Known for his powerful voice, Bee Peerapat got his first break on the indie music scene 15 years ago as the frontman of dek naew favorites Crescendo. Going solo cast him as the villain who killed the beloved band. Preparing for his biggest solo concert yet (Oct 27), Bee takes time out to look back at his career so far.

I never wanted to be a singer. I wanted to be a guitarist. My parents never supported the idea of me becoming a musician, so I never got to take piano or guitar lessons like other kids. 
 
I’d sing in my free time. Before I knew it, I was singing sing at every party. Later in school I joined a school marching band, then my friends’ rock band… it just kept going from there. 
 
One karaoke night is all it took to land a record deal. After my band at Bangkok University won several awards, my bandmate took me to a karaoke party and someone from [record label] Stone happened to be there. He told me to audition at the label the next day. That day, I signed my first contract. 
 
Just as my album was completed and about to be released, the record label went bust. But my album producer went on to work at Grammy where he showed the record to [producer] Pond Thana who suggested it would be safer to put me in a band. That’s how I ended up in the band R R R n’ B.
 
We released three albums but managed to get booked only once. Everything was turned upside down. I’d gone from landing a record deal to being lost. My singing career was obviously over.  
 
I prayed to God to guide me and I swore I would give my all if he could just point me in the right direction.
 
My prayer was answered by a phone call from a former R R R n’ B bandmate. He suggested we form a new band to play at pubs. 
 
To sing well and to be a good performer are totally different. We played eight pubs a week and I learned how clueless about performing I’d been until then.
 
We made quite a lot of money, too; I bought my first secondhand car with the cash.
 
Nobody cares about music at lounges and high-end places, so we decided to cut our shows down to just those places we felt comfortable playing, like Saxophone. That’s where Crescendo happened.
 
My bandmates were all talented musicians: Nor, Ake and Champ. I learned a lot about making music during that time and got to write my first lyrics, “Ma Rong Pleng Gun Ter” (“Come Sing Together”). Our songs became hits on Fat Radio.
 
Fat Festival felt so pure with all these people who didn’t care who we were or what we looked like. They were there for the music. It was magic. Then we went on to release an album on Bakery Music, the label’s last band before it went under. Then we signed with Sony. Then the magic was gone.
 
I was kicked out of the band and some people made me out to be the villain. I cried for three days. I was cast as the guy who was so selfish and ambitious that he left the band to go solo. I was touring when a guy said, “You know Crescendo wrote a song about you, ‘Hen Kae Tua’ (‘Selfish’).” The real reasons are more complicated, but all I could reply was, “Thank you.”
 
Problems in this country are caused by people who believe whatever they are told. People who don’t really know what happened and just listen to what they heard. That’s why I was despised.
 
I want to put these things behind me. We have forgiven each other now, in a way. If we had been as mature as we are today, I think Crescendo would still be together.
 
Singing is not my work. It’s what I love to do. So it never feels like going to work when I sing. For me I only feel at work when I’m giving interviews, like right now. I have tried hard to think of what else I would be if not a singer, but couldn’t come up with anything.
 
It’s not the power in my voice that I think is my best talent, despite what people say. If you ask musicians who play with me, I think they’d say it is my rhythm and timing.
 
A first full solo concert is like a wedding. It’s like you’re showing the world your commitment to what you love. It’s every artist’s dream, I think, to have his or her own concert. 
 
I hope that I can continue to do this for the rest of my life. I think I would die a happy man if I could sing into my 70s. It means a lot to me that veteran singer Kob Songsit, who is a relative and supported my education since I moved to Bangkok, will join me on stage.
 
Little things hurt me. I think I’m quite sensitive but I prefer to keep my feelings bottled up. I just can’t let go of the little things, especially when it comes from people I respect. 
 

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A so-called anti-folk artist with over a decade in the music business, American singer-songwriter Adam Green, formerly of the indie band Moldy Peaches, speaks to us about his inspirations, his latest music project and his upcoming acoustic gig in Bangkok this weekend (Oct 19).
You’ve been making music for a while now, what keeps you inspired?
I get inspired by shapes, colors, words, feelings, ideas—the same as everybody. Lately I’ve been really inspired by sex.
 
You’ve been described as an antifolk artist; do you have a problem with that definition?
No, I welcome it! Anti-folk is the scene where I got started and I still love so
much of that music—Diane Cluck, Turner Cody, Ish Marquez, Dufus, Jeffery
Lewis—you’ve got to check that stuff out!
 
You’ve worked with a lot of people; who was the most inspirational?
Probably I’ve been most inspired by The Doors, Beck, Turner Cody, Iggy Pop, The Strokes, Leonard Cohen, John Davis, Beat Happening, The Rolling Stones, Scott Walker and The Incredible String Band.
 
You’re a musician, painter and filmmaker; which do you prefer and why?
I like to sing on Mondays, paint on Tuesdays, make movies on Wednesdays, sleep Thursdays, sing on Fridays, paint on Saturdays, and make movies on Sundays.
 
You released an album with Binki Shapiro [of the band Little Joy] earlier this year; any chance she might come with you to Bangkok?
I doubt that she would surprise me and meet me here without me knowing about it. We have no plans to do anything more, you know. It could happen but not anytime soon.
 
You’ve been quite public about your use of drugs in the past; do you think it helps the creative process?
Yeah, sometimes it helps to smoke weed while I’m writing lyrics. And the [film] Wrong Ferarri was definitely written on ketamine. But I wrote Gemstones completely sober and that’s one of my favorite albums. I don’t know, I think I like to write and make artwork sober or not sober.
 
You recently exhibited your artworks at the Noise Kids exhibition along with Pete Doherty, Fionn Regan and Martin Creed; how did it go?
I want to have a look around. Have some drinks. I don’t know what to expect onestly, I’m excited to sing for people who have never been to one of my concerts before.

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Bangkok is drowning in its own trash. We don’t sort our garbage, we generate too much of it, we use landfills instead of incinerators and, within 10 years, there will literally be nowhere for our rubbish to go. Here’s what’s broken with the system, and how it could be fixed. 

     
1.2 Kg
Trash generated by Bangkokians every day
22%
Amount of trash Bangkok generates relative to the whole country.
8.1 Millon
Plastic bags Bangkokians use, per day
 

B1,000

Cost of processing one ton of trash

B4,967,665,400
This year’s trash processing budget for the Bangkok Metropolitan Administration (BMA)
95.56%
Percent of the BMA’s total budget expenditure this represents.

Source: Bangkok Metropolitan Administration

3.6 Million tons = Trash the city generated in 2012

4.4 Million tons = Trash the city is expected to generate in 2013

 
 
 
 
40% = Percentage of trash that we generate which can be recycled.
 
18% = Percentage of trash that actually gets recycled.
 

Source: Pollution Control Department of Thailand

Source: OECD (Organisation for Economic Co-operation and Development)
 

  Top Pipat, founder of Eco Shop by Top Pipat, www.ecoshop.in.th

“I think we’ve seen a dramatic increase in environmental awareness recently. There are more products made from recycled materials, more people buying it and more support from officials. As for recycling, I think many people are capable and willing to contribute. But we are not educated enough about this when we are young. If you look at countries like Japan, children learn about these things at school, see their parents set an example, so it automatically becomes habitual for everyone. We need to do better to motivate people here for real changes to happen.”

   

53% = Percentage of Bangkok’s municipal solid waste which is compostable organic garbage, like food leftovers and fruit peels.

5% = Percentage of households that practice composting.

 
 
1. Get your small plastic or iron garbage can with a lid. Make 10-15 small holes in the bottom and put it on a tray with a one-inch gap between the two to let air in.
2. Add in a few inches of dry bedding such as dead leaves, strips of newspaper, coconut coir, or sawdust at the bottom to balance the moisture levels (You might want to keep the dry bedding nearby as you will need to add it later too).
 
3. As a beginner, it’s wise to avoid tricky stuff like meat, fish and dairy waste and start with fruit and vegetables. Now put your organic trash in and leave it. 
 
4. If there’s ever bad odor or liquid leaking into the bottom tray, add more dry bedding.
5. Every couple of weeks, mix the contents up with a stick to let air pass through it and help the composting process.
6. Experiment to find the right balance between your trash and dry bedding. The end result is rich soil you can use for your plants.

36,363 
color-coded bins were purchased in 2010.
35,000
transparent bins were purchased this year for security reasons.
B70 MILLION
cost of the new
tranparent bins.

“It’s frustrating seeing your separated garbage bags all thrown mixed up with other trash in one truck. it feels like you’re doing it to no avail.”

Top Pipat

                          
Paper: Office paper (type used for printers) = B5.8/kg Newspapers, Books, Magazines = B3.5/kg Brown box paper = B4/kg Other paper (grossy flyers, brochures and magazine covers) = B1.25/kg
  
Plastic bottles: Clear plastic bottles, with PET logo at the bottom = B15/kg
Opaque plastic bottles = B17/kg General plastics = B8.25/kg Plastic bags = B1/kg
  
Glass: Soda Bottles = B10/box Colored glass = B1.25/kg  Clear glass = B1.50/kg Large soft drink bottle = B2/bottle The price of a liquor bottle highly varies depending on the brand. 
 
  
 UHT boxes: Juice and milk cartons = B1/kg
   Other: If your trash doesn’t fit into any of these basic categories, don’t give up. Stuff like rubber boots, CDs and any parts of electronic appliances are recyclable too. The priciest trash you can sell is bronze wire at B180/kg

Source: Thailand Institute of Packaging and Recycling Management for Sustainable Environment (TIPMSE).

 

Chidjai Khemglad Public Cleanliness and Orderliness officer, KLong Toey District Office.

 “Sa leng [private trash collectors who operate on motorized tricycles] in fact make life harder for us. They get to the collection spots before our officers arrive. Because they are not taking the all of the trash, they just scatter it all out from the bin, pick what they can sell and move on, leaving it all out of the bin and all over the ground. Some even stole our bins.”

Q&A

Thanom Phromma

 
 
 
 
 
 
 
What is your reaction to the BMA’s claim that sa leng (private trash collectors) are making their work more difficult?
I can understand that. There are many kinds of sa leng. There are professional ones, like me, and some who are not so professional. For me, I don’t bother going through the messy bins. I go buy or collect stuff from condos or shophouses then sell it to the recycling site. And, of course, there are junkies and migrants who will do whatever it takes to get the money. Also with these scavengers on foot, who mostly just got out of prison or are unemployed, I would say you should rather stay away from them. I sometimes think that the problems between the BMA’s collectors and scavengers are often down to the recyclable trash, which is worth money. We do this for a living, not like the BMA officials who do it for the public cleanliness and environment. But if what I do helps the environment, I am happy about that, too.
 
If households start separating more trash, would that help?
More people are now sorting their trash. Everybody knows trash is money. Housemaids do it. Many condos do it. What I do mostly is buy from them and then sell it to the trash purchasing site. But you will definitely gain more by sorting the trash yourself.
 
What’s your favorite trash?
Bronze and brass. But it’s not what you find every day. So cans, bottles and paper are the basics.
 
How much do you make selling trash?
I don’t want to say a specific number, but it’s not bad, though not enough to save. Most of the money in the trash business goes to the middleman. There are over 200 scavengers selling their collected stuff at this one recycling site [on Sukhumvit Soi 36] every day; the site needs to hand out queue tickets. They don’t have their own collectors but we sa leng can rent their tricycles for B20 a day. However, we must only sell what we gather to them. If they find us selling it to another site, we won’t get to do business with them again. 
 
 
 
 Chainiran Payomyam, president of activist group OPAR
 
“Given the amount of trash we currently generate, the BMA needs more trucks. We also need to sort waste by using different trucks to collect different types of trash on different days.”
 
B900 million
Cost of an incinerator to be built in Nong Kham to be operated by Hong Kong’s waste-to-energy company C&G who currently runs five plants in China. 
500 tons
Amount of waste the incinerator could burn, per day.
9.8 megawatts
Amount of energy that it will generate, to be sold back to the Electricity Generating Authority of Thailand. 
 
Chainiran Payomyam, President of activist group OPAR
 “I’m not against the building of the incinerator; it should have been done a long while ago but what I don’t understand is why the BMA doesn’t look to own it. Instead it will hire a private company to operate it, meaning we won’t get the revenue from the waste-to-energy process. And the location is too close to the city, especially with the city’s ongoing expansion. Many people may suffer from cancer-causing dioxins—that’s why it’s important the BMA should own the plant and control its safety.”
 
Top Pipat, founder of Eco Shop, which is a platform for eco-friendly and recycled design products.
 
“I think everybody knows environmentalism is a good thing. But to motivate people to actually do something about it is another story. I don’t agree with people who say it’s a problem too big for individuals to do anything. If we do nothing, our actions will definitely come back to affect everyone.”
 
Chidjai Khemglad Public Cleanliness and Orderliness officer, Klong Toey District Office.
 
“I want people to see public places the way they see their own homes so they won’t litter. We are really lacking a sense of responsibility. We need contributions from every part of society. The least we ask is that people put their trash into the bins. No matter how advanced our technology, if the public doesn’t care it about this, we can never really improve.”
 
Chainiran Payomyam, President of activist group OPAR
 
“While people in developed countries are taught to sort their trash in their household, we are taught to put everything in one bag and throw it into a bin. The BMA once said they would have a recycling system for these plastic bags, but we haven’t seen it materialize.”
 

The Bangkok Metropolitan Administration (BMA) did not grant us an interview for this issue. After postponing several times, they pointed us to a Public Relations fact sheet.

 

 
 
 
 
 

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As part of its 60th anniversary celebrations, the world’s longest running play arrives in Bangkok at the Aksra Theatre from Sep 27-29. We caught up with the play’s director, Denise Silvey, to find out why Agatha Christies’ classic whodunit The Mousetrap has such an enduring appeal.
 
We know the story focuses on a murder, but can you tell us any more?
It is a murder mystery set in a country house hotel. It’s just before Christmas and it’s snowing heavily outside so it’s almost impossible for anyone to leave, or arrive…the phone line has been cut and there’s a killer on the loose…
 
What brings The Mousetrap to Bangkok and have you had to adapt it in any way?
The Mousetrap has been hugely successful all over the world. As part of the 60th anniversary celebrations we have tried to bring the play to 60 different destinations. We are not adapting the play in any way. The production coming to Bangkok will be almost exactly the same as the one in London’s West End.
 
How do you explain the play’s longevity?
It is a very good story. Not only does it have the crime element, there is also a lot of humour. Agatha Christie is more popular now than she has ever been and she is published all over the world. I also think that after the first ten years of its run in the West End, it created a piece of history as being the longest running play ever, so now audiences come to see it for that reason as well. You would be surprised how many people in Britain still haven’t seen it!
 
The play has been running since 1952, is it still relevant to a changing society?
It’s a good story and a snapshot of Britain in the early 1950s. The production has to remain faithful to the 1950s as it would not work if it was in any way updated, mainly due to the fact that if anyone in the house had a mobile phone, there would be no story. The theme of the play is as relevant today as it was then.
 
What makes it such a classic?
Agatha Christie was a genius in her ability to tell a story, and draw the most wonderful characters, which is why she’s as popular now as she always has been, and this is one of her best.
 
With all the new media like TV and the internet, do you think theatre can compete?
Theatre is still very popular. However much people watch TV and the internet, there is nothing that can beat the experience of seeing live actors on a stage.

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Karaoke Girl

Editor's Rating: 
4
Average: 4 (1 vote)
Directed By: 
Visra Vichit-Vadakan

Directed and written by Visra Vichit-Vadakan for Hidden Rooster Films, Karaoke Girl narrates the real life of Sa Sittijun, an upcountry girl from Nong Khai who moved to Bangkok to work as an escort in a karaoke bar. It has received positive feedback and awards internationally, in part for its clever blend of documentary and fictional styles, which creates a gripping portrayal of women working in Bangkok’s bars.

Opening Date: 
Thu, 2013-10-03
Language: 
Thai
Running Time: 
1 hr. 17 min.
Images: 
Author: 
Thitipol Panyalimpanun

You might remember Pol. Maj. Padthongtew Damapong as the guy behind the police K-pop cover video for “Sorry” that was a viral hit a few years back, but he also happens to be the Thai national footvolley team manager. He talks to BK about the burgeoning sport, a type of sepak takraw played on the beach, ahead of the TrueVision GPP 2nd Asian Footvolley Championships which kicks off at Central Plaza Rama 2 on Sep 22.

What’s the status of footvolley right now? 
Footvolley began about 20-30 years ago in Brazil and those countries who do well in the game now are also the top teams in football, like Brazil, Argentina, England and France. It’s been going on in Thailand for almost 10 years now, but very quietly. So in many ways, we can say it’s a fairly new and not widely known sport here. Still, we can see that we have the potential to do very well. 
 
Could you tell us more about this potential?
If you look at how we fare in sepak takraw, we’re number one in Asia and even the world. The two sports are very similar requiring less physicality and more technical skills, which really suits Thai athletes. We have the advantage of taking the tactics we use in sepak takraw and applying them to footvolley. There’s a lot of potential. 
 
What sort of entertainment value does footvolley offer?
By its nature, footvolley is very combative, fast-paced, and given that it’s played on the beach, it’s got all the entertainment you need. Also looking at sports like volleyball, sepak takraw and badminton, we’re seeing a trend where Thai female athletes are leading the way—women’s sports are a joy to watch as there’s so much emotion involved. So, we’re looking to press on with building our women’s team. The earlier we get started, the more chance we can dominate the game, too.
 
How is the Thai national footvolley team doing at the moment? How confident are you about winning the tournament?
We’ve set high targets—we’re not satisfied with just being Asia’s number one, though. We want to win regardless of the opponents. And despite having no national league at the moment, we’re lucky to have quite a strong foundation in sepak takraw. We’re also lucky to have Thai sepak takraw legend Suebsak Phunsueb, who happened to be in my police unit, help us a lot with direction and training.
 
Do you have any message for people out there who maybe aren’t aware of footvolley?
I just hope Thais give footvolley a try. Especially the less advantaged kids out there, I want them to know that the sport is very accessible without any big investment needed, and there are great opportunities to go far especially at this early stage of Thai footvolley.
 

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Edging out other contestants to win this year’s Thailand’s Got Talent (TGT), singer/songwriter Somchai “Chai” Ninsri, from Pattani, performs songs he composes in the hope of peace in Thailand’s troubled Southern provinces. Here, he chats to BK about his influences and being Thai and proud.
What music do you listen to?
I think it’s fair to say Sek Loso, Pu Phongsit and Add Carabao have influenced me a lot. The thing is I don’t think I’m very good at the guitar so I enjoy simple songs with direct, honest lyrics. I also think that who we are dictates what we like. I’m a “lo-so” kind of guy so these types of songs really speak to me. 
 
Your songs carry strong messages about peace and life; can you explain your songwriting process?
I just finished a new song about the sea and mountains, inviting people to come experience the South. It took me two days to write. But the process does vary; for example, one of the songs I performed on TGT took me about two weeks. I don’t plan ahead, when it comes to me, I just write it down. It often comes together simultaneously: the lyrics, chords and rhythm. When I compose I don’t need nice views or the right atmosphere. I can work anywhere; a tiny room and a mountaintop are the same for me. I don’t play the guitar to drown my sorrows. For me, my guitar is a part of my soul and I don’t want to have it involved with bad things.
 
Your performances on TGT were captivating; do you have any special tricks for performing live?
I often look at the audience and remember that I’m singing for them. I also always start my set with the song “Nok Pirarb Si Khao” (The White Pigeon), which you might have heard on the program—it reminds me why I’m doing this and where I come from. 
 
What do you make of many Thai artists taking their main inspiration from the West?
As much as you can’t force anyone to play a certain style, I just hope they carry with them some Thainess. It would be great to make a name for yourself internationally and then be able to stand up to the world and say this is Thai. For me, Thai is the right thing for a Thai person to be. I grew up with manora, nang taloong and li gay hulu [traditional Southern performances]; I hear them in my ears all the time. So, I guess this will always be present in whatever music I make. We should make the most of our unique sound from traditional music instruments. It’s something electronic devices can’t imitate. 
 
We heard you were written off by many people in the music industry during your years as an independent artist. Do you feel your success is a big punch in their faces?
Not at all. In fact, I must thank those people. If not for them, I might never have got to where I am. Going through such experiences really makes you strong. It gets you to challenge yourself to see if you have what it takes. 

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