Free Will Astrology, Week of March 16, 2012

PISCES (Feb 19-Mar 20): Seahorses have an unusual approach to reproduction. It's the male of the species that cares for the eggs as they gestate. He carries them in a "brood pouch" on his front side. Of course it's the female who creates the eggs in the first place. After analyzing the astrological factors coming to bear on your destiny, Pisces, I suspect you will benefit from having a seahorse-like quality in the coming weeks.

Topics: 
city living
Author: 
Rob Brezsny
Issue Date: 
2012 Mar 15 - 23:00

Outspoken frontman Tom Meighan tells Ric Stockfis about growing up, the making of Velociraptor and living forever.

You’ve gone from obscure psychedelic titles [previous release West Ryder Pauper Lunatic Asylum] to dinosaur names. What’s going on?
It just sounds good, you know. I could have used the word “triceratops”! It’s just that I’m obsessed with Latin words and prehistoric things. Well, not obsessed but I like the way they sound.
 
You seem to have calmed down a bit since you started out. Are you a different band now?
We’re all the same guys, we’re just a bit older and we have families now, which is crazy. Listen, we were going to be one of those bands that either didn’t do it or did; and we did. And I’m glad we did.
 
How has that change in your personal lives affected the songs you write?
Some of the songs on Velociraptor are very intimate and deep and caring. Songs like “Goodbye Kiss” are about relationships and things we’ve been through together. But there’s ballads on West Ryder too, man. Most of our songs have been playing with words for a long time, and mixing and matching them. Creating different, diverse lyrics. And that’s what our songs have always been. And this album was just more about our lives. With West Ryder, we set out to make our crazy record. Every band should have one. And it got massive, which is even weirder.
 
How do you avoid getting stale?
We’re always going to change our ideas and be inventive as much as we can. For our next record, Serge [Pizzorno, co-conspirator in the band] was saying he’s going to put nine songs and make them all two minutes each and fuck everyone off big time! Make it like the dirtiest thing we’ve ever recorded. We’re not an indie rock band, we’re a rock and roll band and we’ve never been part of a scene. There’s no point being in a category. We’ve not done a blues record yet. We might just do an electronic record with no guitars on. Imagine that! Or, I don’t know, a record with loads of choir singers on it…
 
What’s this acting gig of yours [Walk Like a Panther] we hear about?
Well, when that comes it’ll come. I’d been on to a friend of our manager’s, when I was under the influence, about how good of an actor I was. Then he comes up to me with a script, saying, “you’re in it.” He put me in the fucking thing! It’s about wrestlers reforming, based in the north of England, and it’s got a load of amazing actors and actresses in it.
 
Who else are you listening to at the moment?
They’re hot at the minute, but the Black Keys are great. I thought The Horrors have got a great album. I’ve been listening to the Travelling Wilburys, actually – I’d forgotten how amazing Roy Orbison was. And I’ve rediscovered Motown again; how fucking fantastic that music is. And Peter, Paul and Mary with “Puff, the Magic Dragon”.
 
Is Kasabian for life?
I hope so. The Who did it. Unless there’s any egos that start getting bigger than they should; then I think we’ll be alright. I want to live forever with the band, and go forever. I hope I’m doing it when I’m grey.

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Before the Silverlake music festival kicks off this Saturday, we speak to Brandon Boyd, frontman of the legendary American rock band Incubus, about his latest release and the upcoming show.

What took place in the five-year gap in album releases?
In no particular order and without saying who did what, the activities that took place in that time frame were as follows: Children, unpacking, school, solo albums, reflection, panic, serenity, travel for pleasure, and the use of one toilet for an extended period of time.


Each band member has grown tremendously during the hiatus, with music studies, solo albums and much more. How did this play into the production of the new album? What were some fresh, new, creative ideas that band members brought back?
Thank you for the observation! I think that if we were to use the analogy of building a house as compared to writing a song, this time around, the tools we used to erect this creative structure were different than ever before. Hence the dramatic shift in sound and themes of If Not Now, When?


Your latest album, If Not Now, When?, is quite a shift in style. What inspired you to that?
Most likely the fact that our tools had changed, but also that lovely little fact about our band that has remained constant after 20 years of making music together: We don't want to write the same song twice. And we like the idea of challenging our audiences.


How was the response from your fans?
As always, the response is mixed. It's a beautiful thing!

Any plans for doing the hard sound style like your early days again?
We are trying to “plan less" at this point in our career.

What are you looking forward to seeing the most on this visit?
I look forward to being witness to love and music in a time of strife and madness.
 

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