Formerly based in Chicago, US artist Dale Konstanz has lived in Thailand for over 10 years now, building up a deep fascination for Thai street culture, particularly the sacred objects Bangkok taxi drivers arrange on their dashboard altars. After launching a blog, Thai Taxi Talismans, which became a book in 2012, he is now displaying his photos as part of his Reflections/Protections exhibition at Kathmandu Photo Gallery until June 29.
 
 
 
What draws you to document Thai talismans?
I wanted to learn more about Thai culture and I found out that hopping in the back of a cab really gave me a lot of insight into this. I noticed a lot of talismans in these cars, which reveals a lot about how Thai culture has been adapted from other cultures over time, whether it’s China, India, Japan, or America. 
 
Are you superstitious?
Definitely. I believe I have a sixth sense, as when I think of someone who I haven’t seen in ages, they will often connect back with me. I think I’ve seen a ghost and it happened in a taxi! I was taking photos and there was this white light that appeared in the photos. I tried to take the shots from many angles, but it just kept appearing. I showed it to the taxi driver and he told me someone had died in his cab. I asked if he was scared but he said no, this person was very kind, so it doesn’t bother him at all to have the spirit in the taxi.
 
Have you had any bad experiences in taxis?
Sometime they drive too fast, which is a bit scary. But honestly, most of my experiences are quite positive. It’s the one reason I started doing the project and wrote the book Thai Taxi Talismans. I feel like the taxi drivers always get a bad rap. I realize there must be some bad guys, but for me, most taxi drivers are good people who work hard and are just trying to survive out there.
 
What do you think about taxi drivers bringing up political topics all the time?
I think it makes sense because in between taking up fares drivers are often reading newspaper or listening to the radio. I think a lot of them are interested in politics because, in the past, some politicians have helped them. But I don’t have a very strong viewpoint in Thai politics and I don’t want to argue with the drivers, so I just agree with whatever they say. 
 
You studied fine arts; why did you stop painting and become a photographer?
In the US, we have long winters, so I’d stay in my studio to keep warm. When I got here I painted, too, but it got to the point where I felt I should go out to see what’s going on. I feel completely inspired wherever I go. And I think photography is the most direct approach to capturing this feeling. There are magical moments where you can snap an amazing unintentional shot or you can really see what people are thinking or feeling. 
 
What would you like to do in the future?
I’ve started a few different series. One is focusing on tuk tuk drivers; the other one is about Thai cowboys, like the guy wearing cowboy gear and playing the banjo at Chatujak Market. It is fascinating that Thai people are interested in this American Western culture. The result is neither Thai nor American.

Advertisement

Leave a Comment