Athit Road: it’s not modern like Sukhumvit but it’s got a real charm. My favorite food is Siriporn Pochana which is just across from my house. Their tomyam pla is superb. Its tangy sourness perks me up every time.

Em: My favorite place for shopping here is Klong Lod. I can find anything there: fabric, vintage bags, classic glasses, antiques and even plants.

 

 

 

 

 

 

What do you make of the changes in your area?

It’s completely changed from how it used to be 30 years ago. Tha Tien used to be one of the most bustling markets in town as it sat right on the bank of the Chao Phraya River. The old times here were so great. My family business went really well: our kitchenware and cleaning items were in great demand. But when convenience stores arrived, our business, as well as those of our neighbors, didn’t do so well. When I came back from Australia, I decided to open a small café called Food Route as I learned how to bake while I was abroad. There are many tourists who go to Watpo Thai Traditional Massage School in my soi on Maharat Road so it really fits the bill.

 

Is it hard to get around from here?

For cars, yes. The traffic is bad. So my first choice is the Chao Phraya Express Boat. It’s so convenient as I just walk to Tha Tien Pier then hop out at Sathorn Pier to get into the city.

 

What’s the charm of living here?

It’s the sense of community. People have lived here for generations. Grandpas knows grandpas, parents know parents and, of course, kids play together. It’s really hard to find in today’s society. Those old people who moved out because their children live elsewhere still come back to chat with their old friends. It’s a real bond.

 

 

What do you think of the arrival of the MRT?

I'm really scared that it will become another Khaosan Road. I like that the MRT is coming but the community here must be strong in order to retain its charm. What’s the point of turning this place into a street of endless guesthouses and cafés? We should retain our identity as a residential area with small shops owned by people who live in the area.

 

What are your favorite local joints?

It’s mostly food places. I recommend Kim Leng at Kok Wua junction. It’s a small baan-baan restaurant that’s a real hidden gem in the area. I love their mee krob [fried crispy noodle]. Another one is Farm to Table near Flower Market. I love their black sesame ice-cream and green tea float. There’s also the Yen Ta Fo Nai Auan near the BMA office. It’s superb. As I’m running a restaurant, I love to buy ingredients at Trok Mo Market. Everything there is so fresh and bursting with flavor.

 

 

 

 

What’s your routine like living here?

 

Now it's strawberry season, so for fruit suppliers like me, we sleep from 5pm-1am. The products arrive at 2am, which if you are sleeping, is the loudest hour. Some shops open normal hours so Pak Klong Talad is literally a place that never sleeps. Say you come back home drunk at 3am and try to sneak in quietly—the next morning, your parents will hear all about it from the neighbors anyway.

 

Have you ever thought about moving elsewhere?

I once thought about moving to a condo after finishing my Master’s Degree but once I realized how much my parents love living here, I started to like it, too. I took on my parents’ business after starting to help them during the economic crisis. Once I learned how exhausted they were, I couldn’t not help them.

 

What do you like to do in your free time?

Riverside cafes are always my venue of choice. But if you visit the area and have the energy, it’s a really great place for a walking tour to visit the temples. You should start from the Grand Palace, City Pillar, Wat Suthat, Wat Pho and Wat Chana Songkram, then take the shuttle boat across the river for Wat Rakhang and Wat Arun before coming back for Wat Kalayanamit and San Chaopho Suea.

And your favorite food?

Jae Pom on Saphan Lek. Their beef noodles are amazing. The price starts from B80 but you get a really big tender chunk of beef. Do go early as they’re all done by around 1pm.

 

 

What are the problems living in Pak Klong Talad?

Parking is a troublesome. We can’t park our cars in front of our houses like elsewhere because there are vendors set up on the street. We have to park at a monthly rental spot on the riverside or sometimes across the river. The traffic is pretty bad here, too, especially at Chinese New Year or Valentine’s Day. A few years ago, the two were on the same day­—the traffic was nuts. It’s a hectic place but it’s home for me.

 

 

1. Escapade Burgers & Shakes

This tiny shophouse with an equally petite courtyard out the back serves up the homemade liquors of mixologist Karn Liangsrisuk and the juicy burgers of chef Van Rohitratana. We recommend a beef burger (starts from B180) with homemade ketchup. 112 Phra Athit Rd., 087-363-2629, 081-406-3773

2. Food Route

Tucked deep in the old town, this small café serves a variety of tea and coffee with homemade baked cakes and cookies. Coffee here starts from B50 and cakes include the Yakult pipo cake (B75) and coconut cake(B70). They also offer homey organic dishes. 320/10-11 Maharat Rd., 02-622-1921

3. Seven Spoons

This eatery, now in a bigger space, serves up healthy and delicious, homey and hippie American meals such as a quinoa salad with grilled vegetables and feta (B260) or razor clams with tarragon butter (B290). They are now also open for lunch with a menu that includes the delicious tempeh wrap with mixed greens, roast eggplant, tomatoes and green chutney (B160). 22 Chakkrapatipong Rd, 02-629-9214  

4. Dialogue Coffee and Gallery  

Set in a 100-year-old house, this coffee shop and art gallery serves up drinks and snacks: cappuccino (B50) and quesadilla with meat sauce (B90), plus some wine (from B140 by the glass). 533 Phrasumen Rd., 084-754-8799

5. Babble and Rum

Make the most of its location right beside Phra Arthit pier by heading to the outdoor terrace at sunset for the full package: comfort food (smoked salmon and avocado salad, B290), tasty cocktails (candy-flavored vodka, melon syrup, lime juice on top of jelly, B280) and views that take in the river and two bridges (Pinklao and Rama 8). Riva Surya, 23 Phra Athit Rd., 02-633-5000 

6. Sheepshank

The folks behind Seven Spoons bring us this sophisticated boat house where you can sit back and enjoy river views while noshing on dishes like the seafood paella with Spanish saffron (B320). Phra Athit Rd., 02-629-5165

7. Farm to Table

This organic café not only grows their own vegetables, in Phu Chee Fah, but turns them into ice cream with flavors like sesame, green tea and wheat grass (B35 per scoop). Order it as an affogato (scoop of ice cream with espresso shot, B80) or stick with the iced latte or green tea (B45). They also do daily lunch specials. 179 Asdang, Wongburapapirom, 02-115-2625

8. Bamsha

This old-school shophouse serves up coffee, exhibitions and events like poetry readings, painting classes and live folk music. Food includes their signature Bamsha burger (B150) to go with their drip coffee (from B60). 507 Prasumain Rd., 084-160-0052

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One of the most successful rock stars of the past decade, Jirasak “Maew” Panpoom, 43, is back with his first record in six years, Catarock OSX. The music veteran talks to BK about his passion for jazz, his battle with alcoholism and his spiritual rebirth. 

Only a small group of people know my real love for jazz. My family is full of musicians who play jazz. My passion is the jazz guitar. 

Sometimes you must be patient in order to reach your dream. I wanted to be a jazz musician but there was no audience for it a decade ago. If I’d tried to release a jazz album right away, it would have been career suicide. 

Jazz is like fine art for me. It’s this abstract thing that not everyone will truly appreciate or understand. On the other hand, rock is something people get right away.

Being a rock star was one step in achieving my dream. I love jazz but I also love to sing rock songs. Rock was my passport into the music industry, thanks to the success of my first album (Catarock, 1998). If I released a jazz album today, it wouldn’t be a problem as the genre is now more widely known.

An artist’s image must be adaptable to endure in this industry. I think my fans would be bored if I just served up the same music album after album. With my new album, Catarock OSX, I decided to work with some new, emerging talents who have helped me start a new chapter, while maintaining my signature rock ballad sound.

Everyone has an identity but not all can show it. Many musicians struggle with this. All I can say is find a role model, learn from their work and attune things according to your experiences. 

Being afraid of not being popular will only destroy your work. Many artists are trapped with this fear that their work won’t be a success and don’t focus on making their work the way they want. 

Make your mindset crystal clear and stick to it. Look at the T-Bone band: they played ska-reggae for more than two decades when no one really knew what it was. Now they are undoubtedly the number one ska band in Thailand.

Alcohol is to blame for the darkest part of my life. I forgot to focus on what I love to do, music, and just hung around with people getting drunk every night. I even lay down in the middle of the road in RCA because I was so drunk. 

I drank so much that I didn’t care about anything anymore, even my family and music. I would record songs when I was drunk and listen to them when I was sober. I would be like, “What the hell is this?” 

I even got to the point where I didn’t want to play music anymore. I was an idol for so many people and I was like, “Is this all there is for me?”  

Having a kid made me reconsider my behavior. I couldn’t go on acting like trash once I had [my son] Tigger. I wouldn’t have lived long enough to see him be successful if I kept on living like that. 

Find a place that lets you be at peace. I was lucky that I changed when I did. My energy was about to run out. I needed to find somewhere to recharge myself.

Entering the monkhood led to my rebirth. It lasted only two weeks but it was totally worth it. All I did was meditate in a temple deep in the jungle. After I finished, I knew my life had begun again. 

You won’t change if you don’t sit still and, with full consciousness, decide what what you really want to be. It’s like pressing a reset button, then you can start doing whatever you wish for.

It was my fault that I neglected to take care of my son when I was with my first wife [Nicole Theriault]. I thought everything would be fine as we had a nanny so I always went out for gigs and got drunk. 

Nothing is better than getting the chance to right a wrong. The best thing about being reborn was getting the chance to spend time with my son, even though I had divorced from Nicole. I tried to be his daddy, not just the drunken guy I used to be.

Life is not all about setting big goals. I’m now really into writing and I’m planning to release my first book soon, Fang Fuek Len (Listen, Practice, Play), in which I talk about life and music. I’m also trying to finish my master’s in jazz studies at Rangsit University, where I’m also a special instructor. 

As I get older, I want to spread my experience and knowledge. It’s better than just sitting at home after you’re retired from music.

I love taking pictures, especially using HDR [High Dynamic Range, a technique which produces painterly colors]. Some people think this makes pictures too dramatic to be realistic. But I see it as a great way to expand my creativity, making a simple photo into whatever my imagination dreams up.

Know yourself. Everyone wants to fulfill their desires. But you won’t unless you know what you really want.

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The Google Street View project in Thailand ran into a spot of trouble a few months back when a Street View worker was accused of being a government spy by villagers in Phrae province, while there are also complaints that the technology records too much information. BK caught up with Chawin Srabour, 25, Street View driver-operator, and Anuchit Jittranakul, 42, who is the program’s manager in Thailand, to get the lowdown on their operation.  
 
How did you get the job? 
Chawin: I used to be a freelance photographer. I was asked by the Google team if I was passionate about traveling, able to deal with unexpected situations, be observant and fast working—I answered yes and I got the job.
 
How is the project coming along since its launch in 2011?
Anuchit: Right now, we’ve shot 25 provinces. By the end of the year, we are launching the Street View special collections, which involves the use of a camera backpack to capture areas that cars cannot access.
 
What’s your biggest concern on the job? 
Chawin: The Street View camera is very expensive and I need to take good care of it. Each operator drives alone. It takes independence and a strong mind. 
 
How do people react when they see your car? 
Chawin: They’re curious, but mostly in a positive way. Many people ask me who we are and what we are doing. We explain to them that we are promoting tourism, like when we met Burmese troops controlling the border in the Northern provinces. We simply told them that we want to show images of the area so that travelers can be aware of the real situation there. 
 
How do you handle unexpected events that might pop up?
Anuchit: Our safety is the most important thing; when any of us are in trouble, we stop working, and go and help each other. I am based in Bangkok, and every morning I turn on the GPS tracker to see which car has their device on. If one’s not on, I’ll call them to check if everything is OK or if there’s been an accident. 
 
Tell us about the infamous spy accusations.
Chawin: They thought our car was suspicious, not knowing that the equipment on top was a camera. We showed them the documents and explained our project to them, saying that we worked with the Tourism Authority of Thailand (TAT) to promote tourism. We were lucky that the head of Street View was a local and can speak their dialect. This made them more accepting of us. We were asked to confess the truth in front of the monks. We did it and showed our respect to them. We’d been trained on what to say when locals approach us. We are trained to be polite, calm and truthful to villagers; to respect their property. 
 
What’s your most memorable experience on the job?
Chawin: I drove past a spirit house, the camera captured the location, and then all the power turned off. I don’t know what happened! 
 

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We speak to the founder of Kala Club about the super-exciting upcoming Friday the 13th: Hideout event, as well as future projects in the works. 

What inspired Friday the 13th: Hideout?

The [event organisers] A-Team wanted to host an event that is unlike anything that has ever been done before. We wanted to cater to party goers in Singapore who are looking for an underground party with a different sound and feel, so we created a pop-up club in a secret location.

We understand that The A-Team is a "supergroup" comprising six event organizers, Inception Entertainment, French Bastard, Kala Club, Osborne Holdings, Social Nomad and The Key Card. Tell us more about your unique collaboration and the process—who handles what?

This collaboration was made possible by [director of Inception Entertainment] Desmond Choo, who had a vision of uniting who he feels are influential event organizers in Singapore. He felt that we should combine our efforts and strengths to create a mega party that will be the talk of town, instead of focusing on small-scale projects. While it is quite difficult to explain exactly what our roles are, we have been able to work together and divide tasks in such a way that all of us can do what we enjoy and are good at.

What are you most excited about?

Personally, I am very excited about working with such talented event organizers. I truly believe that with all our strengths combined, we can create parties that will have the town buzzing.

What sort of crowd are you expecting?

I think that the people who turn up at our event will be those looking for something that is not mainstream. Our crowd will follow us because they like the music line-ups and different experiences that we offer.

What can partygoers expect?

A well-organized event with amazing beats, entertainment, great drink offers and lots of fantastic people. 

What else do you have up your sleeves?

We have quite a few things in the pipeline, individually and collectively. For example KalaClub and Social Nomad are running the first ever Bollywood party in Pangaea on Dec 19, which we are very excited about! As for the A-Team, we will reveal our next event by the end of the year.

Friday the 13th: Hideout takes place on Dec 13 at a top-secret location which will only be revealed on the day of the event. $35-$45 from Peatix

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The legendary filmmaker and founder of America’s first indie film studios Troma (Tromeo& Juliet, The Toxic Avenger) will be in town to conduct a two-daymasterclass. He talks to us about cult status and guilty pleasures.

How did it all begin?

In the late 1960’s, I was enrolled at Yale University diligently working on a respectable degree in Chinese Studies. I was placed in a dormitory room with two film fanatics, and from that moment everything changed. I met my partner Michael Herz in 1971 at Yale and The TromaUniverse was born in 1974. It arose from my desire to do things my way and not have to feel pressured by Hollywood studios to do things the “correct” or boring way.

What is Troma's signature?

All of the movies Michael Herz and I created concern the underdog citizen of Tromaville who is being sucked dry of economical and spiritual capital by the bureaucratic, corporate and labor elites. A signature theme in our films has always been about rooting for the underdog against all odds.

What are the necessary elements in making a good movie?

I do not know what makes a “good movie” but I do believe one very important thing is to follow the Shakespearean mantra “To thine own self be true.”

Define cult. 

Cult is when you have sold-out retrospectives of your work one day, but get kicked out of line for a screening at Cannes for not wearing a suit another day. Cult is receiving art work and fan letters requesting autographs from around the world, but having to explain your career to extended members of your family another day. Cult is taking the subway as an unrecognized ordinary person, while having legions of fans show up at conventions to show off their Troma body art.  

What's the secret to your success or longevity?

Success?Longevity? I think you have me mistaken for Andy Kaufman, who is still alive even after dying from lung cancer. Now that is longevity. No but really, Troma’s greatest success is our loyal and supportive fan base. We’ve always been very interactive with our fans and they have stuck with us over the years.

What is your own personal guilty pleasure or vice?

My own personal guilty pleasure is chewing gum and spitting it on the sidewalk (I hope this gets me frisked at the airport)!

What do you have to say to art-house film buffs?

I respect art-house film buffs for supporting independent art and not fueling the media conglomerates. They understand that art is very important to the human spirit, and is a reflection of society, which is why it is important for us to nurture new and unique voices and support independent art instead of supporting big budget remakes that offer no reflection of the human psyche. 

Lloyd Kaufman’s 2-Day Filmmaking Masterclass is on Dec 14-15, 9am-5pm. LaSalle College of the Arts, 1 McNally St., 6496-5000. $159 onwards from www.masterfilmmakers.com

 

 


 
 

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After joining Isan Dancehall late last year, UK dub producer Prince Fatty is riding into Thailand once again, promising “big bass lines, hot dancers and beats that will drive you crazy.” After appearing at Big Mountain music fest on Dec 7-8, he’ll head to Bangkok for his Tropical Dope Party at Rockademy on Dec 14. We spoke to him about his latest project and his ongoing fight for musical freedom. 

What brings you back to Bangkok?
Big Mountain and Sticky Rice Sound System have invited us back, after we kicked it last year. This time will be even better. I am bringing over 30kg of dub plates [custom vinyl records] of fresh music. The speakers are even bigger this year, so the deep bass will travel far. We’ll be with special guests Cian Finn, UK soul legend Omar [Lye Fook] and one of Jamaica’s best dancehall MCs, Horseman. I will be selecting and playing some real killer tunes, the very best in reggae, afro, soul and disco.
 
How did you first get into reggae/dub/dancehall/ska?
I loved the bass in music, so I just followed my ears and my vibe. I started by listening to reggae and hip hop pretty much at the same time. I ended up in the ghetto of London where the good music is made. This is where I got the training from reggae producers and sound systems. Music is like martial arts, it takes years to learn all the moves, as you get older you get more powerful as your understanding grows.
 
Tell us about Tropical Dope – I understand it’s a label/promoter/party all wrapped into one?
Tropical Dope takes care of itself: we make some of the best parties, we control the sound, the mood and tempo. After a while, I felt we had to make our own music to keep things fresh. I did this with reggae, now Prince Fatty and Horseman are doing the same thing with afro, disco, funk and hip hop. We are now working with artists such as Marcia Griffith, Big Youth and Omar, who we are bringing to Thailand, and developing new younger talent.
 
You’ve been very critical of the music industry in the past—is Tropical Dope a response to this?
Yes, we need musical freedom--freedom of notes and of melodies, vibe and expression. I am told by the business not to work with foreign language artists. Why? This is negative. I love learning and hearing new sounds, exploring moods. This is why English music uses things like "baby, I love you baby" nonsense in songs. Other professionals who work in TV or performing athletes have rights; we have none. Musicians are treated badly, have no rights over their work and get very little respect even though the whole world enjoys the sounds we make. Can you imagine a world with no music?
 
What have you been working on lately?
I recorded a recent album by a fantastic singer called Mayra Andrade from Cape Verde on Sony Records and Hollie Cook, our lover’s rock reggae singer has just completed her album—disco reggae for romantics.
 
What can people expect from your sets at Big Mountain Festival and the Tropical Dope party?
Big bass lines, hot dancers and beats that will drive you crazy. Our reggae set brings together 30 years of great reggae into one big mix and Horseman is the master MC who will "rub a dub" dance all night long. 
 
How different is your material live to on record? I hear you tend to play a lot of unreleased material…
Yes, we play what we call "specials;" these are songs we record just for the sound system. We take the vocals from famous songs and do our own music and beats, such as our afro version of "The Message". Eventually some will get released, like our reggae version of the disco classic by The Whispers, "The Beat Goes On" by Hollie Cook.
 
What’s your most memorable touring experience?
Doing a sold out show at the Dub Club in Los Angeles and hanging out in the Sierra Nevada mountains with all the reggae greats like Errol Dunkley and Cornell Campbell--chilling on my hotel balcony while they were telling me stories and drinking warm beer!
 
What was the inspiration behind your Battle for Seattle (2011) album of Nirvana covers?
Myself and Mutant Hi-Fi occasionally feel misunderstood. On this occasion I heard Nirvana in a shopping mall and I felt the inspiration. Both being fans of Nirvana when we were kids, it just felt right.
 
Doing a full album of Nirvana covers suggests you have pretty broad influences; how would you define your tastes?
Open and magical, I can tell if something is fake. In reggae the man choosing the songs is called "The Selector." I have tried to be the best selector I can without tricks just raw songs. Music takes on a life of its own. Once we have recorded something, it’s alive. I get pleasure from seeing the reaction on the dance floor. It’s often natural and the people just can’t stop dancing and vibing to the sound.

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After breaking onto the scene in 2008, much-loved indie trio Yellow Fang are finally about to release their debut album, The Greatest. BK caught up with two of the trio, Pimporn “Pang” Metchanun (guitar and vocals) and Piyamas “Pym” Muenprasartdee (bass guitar and vocals), ahead of their support slot for off-kilter Canadian rocker Mac DeMarco at Cosmic Café this Friday (Dec 6). 

The gig on Dec 6 is being billed as your album launch. What can you tell us about your first full-length release?
Pang: We really want it to be, but we’re not sure that we’ll make it in time. The album’s coming along, though. As of now, we’re calling it The Greatest, as it will compile all the tracks we’ve got, re-recorded, with a few new songs. Many songs have taken quite a lot of time to finish. The songs may fit in well together, but some were written several years apart. 
 
From your first EP Yuk Keaw (2008) to now; how much has changed?
Pang: I think our songs now are not really that different from when we started. But, yes, there’s quite a difference in sound. We’ve been experimenting a lot with reverb and mixing effects. For example, in “Unreal” we wanted a natural reverb sound, so we recorded it in a reverberation room, and a few other tracks were re-recorded like this, too.
Pym: There are a lot more choruses now, too. Serious choruses.
 
How has the music scene changed?
Pang: When we were starting out there were lots of indie rock parties, even on Tuesday and Wednesday nights, like Coco Night and Club Culture. It was the Myspace era, too. The likes of Sqweez Animal and Slur were part of the scene, too. There were a lot of venues for bands, and record labels didn’t matter so much. Now, Fat Radio is gone from the radio. It’s still broadcasted online, but we used to listen to it more in the car. There are many new bands now, but most are doing a folkish sound, or, I don’t know how to put it, maybe pop, with better taste and more diversity.
 
Many bands that came on the scene at the same time as you have disappeared. What’s kept you going?
Pang: I think back then most bands shared this idea of just having fun while doing what they like; they never thought of it as a life commitment. Yellow Fang is lucky in many ways as we’ve got to do many things and got to play continually. Maybe if we weren’t booked for a long time, we might also have given up.
Pym: Also, it’s just three of us, and we’re friends. There might be more headaches with bands of five men. For us, it’s easier to organize things. We used to meet almost every weekend when the old Rod Fai market was still there. Now it’s once or twice a week, but not to rehearse, just for gigs or shopping.
Pang: Yes, lately, we only rehearse like once or twice a month.
 
You often describe yourselves as music lovers more than musicians.
Pang: We’re definitely not professional musicians. We don’t play all day long or make a living from our music. It’d be nice to work full-time on music, though.
Pym: We’re no guitar heroes. I don’t slap the bass. It’s more about having fun and doing what we like.

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Though founded only five years ago, Super Machine Studio is already known as one of the most creative architecture firms in the country due to its various architectural projects, from the playful Bangkok office of Saatchi & Saatchi, Bangkok University’s International Center to the facilities for Big Mountain Music Festival happening this weekend. BK talks to the studio’s founder Pitupong Chaowakul, 38, about being a nerd and the present state of Thai society.

I have a childish imagination. As a kid, my parents both worked hard as doctors, so I spent a lot of time at home watching cartoons and playing with my toy robots. This expanded my imagination. And I still tap into that today in my work.

I love science fiction more than fantasy. For me, fantasy is surreal, but I prefer fiction that points at a possible future. This helps you work creativity to make things happen.

I like small offices. I’ve never worked with more than 10 people in my office. When I graduated from architecture at Chulalongkorn, it was the time of the Tom Yam Kung crisis so I decided to go work abroad in Singapore, where we had only four people. It was the same in my next job in the Netherlands, too. Now I have only 6-7 employees.

Living abroad expands your mind. You have to adapt to different societies. In Singapore, for instance, things are quite strict, while in the Netherlands, where I did my master’s in architecture and city planning, there is so much freedom. People aren’t afraid to voice their opinions, there, which brings great rewards.

Working with people your age is not always ideal. I founded a company with my friends right after I came back from the Netherlands. But it didn’t go well as we all wanted to do things our own way. That’s why I started Super Machine five years ago. It’s my killer machine.

Architects are like ducks. We can do everything, but only a little bit of each, like ducks can only swim, dive and fly a little. Architects must know a bit of everything to drive them further.

Architecture records history. It’s not just about designing something to serve the needs of people; it must say something about changes in society, too.

New and old architecture can sit side by side. All over the world, there are lots of old buildings that have been preserved for new forms or uses, like Las Arena, a decayed bullring in Barcelona, Spain, that’s been transformed into a mall complex rather than being razed.

I don’t believe in making timeless designs. Some people think that our designs are too bold and that people will get bored with them after a short time. But sometimes when you’re preoccupied with making something timeless, it limits your real creativity.

Thais often make hasty decisions. When you don’t think things over you end up with skin-deep beauty. Just look at government projects or when local administrations decide to build something with a Thai touch. They end up not designing it properly and coming up with some weird building with weird Thai touches.

I love to play with cultural issues in my design. The Big Mountain festival is a turning point for my work. When I was assigned to create the facilities for the festival, I discovered that I love to approach our culture in a sarcastic but creative way.

I love sticker-selling street carts. They totally reflect our culture. Somehow three unrelated things—stickers, colorful balloons and ceramic piggy banks—can be sold side by side and they make perfect sense.

Thai society is insane now. Looking at the political turmoil, it’s clear we’re living by emotions not logic. Many people are posting things on Facebook and assumingpeople all over the country think the same. It’s not the case! There are millions of people out there who aren’t your friends on Facebook and they don’t think the same as you. Look at things logically.

Design is so broad nowadays. Everything is merging together. That’s why Super Machine isn’t limited only to architecture—we love to create everything.

I can’t do any one thing for too long. I always work play on Facebook while working, chatting and walking around. I never read one book at a time as I love to read a little of each. That’s why I always have dozens of books on my bed stand.

I like nerdity. It’s good to really understand an issue that you’re interested in. It’s fun to be deeply fascinated in something—it makes the working process flow nicely, too.

I love challenging myself, trying new things and seeing how far I can go. I used to go biking with my employees and found out these grandpas and ladies would easily overtake me. How could that happen? I went crazy training so now I can easily ride 300 kilometers. Next I aim to do a triathlon.

Travel is my ultimate passion. I work to save money to travel.

Traveling helps you understand why things are the way they are. You experience history and see the journey of people and things over time. Then you can apply this knowledge to your future tasks.

The more you see, the more you grow. That’s why I always bring my employees along when I travel to places like India, Cambodia, Spain and Japan. I’m planning to go to Peru next.

Freedom is important. I work with customers who give me the freedom to create work the way we want to answer their desires. I also work to save up money to travel anytime that I want without having to worry about timeframe or work preventing me from doing what I want to.

Trust your instincts. This is what I’ve learned as I’ve gotten older. The more you use reason, the more it will restrict your imagination.

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While business leaders worry that the long-running protests will damage the economy, some people are making a quick profit. BK caught up with one of the vendors Tong Chanchai, 35, who follows the mob around town selling his whistles and other protest-related paraphernalia.
How do you start out selling this stuff?
I’ve actually been doing this for about two years. I used to work in a shipping company after graduating with a marketing degree. After doing that for eight years, I got bored so I quit and started working as an extra for movies, adverts and lakorn (Thai soap operas). At the same time I started selling stuff at event venues like Muangthong Thani, Rajamangala or National Stadium for concerts and sports events. It’s only since the protests against the amnesty bill that I’ve started doing this on a daily basis. It’s very popular as people really love to show their political viewpoint.
 
How do you start your day?
I live near Fashion Island Mall in Bangkapi. I leave home about 9am and catch the bus to Wat Sriboonruang Pier to take the express boat into the city. I get off at Pratunam Pier near CentralWorld then choose a spot to head to, like Silom, where there are many office workers who love to buy this stuff.
 
Which are the best sellers?
Definitely the whistles. They are only B20. Then wristbands and headbands. I don’t really go to sell at the big events on Ratchadamnoen Road—the items for sale there are really excessive. The protesters are looking for new things like earrings or rings. I don’t try and sell them because it’s pretty expensive. I normally buy the items from Sampeng.
 
Have you ever gotten in trouble doing this?
A lot. Mostly with the mafia and municipal police, though. The worst place is in the Ramkhamhaeng area. The municipal police will ask you to pay B300-400 to sell stuff. They’re smart, though; they get the other vendors to collect the money for them.
 
Do you earn good money doing this?
At the start of the amnesty protests, things went very well. I could make as much as B10,000 a day. But now everyone has whistles, and headbands, so my income has dropped to B2,000-3,000.
 
Do you go to sell at the red shirt protest site?
No, I don’t. I don’t like their political ideology. I knew at the beginning that they were swindlers. I heard that people who went to sell stuff over there couldn’t make much money. The protesters, who are mostly elderly people from upcountry, don’t buy. They just gather to listen to the platform. I even went to join the protest on Nov 24 at Ratchadamnoen Road, not to sell because I wanted to show my solidarity. Still, I heard that my friend made B50,000 in sales that day!
 
You’re benefiting from this turmoil; do you want it to end?
Of course. I don’t want to sell this stuff. I see people are more patriotic because of this protest as they show that they really love this country. But I love to see people get together for sports events not protests. I want our country to be better than this.

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