More and more works like yours are moving into the galleries—what does this signify?
An increased level of appreciation, I guess. It’s good that the art form is going places not just remaining on the streets. It gives the artworks a higher chance of mortality. Although the issue about how “street art should remain in the streets” will surface, the move adds more value to both the art and the maker.

With public spaces here still out of bounds, is there a real street art scene here?
Of course there is. We honestly don’t care whether a space is out of bounds or not. We go out and do it regardless. It’s been around for years and only noticed by those who are attentive.

Tell us more about your latest work in the gallery.
I like my works to interact with spaces, be it indoors or outdoors. For this show, I was given a small section in the gallery to work with and see what I could come up with. I painted multiple layered stencil figures of myself exploring that space, as a replacement to tags where a graffiti artist usually paints his or her name.

Who are you influenced by?
My collective RSCLS has been a major influence in my art lately. They’re a bunch of unique individuals who are always challenging themselves in their work, and that drives me to push further with mine. I work primarily with spraypaint or any fast drying medium. I have very little patience.

Anthropos: Navigating Human Depth in Thai and Singapore Contemporary Art is on through Oct 13 at Sundaram Tagore Gallery.