Victor Silakong, director of the Bangkok Film Festival, talks about his latest project: a synthesis of an 18th century French play by Marivaux, Isle of Slaves, and Thai likay.

Why did you combine two relatively obscure art forms in one?
I found Marivaux and likay made a per-fect combination. Likay is low class theater. The Isle of Slaves, meanwhile, is social satire: it’s about class and manners.

Was it difficult for the troupe to adapt to the demands of Marivaux?
I had to adapt myself to the troupe. The first rehearsal was a disaster. But they soon grew very enthusiastic.

How has it changed since you began?
Before the first rehearsal, I wanted to do it in a modern style with likay. But once I started rehearsing, everything changed. I found it most interesting when I let it go, when I didn’t stick to pure Marivaux.

What are your expectations?
We’ll reach likay fans, but really I want other people to attend. The Ministry of Culture wants to teach people to wai properly, while the National Theater is empty. My dream is to see people go out and see shows: Thai, Indian, ballet, Marivaux, whatever.

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The entrance to every office building in the world is overseen by a smart, stern and silent security guard. With most of the building’s other inhabitants he enjoys little more than a nodding acquaintance. But what does he do all day? What is he thinking? To find out, we spoke to our anonymous doorman at Silom Center, Komsun Kansan.

Of course every building needs a guard in case of emergency. But what does your job involve while you’re waiting for one to happen?
Well, I have several tasks, really: helping anyone who needs information, controlling the entry of visitors, holding the lift—as you can see, it’s pretty old. I do any number of things that need doing in a big building like this. And, of course, I’m here in case there’s a problem.

So has there ever been a problem?
Not really, I’m happy to say. The biggest problem is trying to sweep merchants off the steps in front of the building.

How long have you been doing this job?
About two years now. I’m only 22, and I was a monk before I started here. This job takes up almost all of my time: we have to keep the building under surveillance 24/7. I don’t get paid leave or weekends off, but I can take a couple of days off here and there if my boss agrees to it.

Have you seen anything of interest out on the street while you’re keeping watch?
Sadly not. Occasionally there’s a small traffic accident, but I haven’t seen anything big. You do see some pretty young ladies out and about, though.

So do you find the work a little boring?
Nobody would describe this as very exciting work. But it’s not bad. At least I get to deal with people every day. I’m not from Bangkok originally, and this is just my first job here. I used to pass time by chatting on the phone, but I was recently told off for that. I’m not allowed to read or listen to music, either.

That is truly terrible. Do you have to remain at your station for hours on end?
Oh no, it’s not as bad as that. In fact, I work in shifts with another guard. We call each other when we want a little break, so I’m not sitting in the same place for more than an hour or so. I’m allowed to take a short stroll from time to time.

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