If you breathe poetry, you can find it anywhere. Wong Kar Wai’s latest oeuvre is a fine return to form for a man whose last two films were misfires—2004’s 2046 in particular was pretentious and hopelessly meandering—but his latest martial arts entry The Grandmaster is one of his most poetic and philosophical releases to date, buoyed by wonderfully lucid action sequences, emotional performances from leads Tony Leung and Zhang Ziyi, and existential musings that would make even Sartre blush.