Poor Bradley Cooper. Hollywood’s “Sexiest Man Alive” in 2011 (according to People magazine) had to executive produce his own films (this, and last year’s portentous thriller Limitless) to land serious roles. Certainly no-brainer stints in films like The A-Team and Hit & Run aren’t earning the guy any serious acting cred; hence this, a semicredible morality tale about a writer wrecked with guilt over undeserved success.