Why did you combine two relatively obscure art forms in one?
I found Marivaux and likay made a per-fect combination. Likay is low class theater. The Isle of Slaves, meanwhile, is social satire: it’s about class and manners.

Was it difficult for the troupe to adapt to the demands of Marivaux?
I had to adapt myself to the troupe. The first rehearsal was a disaster. But they soon grew very enthusiastic.

How has it changed since you began?
Before the first rehearsal, I wanted to do it in a modern style with likay. But once I started rehearsing, everything changed. I found it most interesting when I let it go, when I didn’t stick to pure Marivaux.

What are your expectations?
We’ll reach likay fans, but really I want other people to attend. The Ministry of Culture wants to teach people to wai properly, while the National Theater is empty. My dream is to see people go out and see shows: Thai, Indian, ballet, Marivaux, whatever.