“On more than one occasion, scenes just don’t seem to fit right, as if an editing-room scuffle had left some crucial connective tissue on the floor.” Nick Schager, Slant Magazine

“Like the Texas City killer’s plans, something’s gone terribly wrong.” Betsy Sharkey, Los Angeles Times

“Director Mann does a fine job in presenting a bleak, matter-of-fact police procedural TV pilot. Only problem is, Texas Killing Fields was not made for television." Staci Layne Wilson, Horror.com

“It’s a procedural without structure. It’s a mood piece with no definable mood. It’s a thriller without clear villains or even threats.” Brian Tallerico, HollywoodChicago.com

“Just uses a spooky atmosphere and fractured style to disguise the fact that it’s actually covering quite familiar territory.” Frank Swietek, One Guy’s Opinion

“In Time is the cinematic equivalent of the stoned dude at the party who comes up with one barely interesting ‘what if’ scenario, then proceeds to nudge us repeatedly until we express to them the extent to which they have blown our mind.” Simon Miraudo, Quickflix

“Despite a terrific concept that could make for an Inception for 2011, we get Logan’s Run meets Robin Hood. And not the good parts.” Scott Bowles, USA Today

“Time really is money, people. Invest in neither here.” Liz Braun, Jam! Movies

“More irritating for what it should have been than satisfying for what it is.” Andrea Chase, Killer Movie Reviews

“In Time starts out with one of the best sci-fi premises in recent memory, and then does nothing with it.” Joshua Tyler, Giant Freakin Robot

“A movie so consistently flat-footed, with pauses between lines of dialogue so vast, that you begin to wonder if the whole thing might be a psychological experiment of some kind.” Diana Stevens, Slate