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Nirut Krusuansombat is successfully breathing new life into the 600-year-old letterpress technique, where one manually arranges blocks carved with letters, covers them in ink and presses them down onto paper. Despite his background as digital designer for CNN.com in New York, where he worked for a decade, it’s this handcrafted technique which is getting him the attention of numerous clients and an invite to speak at the Bangkok International Typographic Symposium 2013.

How did you first discover letterpress printing?
My aunt owned a printing shop and, as a child, after school, I used to spend most of my time there. Seeing the process every day, I had always wanted to give it a try. But it only happened six years ago. My first piece of work was designing and printing my own wedding card, which I decided to create using a letterpress.
 
How does it compare to working digitally?
Sitting in front of the computer and clicking is boring. I prefer manual printing where I get to exercise my brain by doing the work step by step, right from mixing the color by myself to the cutting and printing. This helps me practice my patience and concentration. I control the machine instead of it controlling me.
 
Who are your customers?
There are two types. We have small businesses who still use old-style receipts that they fill in by hand. Those need to be printed with incremental numbers on them, which is actually hard to do by computer. The other group are those who come for the design, as we also do graphic design for business cards, greeting cards and wedding cards. But we don’t take all the customers who approach us. As you know, everything vintage is popular these days. So many people walk in and expect that they will get handcrafted products easily and for cheap. Well you can’t do that. The letterpress is an old way of printing and the metal letters used for printing are very limited. So I tend to look at this from an artistic perspective rather than making it commercial.
 
How difficult is letterpress printing?
You need to be extremely delicate in making it. You start from picking up the right fonts and then have to arrange them backwards without making any typos. Then you have to mix the color that you designed in the computer. It has to match and you have to paint it on the letter types by hand. Then you need put the mold in exactly the right position because when you print it in other colors, the colors must overlap perfectly. This work requires a lot of skill. I’ve learned to appreciate traditional printers a lot more.
 
Does this technique have a future?
It will probably be lost with time, even though these machines were considered high tech about 100 years ago. That’s no longer the case and the process is very difficult for people to follow, as it is 99 percent by hand. The biggest problem, though, it that there might be no more letter making factories in this country anymore. The only two factories I’ve known have shut down. Since I can’t find steel letter makers anymore, I’m now looking at creating wooden letters.

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Explore four cities all within a short rail ride from Frankfurt. 

Frankfurt may be the fifth largest city in Germany, but it is best known on the world stage as the financial center of Europe—home to the European Central Bank and the Euro currency used in 17 countries in the region. Aside from being an economic hub, Frankfurt is also a tourist gem, named as one of 11 Magic Cities by the German National Tourist Board under the moniker “City of Arts.” The name is justified, too, as the city is home to some 40 museums and exhibition venues.
 
There’s a good chance that if you’re flying to Europe on Lufthansa, Europe’s largest airline, you’ll probably have a lay-over in Frankfurt. If so, consider yourself in luck, as the city not only has plenty to do, but is a great base to see more of Germany, making it easy to while away a few days. So, here are four destinations you can reach easily, thanks to DB Bahn, the main German railway company, which makes day trips easy and affordable. Just make sure you get to each city early in the morning to experience all that they have to offer. 
 

Nuremberg

Train journey: 2:05 hr, 53 euros
Why you should visit: Nuremberg is the town of toys, host of the largest international trade fair for toys and games held annually since 1949, but it also has a dark past. Listed as the “City of History,” the town’s origins can be traced back to the 11th century. Apart from its famous Imperial Castle, the old town is filled with beautiful gothic churches and houses in the old town. Come festive season, Nuremberg is home to a Christmas market. Can’t make it during winter? The Toy Museum is open year-round. 
 
Recommended route: The old town is a must-visit. Start your journey at the Craftsmen’s Courtyard, where you can enjoy lovely traditional handicrafts ranging from candles to dolls, before heading to Konig Street, which leads to the heart of the old quarter. Here, you can explore the castles, city walls and lots of beautiful gothic churches, the most notable being the Frauenkirche at the Hauptmarkt, also where the Christmas market takes place annually. Nearby are also newer churches such as The Church of Our Lady, St. Elizabeth’s Church and, a place of worship of a much different kind, the Toy Museum. On the way back, you can visit the German National Museum, the country’s biggest cultural museum. For a glimpse into the Germany’s dark past, take the S Bahn to Dutzendteich station which was the site of the notorious Nazi Party Rallies.
 
 

Cologne

Train journey: 1:13 hr, 69 euros
Why you should visit: The birthplace of Eau de Cologne, iit is also home to the most visited attraction in Germany—Cologne Cathedral or Kolner Dom—and is the oldest town in the country, founded by the Romans some 2,000 years ago. Today, the Germany National Tourist Board dubs it the “City of Exuberance.” True to type, Cologne is wonderfully vibrant with beautiful modern architecture blending seamlessly with the historic places and cathedrals dotted along the scenic Rhine River. It’s also famous for its art scene and museums, including the Museum Ludwig, home to one of the most important collections of modern art (including one of the largest Picasso collections in Europe). The sweet toothed can pay a visit to the Museum of Chocolate. As for shopaholics, you’ll find endless brand name stores, including one selling the oldest fragrance on the planet, 4711, and chic European fashion on Hohe Strasse and Schildergasse streets—ensuring you won’t want to take that train back to Frankfurt.
 
Recommended route: Arriving at Cologne railway station (Hauptbahnhof), you’ll be welcomed by a grand view of Cologne Cathedral, which sits rights by its entrance. For a more elevated view of the old city you can climb 533 steps to the top of the cathedral’s South Tower. Then pay a visit to Museum Ludwig or stroll a little further to Hohenzollern Bridge, to which thousands upon thousands of locked padlocks are attached as symbols of couples’ love. Walk down to the Old Town (Altstadt) to view the colorful centuries-old buildings and narrow alleys packed with bars and cafes by the river. Continue walking along the river Rhine to the Chocolate Museum or head to Hohe Strasse and Schidergasse shopping streets before heading back to Frankfurt.
 

Heidelberg

Train journey: 50 minutes, 21 euros
Why you should visit: Considered one of the most romantic places in Germany, Heidelberg is a small but famous gem in the country’s south-west. It’s home to Germany’s best known ancient ruins, Heidelberg Castle, whose history can be traced back to 1214 AD, and Universitatsplatz (Heidelberg University), the first university in the country. As it was relatively untouched during WWII, the town is filled with picturesque Baroque architecture. Take it easy with a stroll or boat trip along the idyllic Neckar River or head straight to the Hauptstrasse (High Street), known as the longest pedestrian shopping street in Germany, which isn’t just packed with clothing shops but also home to chocolate boutiques, great cafes and bakeries, as well as cute souvenir stores. 
 
Recommended route: There’s nothing better than walking along the old streets culminating with a visit to Heidelberg Castle. Start at Bismarckplastz, where Hauptstrasse begins, and walk the one mile to the bottom of the old town. Make sure to walk past Universitatsplatz, before you come to Heiliggeistkirche (Holy Ghost Church) on the corner of Marktplatz, a lovely place to sip coffee in the summer. Make a left turn on to Alte Brucke, the old bridge crossing the Neckar River, for a great view of the old town with the castle in the background. Don’t forget to look out for the Heidelberg Monkey, a bronze sculpture at the bridge’s tower. Walk past the Kornmarkt (Corn Market) for Bergbahn, the hill railway that takes you up the castle, so you can save your energy for walking around the old ruins. Make sure you go onto the Belvedere terrace for the stunning views of the old town down below. 
 
 

Stuttgart

Train time: 1:30 hr, 45 euros
Why you should visit: Car lovers simply can’t miss this city, home to two of the world’s greatest auto manufacturers: Mercedes-Benz and Porsche. Not only are their headquarters located here, both have also opened museums. Unusual for German cities, Stuttgart is spread out over rolling hills and valleys interspersed with vineyards and parks. The city is also renowned for its beer and wine festivals, while its Christmas market is also praised as one of the most gorgeous in the country.
 
Recommended route: Upon reaching Stuttgart’s main railway station, don’t just wander off. First choose which museum you want to visit: Mercedes-Benz or Porsche. The former requires that you take the S-Bahn rapid transit system line S1 in the direction of Kirchheim to NeckarPark (Mercedes-Benz) station. Follow the signs to the museum which is just five minutes’ walk away. The beautiful building displays more than 160 vehicles and more than 1,500 exhibits over 16,500 square meters. For the Porsche Museum, take the S6 line to Neuwirthaus-Porscheplatz station where you’ll be met by the museum’s futuristic façade. Here, you’ll encounter more than 80 top cars from Porsche, including the popular 911 and the legendary Lohner-Porsche, the world’s first hybrid car built way back in 1900. If you still have time, take a break from all the automobiles with a visit to Rosenstein Park near Stuttgart railway station. It’s the site of the largest English garden in the southwest of Germany and the State Museum of Natural History Stuttgart.
 
 
Essentials
 
How to get there
Lufthansa and Thai Airways offer direct flights from Bangkok to Frankfurt. Lufthansa’s rates start at B41,825 and Thai Airways at B43,040.
 
Rail travel
If you have a few days to spend on the rails, opt for the DB Bahn (www.bahn.com) day pass tickets. Three-day tickets start at B10,374 for a first class seat and B7,896 for second class and are valid one month after purchase.
 
Website

 

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The son of a former finance minister, Takonkiet “Boy” Viravan, 47, made his own name as a successful TV soap opera director before realizing his dream of working in the theater. BK caught up with him ahead of the debut of his new musical based on the famous Thai novel, Luerd Kattiya (The Royal Blood), on stage this Nov 21, just as he announced his plans to take a Thai musical to Broadway.

I didn’t dream of being like my dad [Dr. Amnuay Viravan, leading economist and two-time finance minister]. As a kid, all I loved to do was watch lakorn (Thai soap operas) and movies. 
 
I was so nervous trying to convince him I wanted to change majors from economics to drama. I spoke non-stop for 15 minutes about why I needed to change. When I finished, he simply said “yes.” He told me that no matter what I study, I must be able to make a living with honesty and decency.
 
Theater is my first love. Studying in the US really enhanced this love for the entertainment industry. I watched everything, from TV series to major theater productions. I finally studied theater and continued to do my master’s in broadcasting.
 
Don’t be stubborn if the time isn’t right. I really wanted to start doing theater productions after I came back from the US, in 1990, but there was no market for it back then. So I started working on lakorn to pave the way to doing theater.
 
Theater and lakorn are totally different art forms. You never know what people are getting up to while watching lakorn, while with theater everyone likes to get dressed up and has to travel through bad traffic to watch the show. They are very focused on what you’re doing and expect the show to be awesome.
 
Lakorn can make people take a closer look at their reality. Luerd Kattiya reflects the fact that the country will be like what its leaders are like. So it depends on their vision to make the country happy. If the head of the country isn’t at peace, how can people be at peace.
 
Accepting the truth and being open-minded is the only way to elevate our entertainment industry. People complain that lakorn is always about a poor girl and some rich guy who we have no idea what he does for a living. But the truth is we can’t touch directly on so many issues because of the potential complaints. For example, if I came up with a scene from my own experience of a drunken cop trying to pick on me, do you think I’d be allowed to air that? No. The backlash from the police would be too much. 
 
Censorship isn’t just a case of blocking all the bad things from the media. Sometimes showing negative aspects of our society can teach people and open their minds about issues. If I hadn’t seen Nam Phu die from a heroin overdose in the film Nam Phu (1984), I wouldn’t be as scared of drugs as I am today. 
 
Sometimes I feel the censorship board just says no because they don’t want to get in trouble if they allow risky content to air. 
 
A thrilling musical requires certain elements such as well-defined characters, locations and a strong storyline. That’s why not all stories can be turned into musicals. But Luerd Kattiya is perfect. It’s like some fantasy wold that really let me use my imagination.
 
It’s really challenging to make a period play these days. We’re living in the modern world and it’s hard to make people understand some of the issues of the past. We have to find ways to sex it up. Just take a look at the film Snow White and the Huntsman: it’s the same old characters, just a different way of telling the story.
 
Imperfections are charming and make every stage play unique. 
 
Thai theater is in a much better state than when I started out a decade ago. People used to  think that theater wouldn’t be fun. Now everyone has learned to share their emotions through clapping, laughing and crying. 
 
The failure of my first movie, Kampaeng (The Wall, 1998), hit me so hard. I was carried away with the success of my lakorn and thought I could do just as well in film. But it’s a totally different art form. 
 
Art gives people hope. When I went into hiding in Switzerland after my movie flopped, I climbed to a summit in the Swiss Alps. While taking in the stunning view of the mountain, I heard the song “Climb Every Mountain,” from The Sound of Music, and it ignited my belief that I would reach my dream.  
 
Living without a dream must be terrifying. You can’t appreciate anything if you just live for another day. 
 
Having high hopes doesn’t mean you’re over-ambitious. It’s about balancing your reality with your dreams. 
 
Everyone is born with a duty. Always remind yourself to be responsible in your profession as you are also driving society.
 
Don’t ask what your profession can give you but how much you can give to your profession. 
 
Dedicate yourself to any work you do and then once you see the results you will know whether it’s the right work for you or not.

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Saran Chuichai, aka Aum Neko, a 20-year-old student from Thammasat University, has recently made headlines for posing seductively on the Pridi Panomyong statue, appearing on a poster simulating sex acts in uniform and wearing tube tops to university, all of which have stirred up debate both on campus and online. BK chatted with her as she joined a pack of red shirt activists rallying against the passing of the controversial amnesty bill.

Why do you like to act so provocatively? 

I don’t see it as provocative. It’s a way to bring people’s attention to the message that I want to communicate. Regarding the pose with the Pridi Panomyong statue at Thammasat University, I just wanted to remind people that Pridi would have wanted students to follow his principles, not simply worship him. That statue is just stone. The act was criticized by many, but I just used sex as a tool to communicate that uniforms are controlling our true identity. I quit Chulalongkorn University because they abused my fundamental human rights, forcing transgender students to wear male uniforms and cut their hair short. I couldn’t stand for that. Thammasat gave me the freedom to be who I am.

People say you only did it because you want to be famous.

That’s so untrue. Why would I put myself in a position where people are denouncing me and even cursing my family? I just want to raise awareness of the fact that people have the right to go against tradition and culture, which are often just concepts used to control people. 

Have you been threatened? 

Yes, a lot, but mostly on the internet, not in reality. I did have to run away once, though, after I saw a bunch of people walk towards me with a look of hatred. 

Why do you keep doing it?

I believe it’s a way of showing people that not everyone in society has to think the same way. We must learn to tolerate and accept one another so that we can live together without have to resort to violence.  

Why are you against this controversial amnesty bill?

This law is totally unfair for people who lost their lives. There was a massacre in 2010 and those who ordered the killings, Abhisit Vejjajiva and Suthep Tueksuban, will get away with it. Even Thaksin Shinawatra, I want him to be punished for his involvement in the killings in the South, the Krue Se Mosque incident and Tak Bai incident. This amnesty is unlawful as it’s against the human rights of the people who died. You can’t just forget that. It shows that Thai society just doesn’t learn from past mistakes. We had killings in 1973, 1976, 1992 and 2006, and, in all those incidents, ordinary people are always the biggest losers. I feel betrayed by the Pheu Thai Party. 

What’s next for you?

I will campaign to reduce gender discrimination, especially against transgenders. If we aren’t as pretty as Poy Trichada, then we are always treated as a joke, and that’s not right. I also dream to work in journalism to encourage people to understand this important issue. 

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Santi Lorratchawee made his name at the forefront of the Thai graphic design scene with his small-but-influential Practical Design Studio. Having traveled back and forth to stage art shows in Japan for many years, he’s now brought back Tokyo’s Here is Zine exhibition, a showcase of cutting-edge book design and handmade magazines, opening here under the name Here is ZINE 7th Bangkok – Tokyo

What is Zine?

Zine is actually an event that originated in New York. It’s a place where artists, designers, photographers and other creatives gather to show off their handmade magazines. 

How did it come to Bangkok?

My friends in Tokyo launched Here is Zine Tokyo, which has taken place for six years now. I’ve also played a part in it. After talking to them, I decided it was time to launch this in Thailand. I have invited 18 Thai designers and another 20 Japanese designers to show off their works which are all limited edition. This is the first time that the event is being held outside Japan. 

As the head of a leading design company, how do you see the Thai graphic design scene?

It’s always growing and will continue to grow further in the future. There’s more to communication than just a language. The term “graphic designer” has come a long way but some people still think that it’s something related to computer programming, which is a viewpoint we want to change. While graphics are defined as a 2D-form, it is something more than that. It’s a form of communication involving different senses. Many graphic works involve speech, too, and take time to be made. Our industry is not lacking in designers, but we need people who simply love designing and can adjust their work to different fields.

What’s next for you?

I’m going to be part of Bangkok International Typographic Symposium 2013 (BITS MMXIII) as a speaker. This time I’ll be talking about fonts that have become part of our everyday usage. The starting point of my interest came when I went to a public library here in Thailand where they keep ancient documents with old fonts. I felt a connection with the past and found it interesting that here in the present we still use a lot of stuff from the past.

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Welcome winter with seasonal blooms and a real cool breeze in Doi Angkhang. 

Doi Angkhang has long been known as the place where HM the King’s Royal Projects began, in a bid to rid the Northern hills of opium fields. Some 30 years later, the valley is a lush green, replete with popular attractions like beautiful gardens and fruit plantations. Those who crave cool weather will also be delighted to note that temperatures here sometimes drop below zero—during late December and early January, frost is commonly found on the grass. Here’s what’s making present-day Doi Angkhang more than just a retreat from the heat.  

Farm Route

You might regularly hear about food sourced from the Royal Projects but Ang Khang Royal Agricultural Station is actually where it first started. On the 2.2-kilometer ring road around the station, you can hop out and visit plantations where they grow various kinds of cool weather fruits such as pears, peaches, strawberries, persimmon, kiwi fruit, pomegranate and blueberries. One you can’t miss is the Japanese apricot plot, which has been used as the setting for many romantic scenes in Thai movies and lakorn (just think of Nadej and Yaya in Torranee Ni Nee Krai Krong). Here, apricot trees dot the lush green carpet-like field. Opposite is the equally enticing vegetable demonstration plantation where you will be amazed by the colorful vegetables grown in a big open-air greenhouse. For flower lovers, too, this is a paradise. There are many flower gardens inside the station which are a sight to behold, especially in winter, such as the English Rose Garden and the Bonsai Garden. The most fascinating is probably the outdoor Eighty Garden, situated in front of the Angkhang Club, while the Flower Green House is another can’t-miss for its botanical wonders. When the afternoon arrives, a visit to the Tea Storage is another good option as tea is another popular product grown here. You can walk around or opt to ride one of the mules that the station offers during winter—contact the station in advance at 053-450-107/9, www.angkhangstation.com. The real good news is this year is set to be the first year that the Japanese sakura will bloom at the station, in late November, as opposed to the praya suekrong (Thai cherry blossom), which bloom late December or early January. 

Sunrise Route

Chasing the sun is a popular activity in the hills of the North. There are many spots to catch the sunrise, the easiest to reach being at the Angkhang Military Base, near the camping point on the way to Nor Lae village. Choose from the wooden terrace at the military compound or the small hill at the camping point. After watching the sun come up, you might want to stretch your legs on the 30-minute Nor Lae trekking route which offers great views of the mountains over in Myanmar. Another great way to welcome the morning is by paying a visit to the strawberry fields and tea fields of the 2000 Plantation—nothing like a view of a misty mountainside to start the day. You can also spot gulab panpee (rhododendron) some 4.5 kilometers from the station. The best time to see the flowers here is December-February when the fresh blooms go all the way up to the summit, called Nern Pankao, the highest hill in Angkhang at 1,928 meters. Afterwards, in March, you’ll find lots of fireflies around the station, too. 

Cultural Route

There are three main villages where visitors can get a glimpse of the local hill tribe culture, the most popular being Nor Lae village. The villagers belong to the Palong or Dara-ang tribes and are the main people responsible for growing the produce at Ang Khang station. Sat on the hill above the village is Nor Lae military base where you can enjoy another panoramic view of Myanmar’s mountains. Another can’t-miss village is Khob Dong village, home to the Mu Ser Dam tribe who live here in bamboo houses dotting the hill. The slightly more developed Ban Luang village, meanwhile, is a Yunnan village where a lot of Chinese migrated to during WWII.

Food Route

You don’t need to search far and wide for a feed as there’s plenty of good stuff to be found inside the Royal Agricultural Station. Head to Angkhang Club for a true taste of the valley with a long list of dishes ranging from hill tribe specialties to produce from the royal projects. Their kha moo with man tou (braised pork with fried Chinese bun, B100) is particularly moreish, as is the nam prik Angkhang (B80), made with the hill tribes’ fermented soy bean paste recipe. Salads are also highly recommended with the ingredients picked fresh from the station. Other dining options require a bit of exercise, but if you head to Ban Luang Village you can try the tasty khao soi (curry noodle) made in the Yunnan style at Ali (053-969-431, 081-022-6570). The soup here is clearer and not as thick as the typical Northern version. Their salapao (stuffed Chinese bun) with black bean is a great dessert option, too. 

Essentials

Where to stay

Angkhang Station Guesthouse. 

Cozy accommodation is offered on-site at the station from two people per room up to five people per room. Rates during winter are B1,500-B5,500 per night. 053-450-107/9, http://www.angkhangstation.com

Angkhang Nature Resort. 

Owned by the Royal Project Foundation but run by Onyx Hospitality Group, the resort is sat in front of the station. As the weather gets pretty cold in the winter, the hotel is equipped with electric blankets. Rates start from B3,000 for a mountain view room and B3,500 for a garden view. 053-450-110, http://bit.ly/16nQ6MH

How to get there

By Car 

From Chiang Mai, take Highway No.107 passing Chiang Dao district until you reaching Fang district then turn left onto Road No.1249 for the station. 

By Bus 

Make your way to Chiang Mai then choose from several options to get to Doi Angkhang. The easiest way is to catch the daily commute offered by both vans and buses at Chang Puak Gate. When you reach the entrance of Doi Angkhang, there will be a small bus to take you up to the station.

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Two months after the installation of the Pun Pun Station on Silom Road, BK finally spotted an officer on duty. Eager to try out the bike sharing scheme, we had a chat with Chavalit Boonpong, 31, who told us what it’s like taking care of the station on a hot sunny day.

How did you come to work at a Pun Pun Station?
I used to be a clothes vendor near the Siam area. But during rainy season, my business wasn’t doing too well. I’d heard from friends that the Pun Pun project was looking for staff, so I decided to apply as I didn’t want to be stuck at home doing nothing. I’ve actually only been on the job two weeks.
 
What’s the job like?
Well, sitting by a busy street all day isn’t exactly pleasant. I was originally stationed at the Sam Yan Station and it doesn’t have much shade. No matter whether it’s sunny or raining, I have to be there. But, to be honest, the station’s beautiful glass roof doesn’t really protect me from the brutal sun and heavy rain. Thankfully, they do provide us with a big umbrella, too. 
 
What’s your day like?
I wake up about 5:30am every day to go to the station. It’s my first day here at the Silom Road Station. (BK note: this is the first time in two months we’ve seen staff manning the station.) The station opens at 8am and when I arrive I need to clean the place, check the number of bikes and make sure they’re all ready to be used. If not, I have to contact the Pun Pun technicians. They also bring me new bikes if there’s not enough, here. I’m here all day to oversee the station and help customers who need help registering for the service. I have to take any registration money to the bank, and also ride around to other stations in the area without staff to check up on things. I occasionally update the Pun Pun Facebook page, too.
 
Who are your customers? Is it popular?
At Sam Yam, yes. They were mostly students who rode around there. Some foreigners, too, but not a lot. For Silom, it’s too early for me to say.
 
How much do you earn?
I get B400 per day but I do get overtime for staying late, so overall it’s about B14,000 a month. 
 
Have you ever encountered any weird incidents at the station?
From customers, nope. But I always get misunderstood by pedestrians who stand there thinking the station is a bus stop. I often have people come to me and ask which bus they should catch. I do occasionally come across annoying people, like this one kid at Hua Lampong Station who kept walking over to ask me whether I could give him money. I just told him, “Bugger off!”

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Over the past decade, Wasinburee Supanichvoraparch, 42, has transcended his position as heir to Ratchaburi’s first ceramics factory, Tao Hong Tai, to become the driving force behind a vibrant art scene in his hometown. After wrapping up his show at the Venice Biennale, the Silapathorn Award-winning artist is now gearing up for the ASEAN-KOREA Contemporary Media Art Exhibition, and a new charity project with Ramathibodi Hospital.

Every art show ignites some sort of change in me. My art is drawn from my experiences, my learning and my fondness for certain things. So, when I get comments from people about my work, it helps me shape things in my head.

My shows at the Venice Biennale helped me connect with the feelings of Thai people living abroad. Some came to see my show and cried with pride at the fact that Thai artists were present at this big international event. I never thought such a thing was important, but now I do. Thai art helped them come together.

Communities are key to a long-lasting art scene. I’ve tried to bring the arts into people’s daily lives, but it means nothing if they don’t participate or connect with it.

It’s important to encourage people to make art by whatever means possible. I’m supportive of people creating any type of art, even sewing bags. This can only help our art grow. 

People are drawn to art when they see some benefit. I admit that not everyone in Ratchaburi admires art. But when it brings benefits, like more visitors, it might encourage them to participate more. It depends on them understanding [the benefits].

Art isn’t something that has to be put in a frame. Thai society still treats art as this standalone concept. People aren’t really aware that it’s part of their daily life. The way you hang a picture on your wall or decorate your desk—art is all around you. 

Crafts haven’t always been in my interests. I used to feel opposed to it when I found out I was to be the next generation to take care of Tao Hong Tai. I didn’t care about studying as I knew that no matter what, I had to come back to run the business. I even studied to be a librarian for a semester before my dad sent me to study overseas.

Studying in Germany was my destiny. I felt so depressed about being sent there. I even wondered, why did I have to be put through all this shit? I had no choice but to take a pottery class to get a certificate to get into university. After two years, I started loving it. 

The way Germans live surrounded by art inspired me to create that kind of environment back in Thailand. They have beautiful architecture, galleries and city planning. I want our kids to have that here. I’ve started doing it myself—it might not be much but it’s better than having nothing.

Being surrounded by art doesn’t automatically make someone an artist, but living in beautiful surroundings can stimulate imagination and creativity. It can also help people feel a bond with their place. Even getting one person to feel this way is a success. 

Dealing with bureaucracy is really exhausting. I’m fed up with talking to administrators and having to really push for some art project or another to take place in town. 

Doing what you love can help you conquer anything. No matter how down I feel, I know what I’m doing and what I’m aiming for. 

Everyone needs something to hold on to. Some people love to collect cars, watches or brand names. I don’t have anything I like to collect. All I want to do is continue to push my art. 

People might think I have so much money that I can make all this stuff happen, but I don’t. I have to run my family business, earning my normal salary, while trying to put on art projects in town at least twice a year. I can’t take a break, otherwise we’d have to start all over again.

It’s good that art elicits a reaction from people, whether it’s good or bad. The R.C.A. Ratchaburi Construction Workers project by Ralf Tooten got complaints from locals who said it disturbed their neighborhood—which, for me, was a good thing. At least, it helped them realize that they cherish their neighborhood. 

Really study an artwork before criticizing it. I’m OK with comments that my work isn’t any good, but other comments made without any real understanding are simply unfounded.

I don’t have any big dreams. My ultimate goal is to simply run my business and help the art community grow. That’s it. I don’t want to be at the center of everything, either—it’s up to others to support it. 

There’s no right time to help others. Many people seem to wait for the perfect opportunity to stand up and do something for society. But from my experience, no matter how ready you are, you will always encounter challenges. So, you may as well just get started.

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Nipaporn Paeng-ouan, 26, aka Kratae RSiam, first rose to fame as a muay Thai fighter before going on to become a highly successful luk tung singer. As she releases a new single, “Tued,” she talks to BK about juggling careers and defends herself against recent hate-campaigns on social media.

I’ve been singing since I can remember. My parents were luk tung singers and my uncle had a band. My mom taught me to sing and we toured around Lampang singing at folk festivals to make a living.

I became a boxer because of my dad. He loved to go and watch boxing and cockfighting and I loved to follow him around. I also loved playing at my neighbor’s home, which was a boxing gym.

My dad spotted me kicking a punching bag one day. I did it so well he decided to send me to fight at a competition. I won by knockout.

Muay Thai changed my destiny. I was widely known as the sweet boxer who could sing. I always dressed up girly and wore makeup. It was really different from other lady boxers who were mostly tomboys and tried to be tough like a man. My alias was Namwannoi Sakboonma (Little Syrup), which matched my sweet look. I won 35 consecutive fights and became champion of the Northern region.

The Thai Championship fight in 2002 was one of the biggest matches of my life. I had to fight the Northeastern champion who was also undefeated. I won and became national flyweight champion at the age of 15. I was so badly hurt during the fight I caught a fever and couldn’t get out of bed for five days.

Young fighters have it tough compared to other children of their age. I had to wake up at five in the morning to go jog for eight kilometers before school. After school, I had to run to the boxing gym to practice until nighttime. The good part was I had a leaner, fitter body than other girls my age. 

Boxing taught me to be tough in everything in my life. It’s the toughest sport. If you fight for five rounds, you need to practice seven rounds. You have to endure longer than your rivals. 

I always used to jump from the ring straight to the stage so people knew me as a boxer who could sing well. After I won the title belt, I was signed by RSiam to become a luk tung singer and got to release my first album, Perd Jai Sao Tae, in 2007.

Doing two things at once doesn’t always work. I had to quit RSiam after one year as I couldn’t study and tour at the same time. I was really exhausted and my parents wanted me to graduate from high school first. I felt so useless as I couldn’t go out to sing or box to earn money for my family because of the contract I had with RSiam. Fortunately, they took me back a few years later.

I love all kinds of design. I love clothing, graphics and architecture. That’s why I chose to study architect at Sripathum University. Juggling being a singer and sending my homework in on time is so exhausting but I really love it. If I can’t work as a singer anymore, this can be my proper career.

I nearly lost my voice forever. I recently realized that I had been singing incorrectly all my life and it was destroying my larynx. I had to have an operation as my doctor said that if I didn’t I could lose my voice completely.

You can’t make everyone love you. I try to understand that many people hate me. If you love someone, then they can’t do any wrong, but if you really hate someone then even their breathing will annoy you. 

Haters are good at finding little things to hate. All I can do is just keep doing the best job I can.

I admit to having had plastic surgery. It’s not a bad thing that you need to hide. I had a nose job to fix my flat nose and that’s it. I haven’t had lots of plastic surgery like people think. 

You can’t always be lucky. My dad leaving us made me understand that nothing last forever. At least I still have a good relationship with him and he visits us a lot. 

Be friends with your parents. I think many teen problems stem from the fact that the parents and children aren’t close. So many times when teenagers get into trouble, they run to their friends for help, but most of the time, it’s the parents who clear it up for them.

Good spirit makes you valuable. I have met rich people and poor people and I realized that having lots of money doesn’t make you a good person. 

Remember that people only let you know the part that they want you to know. You might never know what they really are like.

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The Humans of New York page has reached 1.5 million followers since its 2010 debut. Now, Bangkok has finally got its equivalent, run by Mattawan “Zon” Sutjaritthanarak, 22, who works for a German NGO. On her page, she takes photographs and chats with strangers to get their perspective on living in our city.

How did the page start?

I was a Chula student. Our original project was to go Nakhon Ratchasima (Korat) to take photos of people there. I couldn’t make it in the end, but I kept my desire to do this, right here on the streets of Bangkok. I even planned to find only Korat people living here. But when I started chatting to people, I realized Bangkok is truly a global city. There are people from all over the world living here. I did more research about this kind of project and I found “Humans of New York,” which I really loved. It’s not street fashion. I want to show everyone that there are people from all over the world who share Bangkok as their home too.

What are the reactions from people when you talk to them?

It varies but most of them are friendly. I normally approach them by introducing myself and showing them the page that I’m doing. It depends on them whether they are comfortable enough to be my “human” or not.

Who is the most fascinating person you’ve met so far?

Probably this African-American jazz-man I bumped into. He said something that quite touched me. He said that many foreigners living here feel they are better than local people, which is a dispiriting statement about Thailand. But he said he’d love to learn and understand Thai people and respect them. I found that it’s very humble for a foreigner who lives here to say that. He also showed me the picture he took with Ray Charles when they worked together in the US.

Did you ever face difficulties when interviewing people?

I actually feel safe in Bangkok. Well, I don’t go to dangerous spots. Anyway, the spot that I find has the most diversity is Benjasiri Park, next to Emporium, where you can find people from everywhere: Thais, Japanese, Westerners, people from Cameroon. Bangkok is a real melting pot.

What have you learned so far from talking to strangers?

I feel that people interact with each other less and less. They just go to work, meet only a certain amount of friends—they interact online, not on the street. I’ve learned that everyone has their story or opinion. They’re just waiting for someone to listen. I also want everyone to realize that every life in this city is interconnected. You don’t live separately and your actions will affect others in some way.

What has been the online reaction? 

Pretty good. I just created it three weeks ago and it got 750 likes from people who are all over the world, like US, Australia, Germany­—not only Thai people. But I do want people to comment more, instead of just clicking like.

What’s your next plan? 

I want to create some artistic or cultural project to develop and help people, and write articles about my experience doing this page. 

Visit Humans of Bangkok: http://ow.ly/qlsVE

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