Shopping takes on a whole new meaning at art exhibition Bag It!.

If you find yourself running out of shopping bags along Orchard Road this weekend, fret not. Just pop by Instinc art gallery, located just a few units from popular bars Ice Cold Beer and No. 5 at Emerald Hill, to get your hands on unique shopping bags.

The exhibition Bag It!, which features more than 20 artworks—including said bags, digital prints, photographs and installation pieces—are the collaborative efforts of a group of young local artists, including Yeo Shih Yun, Wyn-Lyn Tan, Warren Khong and Terry Ong. It’s a diverse selection of works which revolves around the theme of shopping and why Singaporeans are obsessed with it.

“Shopping is always close to our hearts,” says artist Yeo Shih Yun, the curator of the exhibition. “Be it having to elbow the incessant crowds everyday as we make our way to our workplaces, or having to dodge jewelry salesmen shoving flyers in our faces, shopping is significant to all of us.” But the artworks at Bag It! explore the diverse (and sometimes dark) notions of shopping—beyond the superficial connotations usually associated with simply spending one’s moolah.

Warren Khong’s digital prints, for example, a collaborative piece with design collective JKYRD, is a colorful depiction of the perception and influences of pop culture and modern society on arts and design. Wyn-Lyn Tan’s colorful and lovable bag “Candy Land” is just that: A bright and lively discarded green suede Mango bag stuffed with little handmade felt toys. Danish artist Anne Vilsoe mixes acrylic, spray paint and varnish on plastic bags in her piece “Liquidity,” creating an organic visual piece that comes replete with handles that resemble drinking bags for coffee (you have to see this for yourself). Terry Ong’s “Elegantly Wasted (With Thanks to Aimee Chan),” explores the concept of waste, and links shopping to getting drunk.

It’s certainly a mixed bag of works at Bag It!, but with a little imagination, shopaholics can find new meanings to associate their favorite pastime with, and perhaps have a little fun at the exhibition.

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We get down on to the dance floor with a funky DJ.

John McCord from club sensation Hed Kandi arrives for his monthly gigs at Ministry of Sound (MoS). We excitedly pulled him to the dance floor, and yelled questions at him above the deafening house music.

So, how has the response been for your gigs at MoS so far?
Absolutely fantastic. The first time I played at MoS was with Peyton on Christmas Eve. It’s one of the best gigs I’ve ever done.

Describe your sound.
House music all night, baby. I travel a lot, and that affects my sound. I play big, fat and funky bass lines.

What are your musical influences?
I grew up loving jazz, reggae and hip hop, and started digging house music in the ’80s. I love people like Stonebridge, Masters at Work, Axwell and Ian Carey.

You’ve collaborated with so many people. Who are some of the artists you’ve worked with?
I’ve done remixes with Stonebridge, Jungle Brothers and Who Da Funk. I’m currently working with singer Peyton, and I have just produced an album for Baby Bam.

I’m sure there are both good and bad aspects when working with different musicians. Let us in on that.
Meeting people who share my passion for music is always great. Whether it be working in studios or playing music in clubs, I like to share the joy I’ve derived from music with others. The down side
is that I have to hang around airports quite a bit because I have to travel a lot. That’s boring.

Do you prefer to produce your own music or to remix someone else’s tracks?
That’s hard to say. It’s an honor when someone asks me to remix a track for them. Yet there is something very special about producing something new.

Where have you gigged at?
Ibiza, the UK, China, Malaysia, Thailand, and places in the Asia Pacific region.

You are a DJ, producer, writer and musician. Why the diversity?
I don’t really see them as disparate jobs. They are all related to music, and go hand in hand. I love dance music, so I got myself into DJing, and that naturally leads to producing. When you produce, ideas come into your head, and you have to write them down. That’s how I became a writer as well.

Any future goals?
I want to sell eight million records, buy an island and not spend so much time in airports. I hope to keep playing good music that people will like.

A few years ago people saw Hed Kandi as a very fun label doing fun music. How has the Hed Kandi label evolved over the years?
It’s still a fun label. But Hed Kandi has definitely evolved. From classic house to twisted disco, it now has a broader base of music. The label has grown very rapidly over the past six years. It started in London, and now has become international.

What do you think of the DJing scene in Asia?
It’s really great. In Australia, the scene is already very developed. In Asia, the scene is developing. I see a rapid growth of producers and DJs and things can only get more exciting.

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More and more people are heading offshore to party. Here’s how to get your feet wet and join in the fun.

Even as the club and bar scene hots up like never before, a new option has sailed in to tempt partymakers looking for new territory, boats. Gentle sea breezes, gorgeous sunsets and the tranquility of the ocean are definitely a lure. If you want to take off and organize a party on the high seas, check out these boats. There’s something for the mild and the wild and the super rich.

For the Mild

If you’re a party cynic who is sick of garish lights, smoky pubs and having to shout above earsplitting music, take a peek at these boats. These leisure crafts are small and comfy, making them ideal for casual and intimate get-togethers with a few buddies or family members. Accompanied by qualified skippers and professional crew, your party is certain to go smoothly.

Privately owned yachts such as Rising Tide, N’Joy and Bella Rose are available for charter from SAF Yacht Club (110 Tanah Merah Coast Rd., 6389-3750), and they are definitely worth checking out. Rising Tide is an 80-foot yacht that can carry up to 20 passengers, whereas N’ Joy and Bella Rose are 36 feet and can take up to 10 persons. These cozy boats sail to destinations such as Sentosa and the southern islands of Singapore.

Boats, Boats and Boats Services (33 Tuas Rd., 6861-6965/6861-5377) has a 48-foot motor cruiser Dreams that can accommodate up to 12 passengers. Make full use of its karaoke facilities and sing to your heart’s content. Urbanites who can’t survive without their daily dose of television programs will be glad to know that Dreams’ luxurious lounge area hosts a television and a VCD player. We recommend you watch Titanic and croon to Celine Dion’s “My Heart Will Go On” just for kicks.

Sporting two barbeque pits and a spacious sun deck, Dreams allows bikini babes to get a tan and worry about their figures while the rest gorge themselves with tasty hotdogs, chicken wings and prawns. Sip wine, fish, and chill out to the sunset while the boat sails to Johore Straits or to one of Singapore’s offshore islands such as Pulau Hantu, Sisters’ Island and Kusu Island. Customized programs and cruises are available too. Bring your own alcohol.

For the Wild

If quiet barbeques and soothing music bore you to sleep, and you prefer some insane merrymaking, check out these ships. Packed with lots of facilities, these mean leisure crafts are perfect for throwing some wet and wild parties.

Fantasy, Harbour Queen and the Chinese junk boat are three popular ships that you can charter from Singapore River Cruise (#15-06 High Street Centre,
1 North Bridge Rd., 6336-6111/6336-6119). Accompanied by three lounges and a fully equipped galley, the 95-foot yacht Fantasy can accommodate up to 60 guests. Individuals seeking that adrenalin rush can check out its sea sport, diving and fishing equipment.

About 100 passengers can indulge in some crazy revelry on board the 118-foot Harbour Queen. Besides the usual karaoke facilities, this ship also has a dance floor for party goers, and it has seen some wild partying action, like the two parties The Butter Factory organized in September and December last year.

If you are intending to organize some thrilling performances to entertain your guests, the Chinese junk boat will do the trick. This exotic boat that can hold up to 130 people is blessed with a small stage for strollers lusting for a little fame. Customize your own party with the different menus that Singapore River Cruise offers. From Japanese food to Thai cuisine, there is something to satisfy every discerning taste bud. Different activities such as mahjong sessions, card games and foam parties can be arranged too.

For a really extravagant party, sail with Silolona (#04-03 Wilmer House, 1 Thomas Walk, 6887-4337). This lavish traditional teak sailing ship built recently in Borneo travels along the ancient spice routes. From December to March, it travels to Malaysia, Thailand and Myanmar, whereas April to November, Silolona goes to Indonesia. Diving, snorkeling, fishing and cultural trips can be arranged. Pretend you are one of the old merchants searching for spices and indulge in some luxurious old world romance.

Star Cruises (#11-08 Park Mall, 9 Penang Rd., 6223-0002) isn’t chartering out any ship for raves, but we thought every clubber should look out for its coming cruise parties. If its previous cruise parties are anything to go by, its upcoming parties should be hot. Sizzling live acts Electrico, Astreal and Surreal rocked the enormous SuperStar Virgo in a series of two-night cruise parties last October. Top notch local and international jocks such as Chris Ho, Akira, Don, Ashidiq, Leonard T and Fono also graced its decks and played lush and sensational tunes that kept the dance floor moving all night.

Besides great music, there was eye candy for the fashionistas too at last year’s parties. Groovy clubbing gear by TopShop and Oppt was paraded in a fashion show that received lots of thumbs ups. Star Cruises also arranged for massage services for clubbers on board to sooth their tired muscles before they hit the dance floor again. Armed with a swimming pool, a library, gyms, Jacuzzis and restaurants boasting different cuisines, this 2,000-passenger monster is impressive. The parties that it will host this year look set to be no less spectacular.

Partying is no longer just the terrain of clubs, pubs and bars. With the increase in party goers taking to the seas, our nightlife can only get more exciting.

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Dream Theater proves that people can get far just by doing their own thing.

Fans of progressive heavy rock will be familiar with the five mean and talented guys from Dream Theater—James LaBrie, John Myung, John Petrucci, Mike Portnoy and Jordan Rudess. We shudder as we near the legendary band, and pray that keyboardist Jordan Rudess will not notice our trembling hands and fake tattoos as we chat with him.

So many bands have come and gone, but Dream Theater has survived 20 years. What’s the secret of the band’s longevity?
Dream Theater has always been very honest. We are not catering to fashion or trends—this is what makes us unique. We are just making our own music. Many appreciate us for what we do, and that’s why we’ve survived for so long. We are not just another passing fad.

What are some of the ups and downs that Dream Theater has gone through?
Before I joined the group about seven years ago, there were a lot of personal problems within the band. There was also a lot of pressure from the record company to make the group commercial. That was one of the worst periods for Dream Theater. Now we are recovering, and things have been smooth sailing for the past eight years. We just got back from South America; it was very exciting to see we have a big following there.

What keeps Dream Theater’s music evolving?
Dream Theater has always been about creativity. We always keep our ears open to what’s happening in the world. That keeps our music changing, growing and progressing.

All of you are masters of your crafts and excellent solo musicians. What is it about going solo that you can’t do as a band?
The music we make as Dream Theater is a fusion of our individual styles. Our solo projects allow us to stretch out and go into a style we wouldn’t go into as a band. I am into classical piano and I find it very rewarding to pursue that. I also use synthesizers to create very heavy and deep rock music that wouldn’t fit into the usual style of the group. John Petrucci recently has a solo album that has no keyboards at all.

What are the highlights of your coming concert in Singapore?
Our 20th anniversary concert in Singapore takes a retrospective look at all the music we’ve made—tunes from our first to our newest album. We will be playing for about two and a half to three hours. It should be fun.

We admit we are guilty of sneaking in cameras and recording devices into concert halls. What is your opinion on bootlegs?
We are fine with them. They keep the energy going. A true fan will have everything related to Dream Theater—including bootlegs. Bootlegs are dangerous for groups which follow trends or fashion, because these groups die out fast and bootlegs will affect the album sales. But we are not one of these groups. So bootlegs don’t really affect us.

Tell us more about your newest album, Octavarium.
Dream Theater writes lyrics that are deeper than a standard love song. Each song in Octavarium has its own story behind it. For example, “Sacrifice” talks about the 9/11 incident. There are eight songs in total, and each song is like a different step in a musical scale. Everything in Octavarium, including the artwork on the album sleeve, plays around with the number eight.

So, what music is Dream Theater listening to right now?
We listen to different genres of music. I am currently listening to electronic music. Some of the stuff I’m listening to includes Porcupine Tree and RadioHead.

Any words for fans?
We are very appreciative of fans. They make our careers happen. We enjoy going to different places such as Singapore, Hong Kong and Bangkok. New places, new people, new fans.

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With booms and bangs, indie party organizer Subvert churns out yet another drum ‘n’ bass gig.

We’ve always had a secret fear that attending Subvert’s drum ‘n’ bass gigs will give us a headache that throbs in sync with the music. Hiding our painkillers, we chat with Zul Othman, one of the cool guys behind Subvert, and discover we need not have feared.

What’s the philosophy behind Subvert?
We’re pretty free and easy, so I guess the main philosophy behind the Subvert parties we’ve been doing for years is just to have fun! It’s all about good tunes and coming together with your mates for a laugh—just what clubbing is basically about, really.

So, why drum ‘n’ bass?
Apart from house, drum ‘n’ bass is quite possibly the most eclectic genre in dance. It oozes flavors from funk, soul, jazz, techno, bossa nova and even trance. No other genre can lay claim to that, and that’s what makes it exciting.

Will we get a headache attending Subvert’s gigs?
Just moderate the booze intake and you’ll be fine. Trust me.

Subvert has been organizing parties since 1999. How has the DJing scene changed since then?
Things are more organized now. Clubbers are educated and know what they want. Back in those days, you had DJs playing everything from house to techno and drum ’n’ bass in one night. The focus now is good, because that means promoters are now more dedicated to putting together better nights. And, of course, the caliber of homegrown DJs now is just unbelievable.

How do our homegrown talents fare compared to the DJs in other parts of Asia?
We have some serious DJ talents here, and not just in drum ’n’ bass. My personal favorites are Vortex, Dean, Stingray and Ajay. These guys have played to enthusiastic crowds in the region and they’re definitely talented.

What are some of the notable DJs that Subvert has brought back to tease clubbers into ecstasy?
We’ve brought in a fair share of international jocks. Since 1999, we’ve had a hand in bringing in big names like UK’s Aphrodite, John B, Friction and London Elektricity, as well as regional jocks such as Kuala Lumpur’s Low and Mac, Bangkok’s Dragon and Wen, and Jakarta’s Jerome and Random.

What’s the crowd like at the gigs Subvert had organized?
Proper, rowdy, but a lovely caring bunch as well—just the way we like it!

How do you think the party scene has evolved over the years?
By leaps and bounds! Parties are getting bigger, DJs are getting better, and promoters are more inventive. It’s all sunshine for the scene really.

What are your thoughts on so much competition happening now, and does it affect your sets, considering that you guys are more indie?
Competition is everywhere, but I guess I’m lucky enough not to do this full-time. At the end of the day, this is a hobby as far as I am concerned. It’s all about escaping from planet employment as someone said, we just get a few friends together for some good tunes and a laugh over the weekend. Worrying about competition would spoil the point, really!

How do you think Subvert will fare in 2006?
We’ll be doing the same thing as we’ve always done, trying to put on good shows and having a good laugh. Oh, and maybe come up with some surprises along the way!

Complete the sentence. “A party rocks when…”
… people realize it’s not rocket science and have fun!

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With more clubs rolling out every month, the battle lines are being drawn to win the hearts and dance feet of the city’s clubbers. Terry Ong and Ng Hui Hsien report from the trenches.

The local nightlife arena is going to be firing this year, with no less than two new major clubs opening next month, including Q Bar at The Arts House and The Butter Factory at Riverside 48, and the mammoth St James Power Station, scheduled to launch in November at the Harbourfront. These developments come hot on the heels of newer bars and clubs, such as Balcony at The Heeren and Ministry of Sound (MOS) at Clarke Quay, opening in the past three months. Meanwhile, the reigning force on the river, Zouk, went through a major renovation to head off the slew of young insurgents. I-S infiltrates these fortresses of secrecy to find out how they plan to do battle in what is turning out to be the Year of the Nightclubs.

Ministry of Sound (MOS)

Firepower: 6
Turf: The Cannery, a disused pineapple cannery, at Clarke Quay.
Artillery: 500 strong staff, including the marketing and operations team and bar crew.
The Generals: Executive Director Clement Lee and Marketing Manager Calvin Sio.
Battle Plan: Don’t call it a Zouk copycat. MOS, standing at over 40,000sq.ft., is setting itself up to be one of the most popular nightspots in town, and features no less than six dance rooms for punters to party in. Early comparison to Zouk is inevitable. After all, both clubs are targeting savvy dance music lovers who know their progressive house to tech house, and are billed as two of the city’s more sophisticated club venues. Set up in November last year with a budget of $7 million, MOS, which is an offshoot from the already established club in the UK, features house DJs straight from the decks of its clubs in London—including Damian Saint and Paul Johnson, known for their fiery house music sets. While MOS’s regular club nights are reminiscent of Zouk’s—like its retro music Candy Floss nights every Wednesday, an obvious cash in on Zouk’s already legendary Mambo Jambo nights—MOS is hoping to get the ball rolling with its own identity. “We don’t just give a full on DJ list like Zouk does, as MOS promises more live dance acts such as Kosheen and Caged Baby that will give punters a whole different experience,” says Marketing Manager Calvin Sio. “Right now, the club is still new, the crowd is still a bit scattered and all over the place, but we have a good mix of credible and commercial crowds that happily co-exist with one another. It’s definitely more balanced than Zouk’s.” With different rooms for clubbers to experience—including the hip hop-driven Smoove and chillout spot Pure—diversity can’t be a bad thing for this massive club.
Victory or Defeat: The hour-long queues outside MOS are testament to the club’s popularity, which draws an average 4,000-5,000 punters each night. On a good night, however, MOS packs in 7,000 clubbers, such as during superstar DJ Darren Emerson’s gig on New Year’s Eve. MOS will certainly be packing them in right until the end of the year at least. Here’s looking forward to more credible DJ names from the club—if it wants to keep up its winning streak.

Zouk

Firepower: 4
Turf: 17 Jiak Kim St., an old godown.
Artillery: 200 strong staff, including bar crew and part-timers.
The Generals: Director Lincoln Cheng and Marketing Manager Tracy Phillips.
Battle Plan: Even before MOS opened its doors in December, popular dance club Zouk had laid down its battle plan and equipped itself with a S$7 million overhaul to better its venue. Staying put at Jiak Kim and dispelling early rumors that the club is moving elsewhere, Zouk unveiled a more contemporary look in late November, to positive response. The design is downright sleek, including a translucent organic tube that graces the club entry archway, funky disco lights at the Phuture room, and more Pop artworks at Velvet Underground. But Zouk’s Marketing Manager Tracy Phillips will have you know that it is the quality dance music here and various parties that make the club. “This year, our selection of gigs and events are as open minded as ever, walking the fine balance of entertaining, yet boundary pushing at the same time,” she says. “Some things to look out for are Zouk’s massive 15th anniversary celebrations, our madcap series of Very theme parties, the edgy Fashion Trilogy Wardrobe, our resident nights by the DJs who do it best, and big DJ names—everyone from Paul Van Dyk to DJ Craze to current DJ team of the moment Tiefschwarz—as well as various interdisciplinary collaborations.” It is all about creating a savvy music community at Zouk, termed “Zoukettes,” and about “creating the best possible clubbing experience and sharing our passion and vision, and our constant re-investment and reinvention,” adds Phillips. “Its funny, but we’re our own biggest competition, as we always want to better ourselves after 14 amazing years.”
Victory or Defeat: Once a Zoukette, always a Zoukette. More sophisticated clubbers are still frequenting Zouk, even if MOS is trying hard to win over some of its quality crowd. The next few months will be crucial as to whether Zouk regulars will convert to MOS.

St James Power Station

Firepower: 5
Turf: The old power station, the St James Powerhouse, at the Harbourfront.
Artillery: 300 strong staff, including bar crew.
The Generals: Chief Executive Officer Dennis Foo and Chief Operating Officer Andrew Ing.
Battle Plan: The nine-in-one St James Power Station, which only opens in November, is already creating a buzz among local punters and industry observers. Not least because the men behind the lofty 60,000sq.ft. Power Station are Andrew Ing, best known for elevating Zouk to its revered status from the mid ’90s to the early Noughties, before he stepped down as marketing manager; and nightlife veteran Dennis Foo (Devil’s Bar). All eyes are on Ing and the $30 million venue that may make, or break, it within the local nightlife arena. Rather than cashing in on current club trends, this temple of music will consist of nine different outlets, including a live music area, a world music bar, a restaurant and a karaoke space, among many others. Distinguishing itself from dance clubs MOS and Zouk, the Power Station’s focus “will not be club music, but rather, live music,” says Ing. “There is no point for me to go head on with either MOS or Zouk, because there’s no point to fight against the major institutions. MOS has already affected all the clubs in town—the big boys as well as the smaller ones—because it’s a monstrosity. My focus at St James Power Station is to create a culture of its own, where everyone who comes will be ensured of a good time, as there will always be something different going on every day.” To be opened in various stages from November, the Power Station will not only have in-house DJs and live bands, butaerialists, dancers and performance artists as well. Ing also plans to bring in imported bands and live music acts—after all, he was responsible for Primal Scream, Grace Jones and Bjork, who performed at Zouk in the ’90s.
Victory or Defeat: If all goes as planned, St James Power Station should be a huge hit, especially among jaded punters who are looking for an alternative venue that is not just another dance club.

Club Momo

Firepower: 2
Turf: #01-02/03 Central Mall, 5 Magazine Rd., in an old warehouse.
Artillery: 100 strong staff, including bar crew.
The Generals: Managing Director John Lee and Assistant Marketing Manager Sheila Naidu.
Battle Plan: The 19,000sq.ft. Club Momo may not be the most sophisticated club in town, but since it opened in July last year, the club has garnered a stable following  that includes PMEBs and younger executives looking for a good time. No least because Momo has been playing host to some of the most commercial parties in town, such as the Singapore Ford’s Supermodel parties, and various events headlined by MediaCorp. The fact that Momo also boasts a huge dance floor that predominantly plays commercial dance anthems, a live music room, a sports bar and an attractive boudoir-like setting, invites regulars to go back for more. “We have a great crowd of cool local people that regularly hang out and party here,” says Managing Director John Lee. “This is their second home, as they feel comfortable and relaxed…and our music policy supplies maximum fun.” To stay ahead of the competition, Lee will be opening another Club Momo in Jakarta next month, as competition within the local clubbing scene heats up. “There are a lot of clubs and pubs in Singapore, and the term ‘the more the merrier’ is simply not true,” adds Lee. “The nightlife scene is very overcrowded and with MOS coming in with such a large venue, it will certainly cause a ripple in the market. But we have not been affected by
MOS. In fact we have seen a rise in our headcount as we are just across the bridge from the club.”
Victory or Defeat: Even with intense competition, Momo seems to be able to hold its turf, although its music selection could be edgier. One also wonders if Lee will be focusing on Club Momo in Jakarta, and spend less time grooming the establishment here. Only time will tell.

The Butter Factory

Firepower: 1
Turf: #01-03 Riverside, 48 Robertson Quay, next to the Singapore Tyler Print Institute.
Artillery: 30 strong staff, including bar crew.
The Generals: Creative Director Bobby Luo and Marketing Director Celeste Chong.
Battle Plan: After a long break, the crew behind kitschy dance club Cocco Latte, which has since been taken over by Donovan Wong from Kinemat, is set to open a new concept by the end of next month. Kitschy or otherwise, the upcoming The Butter Factory plans to raise the bar over its predecessor, as there will be two major dance rooms in the club: The main floor, where DJs will spin mostly hip hop, R&B, funk, soul
and old-school tunes, and the ART bar, where more niche and cuttingedge music including electro, house, rock and indie, can be heard. “We’re hoping to be a slightly more upmarket and classier hip hop club,” says Celeste Chong. “There will be a good mix of clubbers, but we’re still hoping the core group will be young working adults.” While it seems that The Butter Factory may be cashing in on Cocco Latte’s preceding formula, this 4,000sq.ft. club is also looking at holding special themed parties, including various DJ gigs from the likes of Japanese DJs Yutaka and Satochin, who will be performing during the club’s official opening. As for those who are into schmoozing and lounging, there is a Moët & Chandon VIP lounge area where invited guests can park themselves. If the marketing team’s previous parties are anything to go by—including the one on board the Harbour Queen yacht at Keppel Marina on Christmas eve—these are early indications of better things to come.
Victory or Defeat: Its location, which is not very far from mega clubs MOS, Liquid Room and Club Momo, may prove to be a disadvantage, but The Butter Factory is the place to be if you’re looking for a fun crowd and even more convivial music sets.

Q Bar

Firepower: 1
Turf: The Arts House Annex, in the Old Parliament House.
Artillery: 30 strong staff, including bar crew.
The Generals: Directors Simon Lim and David Jacobson, and Co-owner David Chin.
Battle Plan: Taking over the defunct Café Society, expectations are riding high on Q Bar, as its predecessors—the world famous Q Bars in Ho Chi Minh city and  Bangkok—have shaped bar culture in Asia for more than a decade. Q Bar Singapore will encapsulate the colonial essence of the original Q Bar Ho Chi Minh as well as the underground, clubby vibe of Q Bar Bangkok. Comprising three main areas—the DJ lounge, bar and al fresco deck—Q Bar is set to be one of the most talked about bars in town when it opens later this month. The bar’s emphasis is its well-concocted drinks menu: Specialties include cocktails and premium spirits, including hard-to-find vodkas, single malts and aged tequilas. “We are going to settle in and allow Q Bar Singapore to organically develop its personality,” says Simon Lim. “In the long run, we are hoping to instill a bar culture that seems to be sorely missing in Singapore. Theme parties will become a part of Q Bar Singapore, although not necessarily a mainstay. You have the vast clubs and small pubs in Singapore, but nothing really falls in between these two. Q Bar will fill this void with ease.” While other details about the bar are being kept under wraps, Lim assures us that “distinctive structure and edgy design will make Q Bar a destination bar that local and international crowds will appreciate. The décor will be vibrant and multi-textured—definitely out of the norm.”
Victory or Defeat: Director Simon Lim is the man behind some of Singapore’s longest running bars such as Wong San’s, Siam Supperclub and Chinablack. If all goes as planned, Q Bar should remain a distinctive fixture in our fickle nightlife scene for more than a few years.

Liquid Room

Firepower: 1
Turf: Robertson Quay, at the end of Mohamed Sultan Road, beside Gallery Hotel.
Artillery: 50 strong staff, including bar crew.
The Generals: Director Chris Tan and Business Development Manager Hannah Teo.
Battle Plan: Liquid Room may be more than five years old, but this clubbing destination is still hot among those in the know. A favorite with hardcore partygoers, as well as expatriates and PMEBs, this smallish establishment, which boasts no more than 5,000sq.ft., packs them in, especially on Saturdays, where revered local DJ KoFlow and MC Garuda hit the floors to bring punters the latest in cutting-edge hip hop. “Our major turn was in March last year, when we converted our main club night on Saturday into a hip hop (Ghetto Blasta) night,” says Hannah Teo. “It used to be that our progressive night sets drew in the most punters, but we needed to move on with the times.” But that doesn’t mean that Liquid Room has ditched its more persuasive techno and progressive house nights altogether. The very popular Slinky nights are still taking place at the club on a bi-monthly basis, with Dave Lee and John Fleming scheduled to spin later this year; as well as its Frisky! nights, featuring equally pumping tunes by local jocks Stingray and Kenny. “For 2006, our focus is to be consistent with our brand name and what we’re known for. We still want to be seen as one of the market leaders in dance music … but keeping within the spirit of what we do. There will be no changes until further notice.”
Victory or Defeat: Liquid Room has survived more than half a decade doing their own thing, and we won’t be surprised if they last half a decade more, even without further innovation.

DXO

Firepower: 1
Turf: #01-13F Esplanade Mall, 8 Raffles Ave. beside Esplanade–Theatres on the Bay.
Artillery: 40 strong staff, including bar crew.
The Generals: Club Manager Johnny Phuah, Operations Manager Salim and Marketing Manager Lim Sin Yee.
Battle Plan: Forget its slightly “obiang” crowd, and DXO actually delivers. Spanning 12,000 sq. feet, the venue features different clubbing and chill-out spaces for different clubbers: X2, the Loft, Barnova, the Nest and Patio. Clubbers can groove the night away at X2 or mellow out at the Nest. There have been rumors that DXO is losing its touch, or that Glutton’s Bay, the food center next to it, is taking away many of its clubbers, but we believe that the party people at DXO are still wild and lovely. The club has brought in numerous DJ acts from Sweden, France, the Czech Republic, UK, Netherlands and USA, such as BoyGeorge, Kid Koala, Jazzanova, Towa Tei, Johnny Fiasco, Paul Harris, Master H, Solace and Tom Stephan. With an eclectic repertoire of music that ranges from retro to progressive house, hip hop to trance, it is no wonder Marketing Manager Lim claims “Every musical voyage at DXO is always a delight and never quite the same, and will tease partygoers into ecstasy this year.”
Victory or Defeat: If DXO brings in more big names in the international DJing scene this year, more people will flock to its dance floor. Here’s looking forward to a more eclectic lineup.

Suba

Firepower: 1
Turf: #01-75A Millenia Singapore, 9 Raffles Blvd.
Artillery: 30, including bar crew.
The General: Managing Director Michel Lu.
Battle Plan: The controversial Michel Lu returns after his last fiasco that was dance club Centro, which abruptly closed in 2004 because of rent issues. Before his new little dance space Hacienda opens later this year at Dempsey Road, the more intimate and smaller Suba, essentially a chill-out bar, is already drawing in expatriates and media types to its 2,500sq.ft. space. Named after the late legendary bossa nova musician Suba, this stylish space may not be a behemoth like the 22,000sq.ft. Centro, but its strength lies in its dark interior which sets the mood, and quality downtempo tunes. The decor is chic but not intimidating: Gorgeous textured wallpapers stand next to intricate light fixtures, including five specially commissioned all black crystal chandeliers, alongside a nine-meter-long oxidized brass bar. Music comes courtesy of DJs Ramesh K and Titus, who spin a cool blend of classic disco, soul and funk. “What makes the bar tick is its sleek combination of sexy music, intimate interior, and delectable drinks and bar bites,” says Lu.
Victory or Defeat: While Suba is cool, its main competition is nearby Balaclava at Suntec City, which is always packed to the brim. One only hopes that Michel Lu gets his formula right this time and doesn’t repeat his Centro disaster.

Balcony

Firepower: 1
Turf: A brand new outdoor annex at #01-K5/#02-03 The Heeren, 260 Orchard Rd.
Artillery: 30 strong staff, including bar crew.
The Generals: Executive Director Clement Lee, Marketing Manager Calvin Sio and Bar Manager Georgia Oi.
Battle Plan: Having just debuted in November last year, this 4,000sq.ft. bar may be a baby, but it’s fast getting into the swing of things. Not surprising, considering its numerous swings and rocking chairs have been an absolute delight to many regulars since the day it opened. Glamorous swingers caught in the act include celebrities Irene Gan, Christopher Lee, Ann Kok, Felicia Tan, Jeff Wong, Bernard Lim, Glenn Ong and Dick Lee. This small bar has also managed to snatch some renowned DJs to its turntables. DJ Ravin from Mauritius and Pete Gooding from Ibiza are two of its top steals. Its resident DJs Has and Norman, two cool guys who play an eclectic mix of down tempo sounds with dashes of soul and funky house, have also garnered a local fan base. It seems that Balcony’s battle plans for 2006 are not exactly drawn up, but Marketing Manager Calvin Sio says: “We are still planning. We’re looking at bringing in acts that will gel with the entire concept of Balcony.” However, with their awesome signature Margaritas and jelly cocktails, we must say they have some potent chemical weaponry up their sleeves. Perhaps that’s part of the reason why, despite the growing competition, Sio quips, “We’ve amassed a really good regular crowd consisting of young professionals and working adults, and we anticipate with regular events and activities, the business will grow in 2006.”
Victory or Defeat: Young it may be, Balcony is a mean and sexy chillout venue that is good for people-watching too. With its appealing decor and drinks, it just might get more people into the art of swinging—at Balcony, that is.

Loof

Firepower: 1
Turf: Odeon Towers Extension Rooftop on North Bridge Rd., oppositeRaffles Hotel.
Artillery: 20 strong staff, including bar crew.
The Generals: Director Teng and General Manager Terry Goh.
Battle Plan: This 4,000sq.ft. new addition to rooftop bars, comprising both indoor and outdoor areas, is fast attracting a faithful following. The playful people at Loof poke fun at everyone, including themselves. From the name of the bar to the interiors, you just can’t miss its casual and laidback attitude. As Terry Goh quips: “The pronunciation of the letter R has somehow managed to continually beleaguer most Singaporeans. We played with the word “roof ” and came up with the name “Loof,” a tongue-in-cheek reflection of the idiosyncrasies of local speech and culture.” Some big names in the local design names who have helped to fashion the stylish interiors include Asylum’s Chris Lee, Michelle Tan and Edwin Tan. DJ Ndy delivers an eclectic mix of down tempo electronica, funk and soul that invites everyone to chill. Loof has also played host to a few corporate parties since its inception and hopes to throw more outrageous events in 2006. Armed with cheeky silhouettes, falling leaves and panoramic views of the city, Goh confidently adds “Loof will reign victorious in 2006.”
Victory or Defeat: The quirky concepts and smart humor behind Loof save it from being just another rooftop bar. Its central location just opposite Raffles Hotel might also help it excel in 2006.

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Talking about a loan shark seems timely after all the partying that has resulted in empty pockets. We at I-S chat up Gareth Armstrong, a veteran performer who looks at Shylock (the moneylender in Shakespeare’s The Merchant of Venice) through the eyes of Tubal, the only other Jew in the story.

OK, first off, what is Shylock like in your opinion?
Shylock is a Jewish man living in a Christian world where he is given no respect for his profession, his religion or traditions.

Do you think Shylock is a villain who is just out for revenge, or a victim of anti-Semitism?
Shylock certainly has villainous intentions—he wants to murder someone because that someone owes him money. It is his way of getting revenge on the society that has marginalized him. But it is his Jewness which makes people despise him, so in that sense he is a victim of anti-Semitism.

What is Tubal like?
We know so little about Tubal from Shakespeare’s text. Only that he is also a Jew, wealthy, and a moneylender.

Tubal has only eight lines in The Merchant of Venice. From what sources do you derive help to develop the character of Tubal for impersonation?
Much of the Tubal in my play is invented. I make him an “everyman” character who represents his race and can speak for his friend, Shylock. He is also a comic storyteller, so I use him to amuse the audience as well.

How is Tubal crucial to Shylock?
He is Shylock’s only friend, and the only other Jewish man in all of Shakespeare. The only man who really talks “to” Shylock and not “at” him. In my play, he gives Shylock’s point of view of the whole situation.

Some plays that draw inspiration from The Merchant of Venice do away with Tubal altogether. What do you think Shylock would be without him?
The play would be poorer without Tubal, and for very practical reasons. He brings crucial information to Shylock. Without him, Shylock would be even more isolated than he is, which would change the balance of the play quite crucially.

What are the obstacles you’ve faced when recreating a play from the viewpoint of a minor character?
You have to be more inventive than with a major character, but you can speculate and have more fun with a character that has so little to say in Shakespeare’s original play.

By recreating an entire play from the perspective of a trivial character, you’ve given the limelight to someone most people would have neglected. How do you think this will change the way the audience interprets a play?
I hope people will find it an original and entertaining approach. Most people identify with the “little guy” and he makes a good guide through the evening. People may not change their mind about Shylock and The Merchant of Venice but at least they will be stimulated to think about it.

Well, what is your opinion towards the continuous conflicts between the Jews and the Christians in Israel?
It is a tragedy, like all such conflicts. When I performed this play in Israel, many of my Jewish audience drew the parallel between Shylock’s demonisation and the plight of their Palestinian neighbors.

Any hopes for Shylock?
After Singapore, the play goes on to Aspen, Colarado (so I’ll need a big change of wardrobe), then on to the Bermuda Festival (so the shorts can come back out!). Then I will tour the UK in spring. Last year, a book I wrote about my journeys with the play was published (A Case For Shylock—Around The World With Shakespeare’s Jew) and now I am working on the sequel. I’m looking forward to writing the chapter on my experiences in Singapore!

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Sometimes, all it takes is a crazy idea.

Dreamers are everywhere, but it’s not so often that we see one setting out—and fishing out huge sums of money—to make his crazy dreams a reality. Malcolm Davis is one such fella, and the Sembawang Festival, his brainchild.

This inaugural music festival has 34 spectacular foreign and local acts in the lineup. Be hit by waves of aural bliss as Australia’s Nineteen 27 delivers some deft guitar riffs and nifty drum action, or chill to the sounds of The Animators from Brooklyn, who is touted as the next Coldplay. This up and coming act is gathering a following that grows bigger with every stage it destroys. Its captivating pop sound has led it to playing alongside Norah Jones, Ray LaMontagne, Gavin DeGraw and Mike Viola. New Australian outfit The Avenues will perform upbeat pop rock that will have you hooked within moments. Twirl and whirl to the fun tunes by Astorbat. This band pledges to play hits by Beatles—Foo Fighter style. If you are dazed and confused, check out the Regurgitator from Australia. This electrifying band plays a baffling mix of rock, funk and punk, and has fascinated, as well as perplexed, several music lovers in big festivals such as Big Day Out and Fuji Rock. It might just add to your confusion, but it sure is entertaining.

After being banned in Singapore and blowing Australia away with its awesome rock songs, local rock act The Suns (formerly known as the Boredphucks) returns home to thrill indie music fans. Whether it be the throwing of panties or chocolate coins to the crowd, Ronin (also nicknamed “Singapore’s Guns N’ Roses”) is out to start a revolution with its kick ass stage antics. In your face and upfront, Saw Losers (formerly Pug Jelly) will create chaos with its signature blend of pop, punk and rock. For rockers who have turned mellow and prefer not to risk a heart attack, the sweet and simple pop tunes of The Ocean Band will soothe, while three piece act ShameJoanShame will make you smile with its unpredictable and spontaneous tracks. Other must-sees include Monofone, Samata and The Pinholes.

It is not just music that is up for grabs. Ice cold Australian beers are being hawked at this carnival too. From wheat beer to lagers, these alcoholic beverages will compete for the limelight with the bands on stage. Another strong contender demanding your attention is Sexy Land, an upmarket sex shop boasting a wide array of lingerie, fragrances and adult toys. If your dog is vain, take it to the Doggie Corner to be pampered with manicures and pedicures.

Despite the widespread perception of the inferiority of homegrown talent, and the potential to make a loss, Malcolm Davis is determined to have his dream materialized. If the Sembawang Festival could take off and rock Sembawang Park annually, Singapore might just have an awe inspiring music festival that we could finally call our own.

The Site

Here’s where you definitely need to be at Sembawang Festival:

• The Festival Village will offer party-goers security for their belongings, water-refill stations, and even ice in addition to quirky comforts such as a “slumberland” tent and movie tent.
• Sexy Land. The wide range of lingerie, fragrances and sex toys is an eye opener.
• Doggy corner. Bet you didn’t expect the organizers to provide dog-care and an entertainment program to keep canines happy while their owners set themselves loose to the music.
• F&B corner.
• Main Stage, where you can rock on with international bands.
• POW Stage that lets you party with local bands.

The Party

Who qualifies for entry?

• Anyone from 8 to 80 who still rocks!
• Only those 16 and above can enter the Festival Village camping zone.
• Sexy Land is for those above 21.
• Dogs, because this is a dog-friendly music event.

Party essentials:

1. Your identification card.
2. Bottles that can be filled up at water stations.
3. Your tent to see you through the two-day survivor program.
4. Lots of pockets; there is no bag check-in.
5. Cash plus inexhaustible energy and spunk to get you through 36 hours of non-stop music.

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