Art junkies, culture vultures and fun lovers, plan your winter in the city because the cold wind brings with it lots of art, music and culture festivals. 

Held continuously at Santichaiprakarn Park for the past 12 years, this festival has become synonymous with winter for theater devotees. It returns this year, though with a change in location, due to mourning rites for the Supreme Patriach being held in the area. Shows will now be held at the Bangkok Art and Culture Centre with a few performances at Pridi Banomyong Institute. We’ll miss the park’s atmosphere, but the BACC (BTS National Stadium) is a lot easier to get to.
 
The festival continues to expand and now boasts over 70 performances by amateurs and prominent professional groups including 8x8 Theatre, Anatta Theatre, B-Floor Theatre, Crescentmoon Theatre, New Theatre Society, SomMood and Sao Soong. The range of shows is massive, from physical theater, mime and performance art to contemporary dance.
 
The shows are performed on various stages inside the BACC, as well as on the front plaza. Here are some of the highlights:

Avasarn Kwam Chei (Blow Up the Silence) Nov 9-10
No sitting and watching, here: In this play by the Malongdu troupe, you will be urged to stand up and partake in the play which will comprise three short stories based on current social issues.

Kon Song Jao (Silhouette of God) Nov 9-10
A play by students from the University of the Thai Chamber of Commerce (UTCC) which garnered a positive reception and awards at the Nanning Theatre Festival in China. Written and directed by Dumgerng Thaitapiyasak, it’s an adaptation of SEA Write Award-winner Wimol Sainimnuan’s eponymous novel on the corrupting influence of power and money.
 
 
San Dan Ka (The Nature of a Crow) Nov 9-10
Butoh is a modern Japanese dance form defined by hyper-controlled motion and often out-there imagery which can range from grotesque to absurd. This performance by the B-Floor collective draws inspiration from Anupong Chanthorn’s controversial paintings of beaked, misbehaving monks to tackle the taboo issue of their sacredness. The performance premiered in 2009 to great critical acclaim and was invited to perform at Mexico’s Puebia International Theatre Festival earlier this year.
 
 
Babymime Show Nov 9-10
The popular pantomime trio Babymime (Thong-glur Tongta, Nutapol Kummata and Ratchai Rujiwipatana) have just complete a tour abroad and are back on their home turf for the festival they emerged from. Their lighthearted mime performances are guaranteed to take you back to your childhood, put a smile on your face or even trigger tears of laughter.
 
BACC, Rama 1 Rd., 02-214-6630. BTS National Stadium.
 
Tickets (B200-500) required for some shows at 080-447-6553. 
 
 
 
Supposedly to get us all excited and prepped for the coming of the ASEAN Community, this festival features seminars, talks, art and cultural workshops, exhibitions and showcases. Details are still sketchy but it’s actually been on since August, although it’s meant to gather steam this November as it screens a film every Thursday (6-8pm) for free. Mid-December things pick up further with the “ASEAN Nights: ASEAN Beyond Frontier program,” which will show films, performances and serve up street food on the BACC’s plaza (from 4pm).
 
BACC, Rama 1 Rd., 02-214-6630. BTS National Stadium.
Free admission.
 
 
 
Here’s one for your niece or nephew—the winter’s got a festival for them, too. Held for the ninth time, the edutainment Science Film Festival at TK Park aims to make science fun and easy to understand. A total of 26 films from 14 countries have been selected for screening. Highlights include You, Planet (Austria) and Living with Robots (France). 
 
TK Park, 8/F CentralWorld, Ratchadamri Rd. BTS Chit Lom. Full details at www.sciencefilmfestival.org. Reservations at 02-257-4300 ext. 223
Free admission.
 
Q&A
 
 
Nut Nualpang
Artistic Director of Bangkok Theater Festival
 
This will be the first time that the festival is not held at Santichaiprakarn Park?
It really took us by surprise. We only knew a few hours prior to the press conference that we could not use the park and had to change our plans within an hour. Our thanks go to the BACC, who have been so helpful. The atmosphere may be different this time but it should provide a freshness to the festival.
Does it make life holding the festival harder for you?
We just need to adapt. We’ve been told to keep it soft, too, as we’re in the mourning period. But the core of the festival—the performances—are still there, so it should be fun. As it’s at the BACC, it will be much more urban, which is a welcome change. I think the new location will attract a bigger audience which can only be a good thing. I don’t think the festival will lose its charm one bit.
What does the festival mean to Thai theater?
It’s like a traditional family gathering for theater troupes now. Still, it never ceases to surprise us. Many past audience members are now performers. Every year, there’s a new wave of performers emerging and we are just happy to witness new talent make a name for themselves. It really strengthens the theater culture in our country. It brings together theater groups and lets people experience something new.
What’s behind the festival’s longevity?
I think it is down to the diversity of performances, from funny to abstract. It really has something for audiences of any age. It’s a very lively festival, though it has a laidback atmosphere and all the fun you would expect when people gather for shows. There’s no other time you can watch so many shows in once place, too!
 
 
Selected from over 800 globally submitted titles, you can expect the 60 films shown at the festival this year to be the cream of the crop. Screenings are spread over 10 days at SF World Cinema from Nov 15-24. The selected films are categorized into five categories: Asian Contemporary, Cine Latino, Cinema Beat, Doc Feast, Short Wave and a retrospective of Thai veteran actress Jarunee Suksawas.
 
The festival is also a good chance to catch any films you missed out on like Karaoke Girl, Tang Wong and the controversial documentary Boundary. As for the inter flicks, we’re looking forward to The Cleaner (Peru), The Last Shepherd (Italy) and Instant Mommy (The Philippines). You can also see The Itshmus (Thailand) which premiered at the Busan International Film Festival and is now finally making its Bangkok premieres
 
 
The Cleaner (Peru) Nov 16, 23
This sci-fi drama film by Adrian Saba, chosen to represent Peru in the foreign language Oscar category, narrates a bizarre epidemic that hits Lima, leaving a forensic cleaner (Victor Prada) to take care of an eight-year-old boy (Adrian Du Bois).
 
 
The Isthmus (Thailand) Nov 21, 23
Starring Sangthong Gate U-Thong, this film tells the story of a mother, Da, who after her Burmese maid dies, sees her eight-year-old daughter mysteriously lose her mother tongue and speak only Burmese. Sa takes her little girl to a Burmese doctor in Ranong where they encounter a whole different world within the Burmese community.
 
 
The Last Shepherd (Italy) Nov 16, 23
A film by Marco Bonfanti which follows Renato Zucchelli, a traveling shepherd in the Italian Alps, who dreams of taking his sheep into the heart of Milan.
 
SF World Cinema, 7/F CentralWorld, Ratchadamri Rd., 089-685-5253. BTS Chit Lom. 
Tickets B120. For full showtimes, visit www.worldfilmbkk.com.
 

After taking a year off, The International Butoh Festival makes a comeback under the theme of Butoh Women and will feature exclusively female international Butoh artists including Yuko Kawamoto (Japan), Natalie K. Kim (Korea), Yeow Lai Chee (Malaysia), Sylvie Bruzeau (France) and Vinci Mok (Hong Kong), who will be joined by Thai artists Bo Kittiphon and Sasapin Siriwanij. Alongside the performances are an exhibition of Butoh-inspired photography, video, and installation, as well as Butoh workshops by the artists (B1,000 per workshop).
 
Tickets B600 at 085-160-1677 or bkkbutoh@yahoo.com or visit www.bfloortheatre.com. BACC, Rama 1 Rd., 02-214-6630. BTS National Stadium.
 
 
 
The Bangkok Symphony Orchestra continues its much-loved winter tradition of playing popular favorites with different guest vocalists every Sunday at the adorable Sala Bhirom Bhakdi. Expect anything from Thai and Western classical music to popular Broadway scores amid Lumphini’s vegetation. Get there early to choose a good picnic spot and make sure you bring your booze in fruit juice bottles to avoid detection.
 
5:30pm. Sala Bhirom Bhakdi, Lumphini Park. MRT Lumphini and BTS Sala Daeng.
Free admission.
 
 
 
After debuting last year under the theme of New York and London Inspired, this festival returns with a much simpler theme, “winter.” This weekend gathering held by Sansiri on its bridge across Khlong Phra Khanong is pretty similar to a farmers market with over 70 booths offering everything from food, vintage clothing and live performances. Judging from last time, it’s suited mostly to families and couples.
 
1-8pm. Saan Sam Ran Bridge, behind The Base Sukhumvit 77.
Free admission.
 

Hot on the heels of the Bangkok Theatre Festival, this will be the season’s other big-ticket festival. Oddly, they’re saying that there’s an ASEAN theme to the whole thing, but actually, you can expect international acts from all four corners of the globe.
Headlined by The Vertical Dance Company Il Posto, the festival will see the Italian troupe showcase their gravity-defying aerial choreography set to live music. (Nov 22, 23, 7pm)
Celebrated choreographer and dancer Rina Shenfeld, from Israel, also returns (Nov 24, 7pm), as well as the Istanbul State Opera and Ballet who will showcase their explosive and vibrant performance. (Nov 27-29, 7pm)
Other highlights include performances from groups like Korea’s Zen Dance, Singapore’s Maya Dance Theatre and Jitti Chompee’s 18 Monkeys Dance Theatre.
Alongside these performances are workshops, master classes, visual arts exhibition, and film screenings, which are open to the public.
 
BACC, Rama 1 Rd., 02-214-6630. BTS National Stadium.Tickets are required for some shows. Full schedule at http://dance-festival.info. B600-1,800 (B300 for students) from Thaiticketmajor
 
Q&A
 
 
Vararom Pachimsawat 
Director of Friends of the Arts Foundation and the International Dance Festival.
 
The festival is being held for the 13th time; what’s there to look forward to?
Many would say it’s bigger and better this time. For me, the festival just continues to grow naturally. We started out very small and now we are hosting a number of dance groups from many countries. The festival is gaining more attention every year. With such renowned and exciting groups in attendance, it’s really a no-brainer for dance fans. But for those new to performance art, too, I’m sure you will have an enjoyable time.
What do you suggest for newcomers with little knowledge of dance?
It must be the spectacular performance by the Il Posto Vertical Dance Company from Italy. With a soundtrack of saxophone and a strong rhythm section, it’s really engaging. We are fully aware that it’s not easy for people who are not really into dance to sit through an hour-long performance. That’s why we have these kind of preview shows where each group performs briefly for about 15 minutes. The audience can experience every show that way, be entertained and slowly be introduced to performance art.
Tell us about the Thai dance scene at the moment.
It’s completely different from 10 years ago. We have so many great talents in dance and performance art—but we mustn’t take it easy. We need a sustained effort in order to keep Thai performance art growing. I’m not worried at all about Thai performers’ skills or creativity.
What do you hope to achieve from the festival?
The reason we’ve been continually doing festivals and smaller events like this is to lay the foundation for the young generation of Thai artists. That’s why it’s not just about bringing in these international groups to perform, but also to hold workshops and master classes for our young talent. We also give them the opportunity to perform at the festival. It’s very important we nurture our talent as well as our audience.
 
 
 
Museum Siam is all set to jazz things up in Phra Nakorn with a series of evening events. As this year’s theme is Charoen Arhan (Bon Appetit), you can look forward to a mix of live performances, later opening hours and temporary exhibitions related to food.
 
6-10pm. Museum Siam, 4 Sanam Chai Rd. Free admission.    

If you can’t make it to all those out-of-town festivals, head for this street music festival by Museum Siam and Panda Records. Noise Market features a music-focused flea market where you can browse for CDs, rare vinyl, as well as other music-related merchandise like t-shirts and bags while enjoying live music by independent record labels including Comet Records, Color Code, Final Kid Group, Hitman Jazz Records, Panda Records, Rats Records and So::On Dry Flower, plus free art and DIY workshops.
 
2-10pm. Museum Siam, amphitheater, 4 Sanam Chai Rd. 
Free admission.
 
 
 
The yearly free film screenings return to BACC under the theme of Director’s choice, with movies selected by five prominent Thai directors including: Pen-Ek Ratanaruang, Nonzee Nimitbutr, Jira Maligoo and Tanwarin Sukkhapisit. It kicks off this week (Nov 9) with Director Kondej Jaturanrasmee’s choice, Synecdoche, New York (2008), Charlie Kaufman’s award-winning surrealist film. Screenings are in English with Thai subtitles and each director will give a talk after each screening.
The next screening on Jan 25 is chosen by the director of Insects in the Backyard, Tanwarin Sukkhapisit, who will screen a Japanese drama, Himizu (2011), about two teenagers whose lives take a dark turn after a tsunami hits Japan.
 
4:30-9pm. BACC, Rama 1 Rd., 02-214-6630. Free admission.
 
 
 
Not only is this festival outdoors but it’s by the river, at Asiatique. The first day will be headlined by Singaporean vocalist, Olivia Ong, who has won quite a number of Thai fans with her renditions of bossa nova classics. Olivia will be joined by English band Shakatak who have been mixing jazz with funk and pop since the 80s.
On Sunday, Natalie Cole takes over the stage. The daughter of the legendary Nat King Cole brings her famous takes on Bruce Springsteen's "Pink Cadillac” and her father’s “Unforgettable,” with local act Ben Chalatit and Koh Mr.Saxman playing until the earlier hours.
 
6pm-midnight. Asiatique, 2194 Charoenkrung Rd., 02-108-4488. 
Tickets B2,000 (B3,500 for two-day pass) from Thaiticketmajor.
 
Big Mountain 
Dec 7-8
 
The mother of all the big out-of-town music festivals, Big Mountain, will take place at Bonanza in Khao Yai. Headliners span a range of genres from the 90s pop of 2 Days Ago Kids, sweet-pop of Armchair to the hard-hitting alternative rock of Abuse The Youth. Of course, all the big name rockers, like Bodyslam and Big Ass will be there too, along with indie mainstays The Standards. International acts include Austra from Canada, Bombi and the Shuta Hasunuma Group from Japan and Cells from Laos. It sounds a lot like last year, but you’re going for the atmosphere, not a ground-breaking lineup.
 
Bonanza Khao-Yai, Khao Yai National Park Na Hin Lat, Park Phli, Nakorn Nayok.  
Tickets B1,900 for a two-day pass with buy-five-get-one-free from Thaiticketmajor.
 
 
Stone Free Music Festival 
Dec 14
 
If you prefer a more folky, experimental and less conventional kind of festival, this one’s for you. Founded back in 2011 by the Panda Records crew led by Pok Wannarit Pongprayoon (Stylish Nonsense, Basement Tape) and Tokin Teekanun (also in Triggs & The Longest Day), the third edition's lineup hasn’t been announced yet but going on previous years you can expect experimental sounds that traverse electro-pop, noise-rock and folk from bands like Stylish Nonsense, Abstraction XL, Basement Tape and Desktop Error, as well as underground acts from labels like So::On Dry Flower, along with the promised mixed media installation, A Part Of You, A Part Of Me, by Tokin.
 
Ticket and location information to be announced.
 
Over Coat 
Dec 7
 
This intimate, romantic and chilled-out festival promises the likes of Tu Phobtorn, Toe Saksit, Nat Sakdatorn, Sani and Patcha from Academy Fantasia, 123 Soul, Watcharawalee, Friday, POP, Singular, Tattoo Colour, Better Weather, Mild, Lipta, ETC and 25 Hours. Perhaps not a lineup to get the pulses racing but a great excuse to take a tumble on the lush green grass of Starlight by Jolly Land.
 
4:30pm. Starlight by Jolly Land, Khao Kor, Petchaboon.
Tickets B1,500 from Thaiticketmajor. 
 
BK ASKS
What's the craziest thing you've done outdoors?
 

Jitt Kasemsri
22, market researcher
 
“I went home barefoot drunk in a flood after clubbing, having lost my shoes. I was kicked out from a cab and had to walk through the water to get home, alone.” 

Elyse Quivooy
20, student 
 
“I once went swimming in the lake at Lumpini Park in my underpants.  It was already getting dark so a few friends and I decided to be spontaneous and try to swim across the lake. Before we even had the chance to have our victory dance, a security guard came speeding over on his bicycle screaming at us and flashing his flashlights at us.”

Gamkaew Lourakmanee
23, party organizer
 
“I went to Big Mountain with a pack of friends. Drinking beer in the winter is so nice. Eventually, a whole bunch of us, me included, just passed out. But it’s all good, I had seen the headliners so many times before. I’m so going back again this year, too!”

Sirapop Wangkiat
23, marketing communicator
 
“Last winter we decided Chiang Mai was the place to go. It was all good until I jumped on my friend’s motorbike, rode it out and got hit by a pick-up truck. I didn’t die but I broke my ankle.  I still made it to Monkey Bar in a splint, though, and many people came up to say hi. This  year I’m going to Phuket.”

 

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Santi Lorratchawee made his name at the forefront of the Thai graphic design scene with his small-but-influential Practical Design Studio. Having traveled back and forth to stage art shows in Japan for many years, he’s now brought back Tokyo’s Here is Zine exhibition, a showcase of cutting-edge book design and handmade magazines, opening here under the name Here is ZINE 7th Bangkok – Tokyo

What is Zine?

Zine is actually an event that originated in New York. It’s a place where artists, designers, photographers and other creatives gather to show off their handmade magazines. 

How did it come to Bangkok?

My friends in Tokyo launched Here is Zine Tokyo, which has taken place for six years now. I’ve also played a part in it. After talking to them, I decided it was time to launch this in Thailand. I have invited 18 Thai designers and another 20 Japanese designers to show off their works which are all limited edition. This is the first time that the event is being held outside Japan. 

As the head of a leading design company, how do you see the Thai graphic design scene?

It’s always growing and will continue to grow further in the future. There’s more to communication than just a language. The term “graphic designer” has come a long way but some people still think that it’s something related to computer programming, which is a viewpoint we want to change. While graphics are defined as a 2D-form, it is something more than that. It’s a form of communication involving different senses. Many graphic works involve speech, too, and take time to be made. Our industry is not lacking in designers, but we need people who simply love designing and can adjust their work to different fields.

What’s next for you?

I’m going to be part of Bangkok International Typographic Symposium 2013 (BITS MMXIII) as a speaker. This time I’ll be talking about fonts that have become part of our everyday usage. The starting point of my interest came when I went to a public library here in Thailand where they keep ancient documents with old fonts. I felt a connection with the past and found it interesting that here in the present we still use a lot of stuff from the past.

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As part of his exhibition Villa in the Slums (through Nov 30), American artist Phil America moved a slum house into the Bangkok University Gallery (BUG) and had local artist Orawan Arunrak fill it with it with small acrylic paintings in order to portray the general lack of awareness of life in the slums. Here, Phil talks to BK about the story behind the installation and his time spent in Klong Toey Slum.

What inspired you to work on this project?
To me it’s fascinating that you have such a divide between people in this society. For example, people look at me and automatically say “you’re Farang.” This would never happen in the West. You cannot say “you’re yellow” or “you’re dam [black]” to others. On the social level, too, the term “hi-so” doesn’t exist anywhere else. The Klong Toey slum is one big and integral part of the city, which was built in the face of denial, without permission. My desire to fully understand the way they live and the reality of the things people in Klong Toey face daily just kept drawing me into it. It can be dangerous, but, to really achieve that, you must be able to face those dangers and look people in the eyes.
 
It’s not often we see a slum house installed in a gallery; what’s the meaning you’re trying to deliver?
My work is not really about this house; it just represents the final product of what I did. It’s more about the performative aspect which was me living in the neighborhood. The real meaning is the stories behind this house which is something you need to explore to understand, the same way society must learn more about the Klong Toey neighborhood.
 
Tell us about your work process.
We first spent a lot of time there to find out how things work and to get around things like the mafia and police. It didn’t go too smoothly. At first, they were like, “Why are you here? Are you here to look at us like animals in the zoo?” We had to explain to them that we were there to understand what they are about. Then we managed to get permission from the mafia for a space in the dangerous zone where people do ya baa in the day. We asked the carpenters around the railroad to build us a house the same way it’s built around there. After it was finished we moved it from the railroad to the slum. After the two weeks I spent living there, we moved the house to the gallery.
 
What is your perception of Klong Toey now?
I think it’s extremely sad that people usually associate happiness with money. By that criterion, we often see these people as underprivileged, but in fact, they have many privileges that many people with money don’t have. They share a really strong sense of community and social relationships. Culturally, they are not underdeveloped at all. There’s more togetherness and cultural richness in Klong Toey slum than in places like Siam Square. Everyone was indeed a part of the community. Many people, like in Phuket, look at tourists as a dollar sign while in Klong Toey, there are things you can’t put a price on.
 
What kind of impact do you hope this project can achieve?
The fact that we have a third of the urbanized world population living in slum housing is extremely crazy. It shows that the world doesn’t care enough about the issue. This is a problem. I put myself in their shoes to see what they feel and portray what these people have to deal with, both the negatives and positives. Hopefully, it will bring a little awareness to that. That’s the change we hope the work can incite. Hopefully, it can bridge the gap in the society, taking away the world’s disassociation with the slum. 

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Two months after the installation of the Pun Pun Station on Silom Road, BK finally spotted an officer on duty. Eager to try out the bike sharing scheme, we had a chat with Chavalit Boonpong, 31, who told us what it’s like taking care of the station on a hot sunny day.

How did you come to work at a Pun Pun Station?
I used to be a clothes vendor near the Siam area. But during rainy season, my business wasn’t doing too well. I’d heard from friends that the Pun Pun project was looking for staff, so I decided to apply as I didn’t want to be stuck at home doing nothing. I’ve actually only been on the job two weeks.
 
What’s the job like?
Well, sitting by a busy street all day isn’t exactly pleasant. I was originally stationed at the Sam Yan Station and it doesn’t have much shade. No matter whether it’s sunny or raining, I have to be there. But, to be honest, the station’s beautiful glass roof doesn’t really protect me from the brutal sun and heavy rain. Thankfully, they do provide us with a big umbrella, too. 
 
What’s your day like?
I wake up about 5:30am every day to go to the station. It’s my first day here at the Silom Road Station. (BK note: this is the first time in two months we’ve seen staff manning the station.) The station opens at 8am and when I arrive I need to clean the place, check the number of bikes and make sure they’re all ready to be used. If not, I have to contact the Pun Pun technicians. They also bring me new bikes if there’s not enough, here. I’m here all day to oversee the station and help customers who need help registering for the service. I have to take any registration money to the bank, and also ride around to other stations in the area without staff to check up on things. I occasionally update the Pun Pun Facebook page, too.
 
Who are your customers? Is it popular?
At Sam Yam, yes. They were mostly students who rode around there. Some foreigners, too, but not a lot. For Silom, it’s too early for me to say.
 
How much do you earn?
I get B400 per day but I do get overtime for staying late, so overall it’s about B14,000 a month. 
 
Have you ever encountered any weird incidents at the station?
From customers, nope. But I always get misunderstood by pedestrians who stand there thinking the station is a bus stop. I often have people come to me and ask which bus they should catch. I do occasionally come across annoying people, like this one kid at Hua Lampong Station who kept walking over to ask me whether I could give him money. I just told him, “Bugger off!”

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Over the past decade, Wasinburee Supanichvoraparch, 42, has transcended his position as heir to Ratchaburi’s first ceramics factory, Tao Hong Tai, to become the driving force behind a vibrant art scene in his hometown. After wrapping up his show at the Venice Biennale, the Silapathorn Award-winning artist is now gearing up for the ASEAN-KOREA Contemporary Media Art Exhibition, and a new charity project with Ramathibodi Hospital.

Every art show ignites some sort of change in me. My art is drawn from my experiences, my learning and my fondness for certain things. So, when I get comments from people about my work, it helps me shape things in my head.

My shows at the Venice Biennale helped me connect with the feelings of Thai people living abroad. Some came to see my show and cried with pride at the fact that Thai artists were present at this big international event. I never thought such a thing was important, but now I do. Thai art helped them come together.

Communities are key to a long-lasting art scene. I’ve tried to bring the arts into people’s daily lives, but it means nothing if they don’t participate or connect with it.

It’s important to encourage people to make art by whatever means possible. I’m supportive of people creating any type of art, even sewing bags. This can only help our art grow. 

People are drawn to art when they see some benefit. I admit that not everyone in Ratchaburi admires art. But when it brings benefits, like more visitors, it might encourage them to participate more. It depends on them understanding [the benefits].

Art isn’t something that has to be put in a frame. Thai society still treats art as this standalone concept. People aren’t really aware that it’s part of their daily life. The way you hang a picture on your wall or decorate your desk—art is all around you. 

Crafts haven’t always been in my interests. I used to feel opposed to it when I found out I was to be the next generation to take care of Tao Hong Tai. I didn’t care about studying as I knew that no matter what, I had to come back to run the business. I even studied to be a librarian for a semester before my dad sent me to study overseas.

Studying in Germany was my destiny. I felt so depressed about being sent there. I even wondered, why did I have to be put through all this shit? I had no choice but to take a pottery class to get a certificate to get into university. After two years, I started loving it. 

The way Germans live surrounded by art inspired me to create that kind of environment back in Thailand. They have beautiful architecture, galleries and city planning. I want our kids to have that here. I’ve started doing it myself—it might not be much but it’s better than having nothing.

Being surrounded by art doesn’t automatically make someone an artist, but living in beautiful surroundings can stimulate imagination and creativity. It can also help people feel a bond with their place. Even getting one person to feel this way is a success. 

Dealing with bureaucracy is really exhausting. I’m fed up with talking to administrators and having to really push for some art project or another to take place in town. 

Doing what you love can help you conquer anything. No matter how down I feel, I know what I’m doing and what I’m aiming for. 

Everyone needs something to hold on to. Some people love to collect cars, watches or brand names. I don’t have anything I like to collect. All I want to do is continue to push my art. 

People might think I have so much money that I can make all this stuff happen, but I don’t. I have to run my family business, earning my normal salary, while trying to put on art projects in town at least twice a year. I can’t take a break, otherwise we’d have to start all over again.

It’s good that art elicits a reaction from people, whether it’s good or bad. The R.C.A. Ratchaburi Construction Workers project by Ralf Tooten got complaints from locals who said it disturbed their neighborhood—which, for me, was a good thing. At least, it helped them realize that they cherish their neighborhood. 

Really study an artwork before criticizing it. I’m OK with comments that my work isn’t any good, but other comments made without any real understanding are simply unfounded.

I don’t have any big dreams. My ultimate goal is to simply run my business and help the art community grow. That’s it. I don’t want to be at the center of everything, either—it’s up to others to support it. 

There’s no right time to help others. Many people seem to wait for the perfect opportunity to stand up and do something for society. But from my experience, no matter how ready you are, you will always encounter challenges. So, you may as well just get started.

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As the rainy season finally comes to an end, we round up the best new places to eat, drink and be merry under the stars. 

Want our all-time favorites? See Bangkok's Best Outdoor Bars.

 

Key:  Rooftop  Garden Spots  Riverside  Good Music  Terraces  Community Malls

 Eat Drink Love

The Park 9, Sri Nakarin Soi 57. 02-707-8873. Open daily 7am-11pm. BTS Udom Suk

Eat Drink Love might be located quite far out from town, near Paradise Park, but it is totally worth the drive. The place serves up international comfort food for any time of day, with a focus on all-day brunch and afternoon tea, alongside a nice selection of desserts from Amatissimo Caffe and Yanin. We love the sizable outdoor terrace where the verdant garden of big trees and small ponds provide a charming backdrop for laidback drinks with friends. That and the good choice of wines.

 Amontre Playroom & Brasserie

Lobby/F, Urbana Sathorn, 55 Sathorn Tai Rd., 02-359-9667-8. Open daily 6am-midnight

Amontre has all the makings of an ideal hang-out spot. Owned by the same team behind All Six to Twelve (in Langsuan), itself known for its cool lofty vibe, here the big bonus is the large terrace at the front, sporting a wooden deck and hanging light bulbs. But if you get bored of all the couples acting romantic, you can always have some fun on the mezzanine floor with a sports bar and a foosball table. Big bowls of cocktails start at B490, craft beers from Beervana are B240 and draught beers range from Heineken (B130) to Hoegaarden Rose (B180).

 

 Bellino Wine Room & Boutique

 

M Place Mall, Thonglor Soi 13, 02-712-5446. Open Mon-Sat 6:30pm-midnight

A film director by day, Jay Boccia recently opened the gorgeous Bellino Wine Room & Boutique, which sports a décor inspired by the Italian island of Capri. He directly imports around 50 labels of wines from many small vineyards at reasonable prices (some even cheaper than Villa Market); for example, you can get a bottle of Bottega DOCG Prosecco at B600 or opt for the brief but good selections of wine by glass starting from B100. The very chill yet tiny terrace also serves up some Italian dishes such as the delicious caprese salad (fresh mozzarella with olives and tomato, B350).

 

 Brotzeit 

Thonglor Soi 10, 081-920-5929. Open daily 12pm-midnight

Aside from all the beer bars opening in community malls, Thonglor has also welcomed this sport-friendly venue conveniently sat on the corner of Thonglor Soi 10. Originally from Singapore, Brotzeit German Bier Bar and Restaurant actually puts a big focus on German cuisine. Grab a seat out on the big terrace with the large outdoor screens to catch the football match and try the tafelspitz (boiled beef with apple horseradish sauce, B440) or leg ham with emmentaler cheese (B280). Wash it all down with five different kinds of Paulaner draught beer (B250 for 0.5 liter).

 

 Cloud 47

47/F, United Center, Silom Rd. 091-889-9600. BTS Sala Daeng. Open Mon-Sat 5pm-midnight.  

Formerly home to the Heineken GreenSpace, the rooftop of the United Centre Silom already used to welcome revelers celebrating the coming of winter a few years ago. Now, finally, the space has been transformed into a permanent rooftop bar, Cloud 47, which offers more variety than most rooftop venues across Bangkok, yet has a distinctly Thai flavor. With its menu of drinking food and large beer garden littered with white square tables and stool sofas catering for up to 500 people, the place just asks for you to order drinks to share, from a tower of draught beer (starts from B600) to a tower of Absolut smoothie (B1,280, mixers B60). There’s also a more upscale wine zone which is serviced by a “flying angel hostess” suspended in a harness.

 

  Heineken Beer Parks 

GreenSpace might not be as huge as it was a couple of years ago but Heineken hasn’t quite given up on winter beer season yet. This year, you have two pop-up parks to look forward to: one on Sukhumvit Soi 16 next to Column Tower and one on the front yard of The Esplanade Ratchada. The creative team behind both spots is the late Bed Supperclub’s Bed Buzz team. While details have yet to be finalized, don’t expect the Soi 11 UFO to make a guest appearance, but we are hoping some electronic music will make it onto the playlists. What is being revived is Bed Supperclub’s white sheet beds, at least at the Soi 16 venue. Both venues should be open from November to the end of the year.

 

 Stereo Bar 

2/F, Horizon Building, Sukhumvit Soi 63 (Soi Ekkamai), BTS Ekkamai. 02-381-6299. Open daily, 10-1am.

With its Tron-meets-raver décor, this bar on the second floor of the Horizon building is an intriguing new addition to Ekkamai’s nightlife scene. Apart from the normal indoor zone which plays host to live music every weekend, the park in front of the building will welcome Hoegaarden and Stella Artois events this winter. We suggest grabbing a beer at the old favorite Baan Rai Coffee on the corner of Soi Ekkamai, before checking what all the fuss is about here.

 

 Niche Beer Ville

482 Praditmanoontham Rd., 02-515-1232-3. Open daily 4pm-midnight 

This place may be quite far from the city center, but it’s a pretty easy drive if you take the Ramindra expressway, and it’s totally worth the mileage. Founded by one of the Beer Lovers in Thailand community’s members, Prasert “Geng” Sritaborvornpaiboon, the open-air Niche Beer Ville is decked out under a European village theme and offers a wonderful variety of imported beers, including all the now-expected craft ones, as well as unusual pop-up promotions (like free beers for Arsenal fans when the team wins).

 

 Happy Fish 

Asiatique Riverfront, 083-015-9988. Open daily 5pm-1am

It’s sometimes tough to get a table outside at Happy Fish, but the river views and converted warehouse backdrop make it worth elbowing past the tourists to snag a seat here. The menu is your usual hodgepodge of Thai and Thai-ified Italian, but you do have a live band and plenty of photo ops to look forward to.

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Nipaporn Paeng-ouan, 26, aka Kratae RSiam, first rose to fame as a muay Thai fighter before going on to become a highly successful luk tung singer. As she releases a new single, “Tued,” she talks to BK about juggling careers and defends herself against recent hate-campaigns on social media.

I’ve been singing since I can remember. My parents were luk tung singers and my uncle had a band. My mom taught me to sing and we toured around Lampang singing at folk festivals to make a living.

I became a boxer because of my dad. He loved to go and watch boxing and cockfighting and I loved to follow him around. I also loved playing at my neighbor’s home, which was a boxing gym.

My dad spotted me kicking a punching bag one day. I did it so well he decided to send me to fight at a competition. I won by knockout.

Muay Thai changed my destiny. I was widely known as the sweet boxer who could sing. I always dressed up girly and wore makeup. It was really different from other lady boxers who were mostly tomboys and tried to be tough like a man. My alias was Namwannoi Sakboonma (Little Syrup), which matched my sweet look. I won 35 consecutive fights and became champion of the Northern region.

The Thai Championship fight in 2002 was one of the biggest matches of my life. I had to fight the Northeastern champion who was also undefeated. I won and became national flyweight champion at the age of 15. I was so badly hurt during the fight I caught a fever and couldn’t get out of bed for five days.

Young fighters have it tough compared to other children of their age. I had to wake up at five in the morning to go jog for eight kilometers before school. After school, I had to run to the boxing gym to practice until nighttime. The good part was I had a leaner, fitter body than other girls my age. 

Boxing taught me to be tough in everything in my life. It’s the toughest sport. If you fight for five rounds, you need to practice seven rounds. You have to endure longer than your rivals. 

I always used to jump from the ring straight to the stage so people knew me as a boxer who could sing well. After I won the title belt, I was signed by RSiam to become a luk tung singer and got to release my first album, Perd Jai Sao Tae, in 2007.

Doing two things at once doesn’t always work. I had to quit RSiam after one year as I couldn’t study and tour at the same time. I was really exhausted and my parents wanted me to graduate from high school first. I felt so useless as I couldn’t go out to sing or box to earn money for my family because of the contract I had with RSiam. Fortunately, they took me back a few years later.

I love all kinds of design. I love clothing, graphics and architecture. That’s why I chose to study architect at Sripathum University. Juggling being a singer and sending my homework in on time is so exhausting but I really love it. If I can’t work as a singer anymore, this can be my proper career.

I nearly lost my voice forever. I recently realized that I had been singing incorrectly all my life and it was destroying my larynx. I had to have an operation as my doctor said that if I didn’t I could lose my voice completely.

You can’t make everyone love you. I try to understand that many people hate me. If you love someone, then they can’t do any wrong, but if you really hate someone then even their breathing will annoy you. 

Haters are good at finding little things to hate. All I can do is just keep doing the best job I can.

I admit to having had plastic surgery. It’s not a bad thing that you need to hide. I had a nose job to fix my flat nose and that’s it. I haven’t had lots of plastic surgery like people think. 

You can’t always be lucky. My dad leaving us made me understand that nothing last forever. At least I still have a good relationship with him and he visits us a lot. 

Be friends with your parents. I think many teen problems stem from the fact that the parents and children aren’t close. So many times when teenagers get into trouble, they run to their friends for help, but most of the time, it’s the parents who clear it up for them.

Good spirit makes you valuable. I have met rich people and poor people and I realized that having lots of money doesn’t make you a good person. 

Remember that people only let you know the part that they want you to know. You might never know what they really are like.

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The Humans of New York page has reached 1.5 million followers since its 2010 debut. Now, Bangkok has finally got its equivalent, run by Mattawan “Zon” Sutjaritthanarak, 22, who works for a German NGO. On her page, she takes photographs and chats with strangers to get their perspective on living in our city.

How did the page start?

I was a Chula student. Our original project was to go Nakhon Ratchasima (Korat) to take photos of people there. I couldn’t make it in the end, but I kept my desire to do this, right here on the streets of Bangkok. I even planned to find only Korat people living here. But when I started chatting to people, I realized Bangkok is truly a global city. There are people from all over the world living here. I did more research about this kind of project and I found “Humans of New York,” which I really loved. It’s not street fashion. I want to show everyone that there are people from all over the world who share Bangkok as their home too.

What are the reactions from people when you talk to them?

It varies but most of them are friendly. I normally approach them by introducing myself and showing them the page that I’m doing. It depends on them whether they are comfortable enough to be my “human” or not.

Who is the most fascinating person you’ve met so far?

Probably this African-American jazz-man I bumped into. He said something that quite touched me. He said that many foreigners living here feel they are better than local people, which is a dispiriting statement about Thailand. But he said he’d love to learn and understand Thai people and respect them. I found that it’s very humble for a foreigner who lives here to say that. He also showed me the picture he took with Ray Charles when they worked together in the US.

Did you ever face difficulties when interviewing people?

I actually feel safe in Bangkok. Well, I don’t go to dangerous spots. Anyway, the spot that I find has the most diversity is Benjasiri Park, next to Emporium, where you can find people from everywhere: Thais, Japanese, Westerners, people from Cameroon. Bangkok is a real melting pot.

What have you learned so far from talking to strangers?

I feel that people interact with each other less and less. They just go to work, meet only a certain amount of friends—they interact online, not on the street. I’ve learned that everyone has their story or opinion. They’re just waiting for someone to listen. I also want everyone to realize that every life in this city is interconnected. You don’t live separately and your actions will affect others in some way.

What has been the online reaction? 

Pretty good. I just created it three weeks ago and it got 750 likes from people who are all over the world, like US, Australia, Germany­—not only Thai people. But I do want people to comment more, instead of just clicking like.

What’s your next plan? 

I want to create some artistic or cultural project to develop and help people, and write articles about my experience doing this page. 

Visit Humans of Bangkok: http://ow.ly/qlsVE

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The top al fresco rooftops, gardens and riverside terraces to drink in Bangkok.

 Key:  Rooftop  Garden Spots  Riverside  Good Music  Terraces  Community Malls

 

 Rooftop

Bangkok Bar Infinity

8/F, Opus Building, Thonglor Soi 10, 02-713-8581. Open Mon-Sat 5pm-2am. www.facebook.com/Bangkok-BarINFINITY
 
As well as live bands and a good list of local and international DJs playing indie pop/rock, dream pop and electro, this laidback bar on the top of Opus Building also has a decent everyday playlist. It’s decked out in a slightly industrial style, with bare cement and steel as well as long wooden tables and gentlemanly leather sofas. The spacious outdoor terrace is great for shisha.

Above Eleven

33/F, Fraser Suites Sukhumvit, 38/8 Sukhumvit Soi 11. 02-207-9300. Open daily 6pm-2am.

On top of its great views of the city skyline, another thing Above Eleven has going for it is its adventurous menu. While most other rooftop venues play it safe with homogenous international dishes, here the focus is on Peruvian-Japanese fusion cuisine (aka Nikkei cuisine). In small plates like acebichado rolls (seabass, ika karage, avocado, B360) and skewers of anticucho beef heart (B240) you’ve got a wonderful accompaniment for the views, bettered only by their signature Pisco Sour (B350). 

Cloud 47

47/F, United Center, Silom Rd. 091-889-9600. BTS Sala Daeng. Open Mon-Sat 5pm-midnight.  

Formerly home to the Heineken GreenSpace, this rooftop has welcomed drinkers for years. Now a permanent rooftop bar, it’s one of the few places so high up with a distinctly Thai character. Towers of draught beer (from B600) and Absolut smoothie (B1,280, mixers B60) accompanied by drinking snacks are not your average rooftop fare. There’s also a more upscale wine zone with “flying angel” hostesses on harnesses—if that’s your idea of upscale.

Grease

Piman 49, opposite Villa Supermarket, 46/12-13 Sukhumvit Soi 49. Open daily 10am-midnight.
 
Top-Loader at Grease is one of the few open-air rooftop bars attached to a club. Come early to enjoy dinner and shisha or simply head up late in the evening for a break from the EDM DJs downstairs. Drinks focus on Johnny Walker Gold Label Reserve, with cocktails starting at B260 or a whole bottle for B2,600.

Park Society

29/F, Sofitel So Bangkok, 2 North Sathorn Rd., 02-624-0000. Open daily 5pm-1am (Bar).

The painfully trendy Sofitel So’s fine dining restaurant leads out onto a rooftop serving killer cocktails and lounge tunes. The restaurant is excellent, and currently offers a five course menu (B2,900) featuring highlight dishes from this year’s So Amazing Chefs event, as is the pretty unique view looking out over Lumpini Park. There’s also a small mezzanine one level up called HiSo Cabana, open for group bookings and the hotel’s regular parties.

L’Appart

32/F, Sofitel Bangkok Sukhumvit, 189 Sukhumvit Rd. (between sois 13 and 15), 02-126-9999. Open daily 7pm-midnight. www.sofitel.com

The top-floor fine-dining venue of the Sofitel Bangkok is about as lofty as they come. Looking to embrace the Gallic roots of the hotel chain, the décor makes you feel like you’re dining in a grand Parisian apartment thanks to the parquet flooring, stately fireplace and wood paneling. But we say head to the outdoor balcony for an impressive panorama of Sukhumvit.

 Garden Spots

Water Library Thonglor

The Grass, Thonglor Soi 12, 02-714-9292/-3. Mon-Sat 6pm-1am. 

The second branch of this growing fine-dining empire, which opened in the heart of nightlife central Thonglor, quickly made a mark on the dining scene with its restaurant serving a maximum of 10 diners per night an exclusive and expensive multi-course set menu. For something a whole lot more affordable and relaxed we like to hit up the adjoining wine bar, which features a charming outdoor terrace, a menu of creative cocktails courtesy of Italian mixologist Mirko Gardelliano and a cellar containing over 370 labels. Live music on the weekend further helps liven up the laidback mood. 

99 Rest Backyard Café

99 Rama 9 Soi 41, Seri 9 Rd., 02-300-4339. Open Tue-Sun 11am-11pm.

Located well off the beaten track, in a small street near Rama 9, this lovely house and garden is managed by the team behind the artsy Tamarind Village in Chiang Mai and Rayavadee Resort in Krabi. The décor is country chic, so you don’t feel any pressure to fully dress up, but it still works for dates and special occasions. A beautifully landscaped garden hugs a high-ceiling pavilion, complete with wood furniture, floor-to-ceiling framed windows, striped cushions and royal blue touches. Chef Cyrille Keyser creates international cuisine with highlights such as the oven-roasted lamb rack served with potato gratin and ratatouille (B1,290).

Octave

45/F, Marriott Bangkok Sukhumvit, Sukhumvit Soi 57, 02-797-0000. Open daily 6pm-1am. 

The split-level bar’s trendy-but-mature vibe is accentuated by striking views from the top floor of the Marriott Sukhumvit hotel. The first level features a long balcony filled with sculpture-like sofas, above which are a couple of private rooms and a third tier with 360-degree views around a circular bar. DJs play nottoo- loud funky house to a crowd of young executives and hotel guests drinking classic cocktails with slight twists. The food focuses on Asianthemed bar snacks.

 Riverside

Sala Rattanakosin

39 Soi Ta Tien, Maharaj Rd. 02-622-1388. BTS Wongwian Yai
 
Sala Rattanakosin calls itself a restaurant with guest rooms, and half of the renovated four-story building isdedicated to fine wining and dining. The design keeps remaining traces of the original building and accompanies them with a minimal blackand white theme. Chef Tony Wrigley whips up some pretty impressive Thai food on the riverside terrace, and there’s also a rooftop bar where you can sip excellent cocktails with a view.

Viva & Aviv

River City Complex, 23 Yota Rd., 02-639-6305. Open daily 11am-midnight. www.vivaaviv.com. Sri Phraya Pier.

Viva & Aviv has long been the best riverside tip for a spot of daytime drinking. Soak up the river view and breeze while watching the tourist boats plying up and down the river, and enjoy the range of inventive cocktails along with the funky house soundtrack spun by Thai and international DJs.

Samsara

1612 Songwat Rd., 086-978-9331,02-639-6853. Open Tue-Thu, Sun 4pm-midnight, Fri-Sat 4pm-1am.

Tucked down a little alley behind Wat Pathumkongka in a charming old wooden house, Samsara makes a charming first impression. The place feels halfway between a gallery and a friend’s house, brimming as it is with personality: expect to find colorful vintage furnishings, all sorts of cat-related curios and paintings hanging on the wall. Most of the tables are set out on the terrace and reservations are a must for the ones with the best views. The tasty Thai cuisine is augmented by Japanese touches since some of the owners hail from Japan. 

Balco

5/f, River City Shopping Complex, Charoen Krung Rd., 084-928-6161. Open Tue-Sun, 7pm-2am.

Balco is located in the same shopping mall as Viva & Aviv, yet offers a dramatically different view from its rooftop location. Situated in a bend of the Chao Praya, it allows you to look down two of the river’s watery boulevards at the same time, and all the surrounding five-star hotels, of course. The décor isn’t much—a mix of black rattan sofas set, TVs showing sports, and private rooms with pool tables—nor does this hard-to-find venue often get crowded. But did we mention the view?

 Good Music

Moose

24 Ekkamai Soi 21, 02-108-9550. Open daily 5pm-1am.

The third creation of the Cosmic Café crew, Moose might not have a huge outdoor space, but the small terrace makes for a frightfully hip place to shoot the breeze. If you’re looking for a top soundtrack covering all the bases from Britpop, 60s-80s rock to electro-pop, as well as regular live bands, spicy Thai-inter fusion dishes and simple but tasty cocktails, this is your place. Make sure you drop by for their daily happy hour deal of buy-one-get-one-free on house wine, Asahi draught and classic cocktails from 5-8pm.

Play Yard

Lad Phrao Soi 8 (Yak 3), Lad Phrao Rd., 081-173-3616. Open daily 5:30pm-2am. MRT Phaholyothin (Exit 1).

Since its transformation from the long-standing Budda Bar a year ago, Play Yard By Studio Bar has made a big mark on the Bangkok underground music scene. On top of the ever-intriguing lineup of top indie bands from labels Smallroom Records, Parinam Music and Panda Records, the bar also has a pretty sizeable outdoor zone that just calls for ordering a tower of draught beer while watching the live English Premier League on the huge screens every weekend. 

Zense Shintori Horizon

17-19/F, Zen, CentralWorld, Ratchadamri Rd. 02-100-9898. Open daily 5pm-1am. www.zensebangkok.com

After closing for renovations, the Zense rooftop restaurant reopened to a bit of buzz at the end of last year bringing a touch of the nightlife back to CentralWorld. The place offers a pleasant middle-ground between serious dining covering Italian, Thai, Indian, Japanese and desserts, and just chilling out on the balcony with views of the cityscape. One floor above, you’ll find Shintori, an upmarket izakaya with branches in Shanghai, Taipei and Beijing. With its minimalist, Zen-inspired décor, the venue plates up classic Japanese dishes with some fusion options. For those who want to keep things private, book the reservation-only outdoor terrace. That’s not all. Climb up another floor to reach Horizon, which occupies the space which belonged to Green Space a couple of years back. Horizon does also do food (Thai-international fusion) but the real emphasis is on nightlife. Order some molecular technique-inspired cocktails and head straight for the outdoor space where DJs spin electro.

Sala Rattanakosin

39 Soi Ta Tien, Maharaj Rd. Open daily from 5pm-1am.

Sala Rattanakosin is a relatively new addition to the Chao Phraya riverside, offering a stunning view of Wat Arun (even if the temple is currently covered in scaffolding). Boasting a restaurant, rooftop bar and a small number of guestrooms, half of the renovated four-story building is dedicated to fine wining and dining, courtesy of Chef Tony Wrigley, who whips up some pretty impressive Thai food. The highlight for us though is the rooftop bar where you can sip great house-blended cocktails.

 Terraces

Le Bar by Le Beaulieu

G/F, Athenee Office Tower, 63 Witthayu (Wireless) Rd., 02-168-8220-3. Open Tue-Sun 11:30am-2:30pm, 6:30-11:30pm

Le Bar is more than just some outdoor seating for adjoining restaurant Le Beaulieu, which topped our Top Tables 2014 restaurant guide. Day beds and gazebos provide an atmosphere that evokes the beach club of a luxury resort. Warm orange lighting glows upwards onto the beige, minimal surfaces of the bar, and reflects off a massive glass case showcasing champagnes and wines. Here, you can order some of Chef Herve Frerard’s culinary magic in bite-sized portions from the tapas menu. The cocktails ain’t bad either, with a seasonal menu.

Badmotel

Next to J-Avenue, Thonglor Soi between Soi 15. 02-712-7288. BTS Thong Lo. Open daily 5pm-1am.  

Head out back and you’ll find a sizable courtyard with plenty of seating. The menu focuses mainly on Thai food, much of it given heavy twists both in terms of ingredients and presentation, but we find the simplest items the best. Try the nam prik ong (Lanna-style fried chili paste) served with papadum (B150). As for cocktails, expect plenty of Thai herb-infused vodka and prices between B200-300.

Gossip

Thonglor Soi 15, 02-185-3093. Open daily 4pm-1am. 

Gossip serves stiff drinks and excellent food courtesy of seasoned chef Julien Lavigne (formerly at D’Sens, now at Oskar and Gossip). But it also enjoys a large terrace, which despite being protected from the rain, is most definitely open-air. This winter, we’ll definitely be plonking ourseleves on the puffy bean-bag-like sofas out front with a Sky Ice Tea (Dreyberg liquor, Smirnoff vodka, tanqueray gin and elder flower) in hand.

Moose

24 Ekkamai Soi 21, 02-108-9550. Open daily 5pm-1am

The third creation of the now-defunct Cosmic Café crew, Moose might not have a huge outdoor space, but the small terrace makes for a very hip place to shoot the breeze. If you’re looking for a top soundtrack covering all the bases from Britpop and 60s-80s rock to electro-pop, as well as regular live bands, spicy Thai-inter fusion dishes and simple but tasty cocktails, this is your place. Two-forone cocktails from 5-8pm.

Niche Beer Ville

482 Praditmanoontham Rd., 02-515-1232-3. Open daily 4pm-midnight

This place may be quite far from the city center, but it’s a pretty easy drive if you take the Ramindra expressway, and totally worth the mileage. The open-air restaurant and bar has a European village theme and offers a wonderful variety of imported beers, including all the now-expected craft ones. Arsenal fans also get one drink on the house when their team wins.

 Community Malls

Seenspace

251/5 Thong Lor Soi 13, 02-185-2728/9. Open daily 5pm-1am. 
 
When it comes to drinking outdoors, it’s hard to beat the variety at this community mall. Gathered around a central courtyard, you’ve got Brew for beer and cider, the Oyster Bar for seafood, Fatr Gut’z for cocktails and comfort food, and Clouds for shisha. It tends to attract a lot of very drunk dek inter, but that’s because it’s one of the few places any group of friends can all agree upon.

Penny’s Balcony

Thonglor Soi 16. BTS Thong Lo. Open daily 5pm-1am.

The Penny’s Balcony shopping arcade is one of the very first mini-malls in Bangkok and is also the home the original branch of HOBs, which really built up the Belgian beer trend in Bangkok. (Who doesn’t serve Hoegaarden these days?) But in spite of growing competition, we like the variety here, whether it’s the laid back (and very girl-friendly) She Bar, the sophisticated and wine-centric Divino Wine Bar or the ever-hip Mellow Bar and Restaurant, which singlehandedly revived the whole mall.     

Rain Hill

Sukhumvit Soi 47. 02-260-7447.  www.rainhill47.com BTS Phrom Phong/ Thong Lo. Open daily 5pm-1am. 

Opened earlier this year, Rain Hill has a lot of nondescript Japanese restaurants from Ramen Kio and Marugame Seimen and cutesy dessert joints like Penguin Likes Chocolate. But with plenty of balconies and terraces, it’s also got an abundance of outdoor drinking options. You can opt for the Wine Connection chain, or try the trendy cuisine at Shuffle. Here too, you’ll find a HOBs, which took over 2046’s terrace.

Salt

Ari Soi 4, 02-619-6886. Open Mon-Sat 5pm-midnight. Reservations Recommended

A dining room made of glass and concrete, a wooden house and a yard packed with outdoor seating (as well as cool Ari locals) still make Salt the most elegant outdoor drinking spot in the neighborhood. Try the Salt Swinging cocktail which comes with sparkling wine, cranberry and mandarin juice (B280). Unlike most outdoor bars, the solid playlist thankfully skips on popsanova, too (at least most of the time).

The Sixcret

11 Ekkamai Soi 6. 084-466-4686, 02-714-1812. Open daily from 5pm-1:30am. Parking available

You might get a distinct déjà vu feeling here—think Spring and Summer without the beanbags. This place manages to stand out from the others, though, thanks to the sheer size of the outdoor space and the garden’s collection of mature trees. Sangsom whisky (B366) is most popular but those a little more flush with cash can go for a pint of Hoegaarden (B266). There’s also the option of smoking sheesha out on the garden bench.

 

Seua Non Kin

231/2 Sukhumvit Soi 31, 02-662-1779. Open Mon-Sat 5pm-midnight. Parking available, Reservations Recommended, Live music

This two-story house remains a firm favorite and is often fully booked. The décor sees an eclectic mix of comfy vintage sofas, low-rise tables and decorative bric-a-brac. Start from the lightest Virgin Tiger (with light rum, B160) to the most potent Tiger Down (B180). As for the food, we say opt for the fiery Thai dishes like yam horapha nuea krob (beef salad with sweet basil leaves B160).

Indy Trees Bar

44/4 Cheua Plerng Rd., under Rama 4 Expressway, 02-249-0222-3. Open daily 5pm-1am.

With its rather mysterious location by a train track and under an expressway, Indy Trees Bar has that exclusive, in-the-know vibe. Decked out in a retro style, the bar has three different zones (there are even karaoke rooms), but we recommend the canopied garden where you’ll be treated to some ear candy by a mellow band. Drinks start at B130.

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