Tell us about yourself.

Jonathan Lim: I am a woman on a mission. I am a preserver of Japanese culture, and a believer in romance, poetry, beauty, and a lot of wild sex on the side!

Hossan Leong: I’m the Priest in charge of the Shrine dedicated to the goddess Benten. She is the goddess of love and other related matters.

Koh Boon Pin: I am a local lord … or the Lady Chibusa (depending on the time of night).

Robin Goh: I am Taro Kaja, a servant attached to a large house.

Are you more classy or sassy?

JL: I’m classy in public, sassy in bed. Unless I’m in bed in public, then I’m both.

HL: I am extremely hypocritical, obsessive and greedy. So I think, neither.

KBP: As the philosophers have phrased it, where would we all be without our servants?

RG: I’m too clever to be classy, so I’m sassy.

What is marriage to you?

JL: It is proof that at least one person wanted you enough to link up with you for life, so everyone else should give you a try too!

HL: It is lifetime of bondage … I mean I meant bonding to someone you thought you loved.

KBP: I am a family man, with a wife and three innocent children.

RG: A headache. Always have something on the side so you don’t get bored.

How about tips on carrying on an affair without being found out?

JL: The best way to make sure no one finds out is to tell everyone right away!

HL: If you’re scared of being found out, then don’t have an affair!

KBP: Life is far too short to waste it with the endless and meaningless complications of one of our urban love affairs.

RG: If you live in the country, do it in the city, or vice versa.

Is a fundoshi (loin cloth) important to you?

JL: Oh yes indeed, it is very important. Not having a fundoshi is like receiving a gift without wrapping paper.

HL: Well, I normally don’t wear anything beneath my robe, but if I need a fundoshi, I mail order.

KBP: I might have a need for just something like that.

RG: It is important. I would beg, steal, borrow, lie, cheat and finagle to get it.

Do you believe in magic? 

JL: Oh yes, I believe in magic. A totally ordinary and dull limp man can turn into a raging, throbbing pillar of love and bringer of pleasure. If that’s not magic, what is?

HL: No. Because then, logic won’t apply.

KBP: It looks very interesting, very interesting indeed.

RG: I practice it.

What is the most hilarious encounter you’ve had with a member of the opposite sex?

JL: Only one member? Hmm…

HL: Well, I couldn’t tell whether she was a woman or not, then I found out she was, then she decided not to be, so she became a man, then decided to become a homosexual …

KBP: If one rubbed her in the wrong place, he would end up with no potency at all.

RG: The opposite sex has no sense of humor. Hence, no hilarious time.

Who is your dream woman/man, and why?

JL: The Lord Ichimotsu! He is so noble and upright in every way! I long to kiss his feet, and work upwards from there!

HL: My dream woman is my maid. I mean, who else is willing to take all the abuse and beatings and STILL clean your house?

KBP: Oh, mighty Benten …

RG: My dream man is me.

Nothing gets us out of the office faster than news of a good party in town. It has been a fun 10 years of boozing, grooving, attempts (sometimes futile) at getting the number of the cutie sitting next to us, and (alright, we admit it) making a total mess of ourselves. Getting all emotional and nostalgic, we, veteran clubbers at I-S, pat our beer (and champagne) tummies sentimentally and reminiscence on how the after dark hours in Singapore have evolved. With 24-hour club licences now the norm, the partying continues.

In the beginning: Zouk

This is the venue that has packed in clubbers and emerged virtually unscathed from all its ups and downs, including 1995’s controversial drug bust that had it temporarily closed. Fast turning 15 and recently revamped, the heaving and successful Zouk has placed Singapore on the global club map with its showcase of DJs and talents from here and abroad, including names such as Dave Seaman, Yousef and Paul Oakenfold. It remains one of the driving forces in local nightlife. From faithful punters grooving away at the pumping dance floor to the sleek and professional clientele chilling out at Velvet Underground, Zouk is the club every cabbie and every clubber knows by name. Now and forever, amen.

1995-1996: Boat Quay

When we wanted to get away from all the dancefloor action at Zouk, we went over to Boat Quay for a little down time. The longstanding and world renowned Harry’s Bar was, and still is, a surefire bet for accomplished live music sets, and so is Molly Malone’s for a good pint of beer. Although when we felt like boogieing again, we visited the wild and now defunct Escobar for energetic Latin-American tunes and mango Margaritas—filled with anyone and everyone from PMEBs, expatriates and moderately trendy locals. Man, those were the days.

1997-1998: Emerald Hill

For years, Orchard Road has had several nightspots for us to quench our thirst after a hard day’s shopping. One particular enclave is the row of watering holes housed in quaint Peranakan-style shophouses owned by the Emerald Hill Group. We toast loudly to the existence of Ice Cold Beer, No. 5 Emerald Hill, and Que Pasa.

1999-2000: Mohamed Sultan

Small actions say a lot. And in the case of Mohamed Sultan Road, one small action completely changed the face of this once quaint and quiet street. In 1991, Peter Wong set up the small and now defunct watering hole called Front Page. Then Simon Lim started Wong San’s, and soon bars and clubs started mushrooming in the area almost as fast as we could gulp down mugs of beer.

The area exploded around 2000 with the opening of Madam Wong, Sugar, Eden, Nox, Lush and Amoeba. Lapping up the wonderful progressive music and the posh décor of these clubs, party animals like us happily lived it up at the 31 clubs on Singapore’s hippest street. It’s high human traffic meant some clubs, such as Madam Wong, Wong San’s and Amoeba, were as congested as the CTE during peak hour. Today, Eastside and The Siam Supperclub still have their groove on in the area.

2001: Robertson Quay and Club Street

Just a stone’s throw from Mohamed Sultan, Robertson Quay became a hip place to hang out at when the modish Orb, funky Milk Bar (remember those?) and The Liquid Room became popular. Many party goers are still digging the progressive cuts and the very dark house spun at The Liquid Room.

Club Street has also been witness to the opening of several stylish and intimate party venues. Together with posh restaurants, clubs and bars such as Beaujolais Wine Bar, PinkK, Barrio Chino and Bar Sa Vanh gave the area a laidback but sophisticated vibe. Nowadays, it is still the place we head to when we want to lounge on cozy sofas and rest our tired three-inch heels.

2001-2002: One Fullerton

Even as it was dubbed by many opinionated clubbers as a Zouk-wannabe (which we partially agree), sleek Centro was also packing them in 2001 through 2002 with a selection of superstar DJs such as James Lavelle, Chris Coco, Roger Sanchez and Nick Warren. It was the period when big international DJ names were de rigueur, and Centro certainly cashed in on the trend with a respectable line-up. But it wasn’t long before expensive DJs became passé, and even Centro’s sister outlets such as the Velvet Underground-influenced Lola and the trendy chill-out haven Embargo couldn’t pull in fickle local punters. That said, Centro was utterly memorable while it lasted—gyrating on its ample platform were some of the highlights in our decade-old nightlife diary.

2003: SARS year

Not much happened, really.

2004: Emerald Hill, again

New dance clubs such as Rouge and lounge bars Alley Bar and Acid Bar open up and become hits with nightlife enthusiasts looking for new hotspots to party at. Rouge is good for its quality house sounds, while the easy vibes at Acid bar attract beautiful executives.

2005: Clarke Quay

Who would have thought the family-oriented Clarke Quay of the ‘90s and early ‘00s would evolve into a burgeoning nightlife and dining area today? While one or two edgy underground DJ gigs were held at the mostly R&B establishments there a few years ago, the old Clarke Quay has since moved on, and is more cosmopolitan today.
There are several notable clubs here: Attica’s clientele includes models, socialites and fashionistas. As such, it is the place to head to if you choose to groove with eye candy to house music. We find Forbidden City equally sinful, with its exotic and chic Chinese décor. Gotham Penthouse is another party venue we’ve indulged in for thumping house music. Last but not least, the sprawling Ministry of Sound (MOS), which opened in December 2005, has been bringing in international acts such as Jack McCord, Damian Saint and Buff Wise, creating waves­—and very long queues—in our nightlife scene.

The good thing about Clarke Quay is that it houses good live acts venues as well. The 1NiteStand Bar & Comedy Club showcases international comedians regularly, Crazy Elephant dishes out soulful blues and rock numbers, while Crazy Horse Paris welcomes everyone (above 21 years) with open arms to learn about “the art of the nude.”

The crowd has become more eclectic of late and we gladly note Clarke Quay is still pulsating with great music and great hangouts, and is very much alive.

2006: Orchard

Laidback and trendy bars Balcony at Orchard Road and Loof at Odeon Towers are in right now, with their cool downtempo music selection, yummy finger food and unique settings. Balcony is located at hip shopping center The Heeren, while Loof is Singapore’s first upmarket rooftop bar that plays host to the latest, trendiest parties in town. It seems that partying at the heart of town is rocking again. Yeah!

In our postmodern world where there seems to be no singular truth, and where subjectivity reigns, we put everything, including the award-winning play Doubt, under scrutiny. We sit down with esteemed award-winning director Samantha Scott-Blackhall to chat about Doubt and declare with certainty—for now at least—that it is a play to look out for.

Why did you choose to direct Doubt?
When I first read the play, I found it to be surprisingly simple. I said “This play won the Pulitzer Prize?” Playwright John Patrick Shanley’s genius lies in relating the complex nature of “doubt” in a deceptively simple yet hugely absorbing drama. How could I not direct this award-winning play?

What is Doubt is all about?
Doubt is about a priest (Lim Yu-Beng) who teaches in a Catholic school, and who is accused by the principal of the school (Nora Samosir) of sexually abusing a student. The student is a 12-year-old boy. There is no hard evidence to prove the priest’s guilt, nor support his innocence. This play, however, is more than just a suspense drama. It is about the very nature of “doubt.”

Do the characters have any dark secrets they are hiding from each other?
Each character hides a dark truth he is not willing to accept, let alone reveal to others. Their personal struggles are something all will be able to identify with.

What are some of the issues brought up in the play?
Doubt probes the challenges of a progressive society and a progressive church. It highlights the need for moral clarity. It questions the role of faith in both our public and private lives. It searches for a definition of sexual abuse. It considers teaching methods in the 19th and 20th centuries.

Will the play shed light on how one should draw the line between doubting and trusting?
The play does not draw a line. Rather, it highlights how faint the line can be. And sometimes, or most of the times, things are not simply black or white.

How has it been like working with Nora Samosir, Lim Yu-Beng and Pamela Oei?
These veteran actors have pushed every boundary with me. There is nothing they won’t try. They are also insane workaholics like me! It has been an absolute pleasure working with them. A lot of laughs, a lot of sweat but no blood...yet!

You walk around with a frown, cry buckets when the news comes on, and mutter “life sucks” religiously three times (or more) a day. Now, before you reach for those anti-depressants tucked snuggly under your tear-drenched pillow, we prescribe you an age old medicine that has surpassed the test of time—laughter. Check out these comedy acts who are handing out in this drug in generous amounts.

Madcap Improvisation

For some quick improvisational action, catch local veteran comedy group The Madhatters (Apr 4, May 2, Jun 6, 8pm. Play Den, The Arts House, 1 Old Parliament Lane, 6332-6900). Core members are Roger Jenkins, Alision Lester, Christina Sergeant, Raymond Tan and Ken Ngo. These wacky individuals have had many laughing themselves into stitches since the early ’90s, and are eager to make you flash those whites too.

Like the comedy television show Whose Line Is It Anyway?, audiences are encouraged to throw outrageous suggestions at this comedy group. Watch these quick-witted comedians weave stories and play games on the spot. The last time we caught The Madhatters, we were enlightened on the relation between Atlantis, “the oppositional Member of Parliament” and “having no tongue.” We expect to discover more links between other seemingly unrelated objects or situations in their future performances. As Roger Jenkins quips, “No two shows are ever the same. It’s like you know you are going to cook a soup, but you have no idea what kind of soup it is going to be. The audience will suggest the ingredients.” It’s spontaneous and unpredictable humor at its best.

Goofy Theater

Acclaimed comedians David Collins and Shane Dundas call themselves the Umbilical Brothers (Apr 20-22, 8pm. Victoria Theatre, 9 Empress Place, 6338-8283), This duo, whose ambition is world domination, is putting up a wild comedy theater “Speedmouse” that’ll make you guffaw with delight.

This comedy theater, which has dashes of slapstick elements, has traveled to New Zealand, Scotland and Australia. The story revolves around the efforts of the Umbilical Brothers as they try to ensure a television comedy show goes smoothly. Someone is meddling with the remote control and hindering their progress, however, by rewinding, fast forwarding, or freezing the scenes.

Needless to say, with their creative jokes and antics, we weren’t surprised to discover that The Umbilical Brothers had drawn laughs from animals as well as humans. As they say, “We tried our act in front of rhesus monkeys before. They laughed at everything, even the bits that weren’t jokes.”

Zany Standup Action

If you dig standup comedy, there are a few hotspots you should hit. The 1NiteStand Bar & Comedy Club (#01-04 Blk. A, Clarke Quay, 3 River Valley Rd., 6334-1954) is one of them. It is flying in a slew of international acts such as UK’s Rudi Lickwood, Nick Wilty and Alan Bates (Mar 29-Apr 1, Apr 5-6, 8pm). We recommend looking out for Iranian comedian Shappi Khorsandi (also known as “The Box Ticker”). This endearing performer is going to deliver tales that’ll make you fall head over heels in love with her. Like she said, “My show is like eating low calorie ice cream. You’ll love me.”

DBS Arts Centre (20 Merbau Rd., 6733-8166) is going to be transformed into a haven of laughs too. With the arrival of the Melbourne Comedy Festival Roadshow (Mar 29-Apr 2, 8pm) comes some outstanding and eccentric comedy acts. Catch Maria Bamford, who loves a pug in a railroad conductor uniform, Dave Callan, who may well be the hairiest Australian comedian, or David O’Doherty, who has written stories about bee detectives. The 4 Noels, a trio consisting of Jess Griffin, Hohn Forman and James Pratt, will be joining in the fun as well.

For some sass, head down to Happy (#01-02/03/04 21 Tanjong Pagar Rd., 6227-7400). Besides hilarious jokes, local drag queen Rima S. (Every second Fri of the month, midnight) also adds in elements of miming and lip synching in her monthly standup act. Expect sharp humor that will chase the blues away from this smooth entertainer who has performed in Neptune Theatre, Zouk and the now defunct Boom Boom Room. “What I do is to help all the sad souls learn to take things with a big spoonful of sugar! And, what the heck, learn to laugh at others!” she insists.

We love Gold Dust (#02-11 Orchard Towers, 1 Claymore Dr., 6235-7170) for being a hotbed for thought–provoking social satire. As the equally hot resident diva Kumar (Every Mon-Sat, 9pm) claims, “I want people to have a good laugh and go home thinking they’ll come again, and that I make a lot of sense. It’s my way of making Singaporeans look at serious issues such as politics and the education system in a lighter way.”

Now that Kumar has teamed up with local veteran band Speedway in his nightly revues, Gold Dust will be jam-packed with rock ’n’ roll tunes too.

If laughter is the best medicine, comedians are the best doctors. With so many excellent practitioners around, there is just no place left for frowns. We invite you to giggle, chuckle, chortle or snigger away.

With her heavenly vocals, singer- songwriter Eddi Reader grew from a little girl who washes the stairway to a woman who creates heartrending songs. With saintly smiles on our faces, we tied fluffy glittery wings to our backs and caught up with this angel.

How did you get started in music?
When I was a little girl, I stayed in this place where my neighbors and I shared a stairway. Everyone had to take turns to wash the stairs. I would sing in the stairway and later became known among neighbors as the girl who sings while washing the stairway. They gave me pennies for washing the stairway, and extra pennies for singing songs. Gradually, people asked me to go to their homes to sing for them.

You’ve released many solo albums. Which are your favorites and why?
I like the latest album Eddi Reader Sings the Songs of Robert Burns. I got to play with the Scottish National Orchestra and the top folk musicians in Scotland. I was also invited to sing at the opening of the Scottish Parliament. I made friends in high places.

Do you think the style and vision of your albums has changed or evolved over the years?
All the albums have the same roots, although some more jazzy, some more acoustic. In every song, I have to communicate a story. Sometimes you don’t even have to understand the language of the lyrics, and yet the feeling behind the music will move you. That’s the most real and the most important.

Do you miss being in the highly successful group Fairground Attraction? Any plans to regroup again?
Not really. That was my first birth to success. But I won more success from my independent albums. Fairground Attraction is great, but people in the band left and I couldn’t continue with it.

You’re still perceived as an indie chanteuse after all these years—what do you have to say to that?
I am glad to be in that umbrella. I guess the opposite of going independent is being commercial and stereotypical. I don’t want to be tied to any major commercial label. I just want to do what I do. I’ve been on major labels before. I find that they usually like what you do initially. But once they’ve signed you up, they want to change you. It’s difficult for me to wear makeup or clothes I don’t like, or sing songs I don’t like. I really like where I am now.

Whose music do you respect the most?
I like people such as Frank Sinatra, Babyshambles and Nic Jones, but I really respect Tom Waits. He’s a remarkable musician and a fantastic songwriter. He’s got a great philosophy about being a successful musician as well—such as avoiding traps like thinking too much of yourself.

What can we look forward to in your concert at the Esplanade?
I am going to tell stories, and if anyone wants to hear anything … I’ll take requests. I’ll be singing songs about the heart, love and the human condition. I’ll be singing melodies that were produced when I was in Fairground Attraction as well.

Any tips for budding songwriters?
Trust your instincts and never think you are wrong when someone tells you that. You are on the right way when you really sit down and ask yourself. Don’t do anything for money.

Those hardworking guys digging trenches in the fields have caught our eye. After smearing dirty green makeup on our faces, we trotted over, eyed their M16s nervously—and try to chat them up.

What is National Service (NS) to you?

Teo Ah Beng: It is a time when you grow up to learn if you are a man, a gu niang (girl) or an ah gua (transvestite).

Malcolm Png: It is my duty to serve my country.

Krishnamoorthy: National Service means I won’t be able to see my Lathi for a long long long time!

Johari Salleh: A time when all men come together and fight, fight, fight.

Kenny Pereira: A waste of time.

Why do you think NS is mandatory for guys, and not girls?

TAB: Girls dirty, dirty, macho, macho, where got nice!?

MP: Because the government decided that girls should continue with university, while the boys become men.

K: Aiyoh! My Lathi wouldn’t be able to take all the running around in the hot sun and holding a gun! She’s not that kind of girl my sweet Lathi.

JS: Because all of us guys are very strong. If we all come together we even stronger.

KP: It’s not mandatory for girls, meh? Then what am I doing here?

When the going gets tough, what do you do?

TAB: Lim Tiger beer. (Drink Tiger beer)

MP: I call my mother or find a nice quiet place to drink my Milo.

K: When the going gets tough I run lah.

JS: I relak.

KP: I get someone else to go.

Do you think green camouflage uniforms are hot? How do you think they can be improved?

TAB: I think certain parts of the uniform should have Velcro, so that when no exercise, can strip and the uniform can become a short sleeved top and Bermudas. Ka liang! (It’s cooler.)

MP: Gee, you have to ask Kenny! I don’t know anything about fashion.

K: Actually I like the uniform. Lathi says it turns her on.  I can pretend to be a tree while Lathi dances around me.

JS: I think the green is very nice, but maybe if they can also make them red, then we have choice.

KP: Yes, they are hot. How can they be improved? Get Donna Karan to design them.

Do you pick up all that supposedly macho behavior such as cursing and feel manlier afterwards?

TAB: Actually I’m the one who teach them.

MP: I think cursing and swearing is a sign of insecurity. I don’t have to behave like that to be manly.

K: I don’t swear, Lathi doesn’t let me.

JS: Before I go army, I can swear already. In the army, it makes swearing better.

KP: Why would I want to feel manlier?

Do you really believe that running, digging trenches, doing pushups and marching make you a better person?

TAB: Don’t know about being a better person. Maybe more muscles.

MP: It certainly has made me fitter and stronger. It also cultivates teamwork
and cooperation.

K: Of course! Long distance running is going to help me run away. Digging trenches will help me hide!

JS: Yes, it does, because we become stronger and our minds are fresher.

KP: Yes, no, yes and no. Running keeps my lovely limbs lithe, digging trenches is so dirty, doing pushups increases my bust and marching ... oh, come on!

One of the favorite hangouts of desperate NS guys is Geylang. Anything to say about that?

TAB: Ya, the food is also good!

MP: I only go to Geylang for the beef hor fun. Other types of fun I’m not familiar with. The guys that go there must really be hungry.

K: None of them have girlfriends that look as good as my Lathi.

JS: If it makes them happy, then that is okay.

KP: Geylang? Why ah?

Complete the sentence. “My ring tone for my handphone is…”

TAB: Techno - logy man!

MP: Ring ring ... ring ring…

K: Oh Lathi you’re so fine, You’re so fine you blow my mind, Oh Lathi! Oh Lathi!

JS: Rock terus rock.

KP: Bette Midler’s “I’m Beautiful, Dammit”

So, it’s that time of the year again, when music lovers get onto their knees and beg their piggy banks to cough up more coins. Esplanade—Theatres on the Bay’s Mosaic Music Festival, which primarily showcases jazz and world music, is back for a second consecutive year with a stellar cast to draw more lusty people scouring for a cool music fix. Sure, there are many exciting ticketed shows, but there are also many good free acts. Trust us when we say it’s really possible to have a roaring good time with both international and local acts without burning a (big) hole in your pocket.

Going International

As Esplanade’s programming officer for Mosaic, Amy Ho quips, “In our inaugural Mosaic Music Festival, we showcased over 200 artists from around 10 countries. This year, we have increased the diversity of genres. We will feature over 300 artists from 15 countries performing across a wide array of musical styles.” Expect an aural treat surpassing last year’s Mosaic Music Festival.

Headlining the festival is the double bill by Japanese pianist Hiromi and the legendary funk musician Maceo Parker (Mar 10). Hiromi Uehara has had her fingers on the piano since she was six. Forget prim and proper suits or elegant evening gowns. Defying the slightly forbidding atmosphere that is usually associated with a piano concert, this spontaneous lady with wild hair bangs on the keys with even wilder energy. We think Maceo Parker blowing on his own alto horn to churn out percussive funk beats is a must-see too. His band has been described as being “as tight as the chewing gum stuck on the bottom of your shoe”, while his collaborations over the years have included such classic acts as James Brown, George Clinton, Ray Charles, Prince, and even the Red Hot Chilli Peppers.

If you are into acid jazz and soul funk, Incognito (Mar 12) is an act that you shouldn’t miss. Hailed as one of the pioneers of the acid jazz and soul funk scene, their chart topping songs have taken them all over the globe for more than 20 years.

Paquito D’Rivera (Mar 12) and his saxophone are also going to try to steal the limelight. Serving up sensual and captivating Latin and Brazilian jazz, this saxophonist, clarinettist and composer promises a riveting concert. No wonder this master has seven Grammy® Awards under his belt. The famed vocal ensemble, The New York Voices, will join him on stage.

Miriam Makeba (Mar 14) has been labeled as South Africa’s greatest musical ambassador. With a voice that soothes and heals, she started out as a member of the church choir and rose to become an international star whose singing and songwriting style reaches across borders and surpasses expectations. Crooning hits such as “Pata Pata,” “The Clique Sing” and “Malaika,” she moves audiences wih her voice of great emotion and depth.

There are some guitar gods that every self-proclaimed guitarist should know, and Pat Metheny (Mar 15) is definitely one of them. Get past his big hair—which so reminds us of the ’80s music scene—and you will be impressed by his soulful and technical playing that is marked by improvisational virtuosity. Grounded in the jazz tradition of melody, swing and the blues, this 16-time Grammy® Award-winner has shared the stage with musicians such as David Bowie, Steve Reich and Herbie Hancook. Joining his soaring guitar riffs and solos in this concert are the groovy bass notes of Christian McBride and the pulsating drum beats of Antonio Sanchez.

Get set for sincere melancholic melodies and honest lyrics when Kings of Convenience (Mar 16), the Norwegian folk duo of Eirik Glambek Boe and Erlend Oye, perform to move you. Their music tugs at your heartstrings, as they gently strum their acoustic guitar strings and sing their brand of intimate and thoughtful songs.

You have probably sung your lungs out and tapped your feet to the songs “The Remedy” or “You and I Both.” Perhaps it’s time to join other fans singing and tapping away in the Concert Hall. The man behind these chart topping hits, Jason Mraz (Mar 17), is going to blow you away with his charming combination of country and rock.

The guys from the four–generation ensemble Afro-Cuban All Stars (Mar 18) are all stars in their own right. Each is talented and together, they are going to deliver the pumping hot beats of Afro Cuban music. Watch them whip up a concoction of classic son montuno, contemporary timba, blero, big band guajira and danzon.

Going Local

Besides international shows demanding your attention in the Mosaic Music Festival, there are some awesome local acts who want to rock your socks off too. Some of the bands we dig—and to which we willingly offer up our socks—are The Suns (Mar 19), Ronin (Mar 16), Pulse (Mar 16) and Set for Glory (Mar 16).

The outrageous outfit The Suns (formerly Boredphucks), when banned in Singapore, took their rock sound to Australia, made a big name for itself, and now returns home to kick more ass. Sharing the stage with other awesome bands such as Gerhana Skacinta, Heritage and USV, the Suns will be playing all their old and new anthems to thrill fans. As San from The Suns says, “We’re super pumped about doing one of the best shows Esplanade will ever see!” If you haven’t checked them out, where were you?

Ronin doesn’t need much introduction. Guys mosh in delirium to songs such as “Revolution” and “Black Maria” and girls scream with joy as the vocalist Levan throws underwear to the crowd. Good old school rock and roll. “We’re psyched up for the show!” yell its members. We are, too.

Pulse wants to get your pulse racing with their catchy and infectious melodies. As to what the band will deliver in the Mosaic Music Festival, its members let on, “We are going to play songs from our new album Moving On. Our genre lies somewhere in between pop and alternative rock, so expect to hear sounds in this range. We do cover songs from artists such as Led Zepplin and System of a Down too. So yes, we do rock from time to time.”

Pop punk/emo act Set For Glory was formed in 2003, and is all out to stir up a commotion in the local music scene. With a slightly different playlist than their usual gigs, their set in the Mosaic Music Festival will be worth checking out. “Expect something more laidback than what we would usually play as a full band. Catchy, easy listening kind of music. And more uplifting songs!” say its members.

Besides riveting performances by both international and local acts, other fringe events of the 10-day Mosaic Music Festival includes workshops with the artists, film screenings, midnight jam sessions, visual arts exhibitions and an outdoor bazaar along the waterfront. Some of our hottest pubs and clubs are also having special promotions in conjunction with the festival. Jam packed with both spectacular ticketed and free events, the Mosaic Music Festival is affordable and definitely one to block your diary for.

Festival Tips

Here’s some advice for the ambitious trying to catch as many acts as possible in the Mosaic Music Festival.

• Read as much as you can about the artistes. To differentiate yourself, nothing beats showing off your depth of musical knowledge to other people going to the same shows as you.

• Eat before the show. Concert goers will find your stomach growls distracting, especially if they echo throughout the hall.

• Be kiasu. Arrive early at Esplanade to secure a parking spot and avoid being late.

• Gulp down lots of coffee if you’re going to hop from show to show. If the show you’re attending won’t give you that adrenalin rush you crave so much, the coffee will.

• Ladies, please ditch those high heels and miniskirts if you are going to rock concerts. Dress comfy to jump wildly.

• If you are so self-conscious in rock concerts that you can’t let go and move your body, bring some lighters to wave around. That way, you won’t be mistaken for a rigid poseur.

• Hold your piggy bank at gunpoint and threaten it to give you more money so you can buy the merchandise of our local bands.

Okay, first off, how did you get into music?
I studied piano for about 10 years, then got into keyboard and hip hop production. After making beats and rapping for several years, I started Linkin Park with a couple of my friends, one of them being Brad Delson, our guitarist.

Some people simply referred to you as “the guy from Linkin Park.” Do you try to break away from this label? If so, how?
I can’t change that, so I won’t fight it. But I hope that through the music I put out, people realize that I can’t be defined by labels. Fort Minor is a wholly unique project, and is different from Linkin Park. All it takes is for a person to give the music a chance—listen to some songs—and he’ll understand.

Are you going to break away from Linkin Park?
I know it would be great press for me to say “yes” because of the scandal, but unfortunately the answer is no! In fact, I’m writing new music for the next album in the bus while I’m on tour with Fort Minor. The new Linkin Park album will be out this year.

Describe the music of Fort Minor.
I like to call the music “organic.” A lot of hip hop right now is based on rigid keyboard parts, so I wanted to base the album on hand-played instruments. Lyrically, I tried to tackle themes that were a little less common than most hip hop out there, as an alternative to the topics revolving around guns, money, girls, and drugs.

What can you do with Fort Minor that you can’t with Linkin Park?
Fort Minor is more of an individualized personal thing. A song like “Kenji” in Fort Minor’s first album The Rising Tied, which is about my family being interned during WWII in the US, would have been inappropriate on a Linkin Park album, because the rest of the
band can’t stand behind it—it didn’t happen to their families.

Why did you choose to work with different guest artists for Fort Minor’s first album?
I worked only with people I already knew on this album. I thought that since it’s such a personal album and the concept is so specific, working with people who don’t know me might mess it up. So, from Common and Black Thought and Jay-Z to Styles Of Beyond and Holly Brook, I chose to work with the friends that I thought the song called for.

What is most enjoyable about collaborating with different people?
Everyone’s studio approach is a little different. The variety is great. Plus it’s good experience for me as a producer.

What can we look forward to in your coming concert? Any special guests?
There are 11 people on stage. It’s me, Ryu, Tak, and Cheapshot from Styles Of Beyond, a drummer, three string players, and three backup vocalists. It’s a big group, because I thought that’s the only way to bring the music to life on stage.

Who are in your CD or mp3 player right now?
U2, Apathy, old LL Cool J, Pat Benatar, Thrice, Styles Of Beyond, and System of A Down, among others.

What do you think of the hip hop and rock music industry now?
I am a big fan of both, and I buy CDs all the time. It’s really one of the best ways to truly understand a group—owning the CD, with the artwork and everything. I think a lot of good music is out there, and it’s up to us to find it.

Any words of wisdom for individuals who hope to make it in the music scene?
Treat your fans with respect, and never underestimate them.

Complete this sentence: Fame is my greatest enemy because…
I value my personal privacy, and sometimes it endangers that.

Come June, some of the world’s most spectacular arts performers will make their way into town for the annual Singapore Arts Festival. While renowned talents in the past have included Michael Nyman, Philip Glass, The Royal Ballet and theater maestro Robert Lepage, this year, upcoming and established performers such as guitarist John Williams and the talented dancers from Compagnie Marie Chouinard will gather together for three weeks of artistic innovation and experimentation. Here are our picks from this year’s lineup. Remember, the early bird catches the best seats and prices.

Face the Music

Members of The Vegetable Orchestra (Jun 7-9) from Austria are taking their greens to our sunny island. Ditching the usual musical instruments such as guitars, synthesizers, flutes and trumpets, this cheeky ensemble uses carrots, radishes, cucumbers and kitchen utensils to make music. The concert will aptly end with you sipping vegetable soup (you heard us right). Definitely an innovative one to watch.

One of the world’s leading classical guitarists John Williams (Jun 9), is sharing the limelight with the eminent composer Richard Harvey. Skilled, versatile and much admired, Williams has over 30 years of experience in recording and performing. A famous name on the London music scene, Harvey has also produced soundtracks for movies such as An Awfully Big Adventure and Arabian Nights. For a night of evocative film and guitar music, this is the one to catch.

Vocalist Victoria Hanna (Jun 15-16) sings ancient music in a modern context and is much loved for her cross genre shows. This time, she works with the distinguished Israeli Contemporary String Quartet, singers from Mongolia and Germany, and an Arab oud player, to bring you a crowded stage, as well as a performance filled with haunting music. Listen out for the number “The Jerusalem Dream,” that is based on the Hebrew text “Song of Songs.”

If you dig rich and lush classical music, the Oslo Philharmonic Orchestra (Jun 21-22) might just be your thing. This eminent Norwegian export isn’t a stranger to standing ovations and is going to woo you with its exuberant renditions of classical pieces from Beethoven, Kverndokk, Svendsen and more.

Dance Away

We are looking forward to Quest (Jun 1-3)—a triple bill collaboration between Singapore Dance Theatre and the Singapore Chinese Orchestra. It is Singapore’s first dance performed to the melodies of a Chinese orchestra, and features big names such as composers Tan Dun (Crouching Tiger, Hidden Dragon) and Tang Jian Ping. Talented dance choreographers Kim Eun Hee, Gao Yan Jin Zi and Jeffery Tan are also involved in this production.

The Canadian performers of Compagnie Marie Chouinard (Jun 15-16) don’t seem to be satisfied with having just a pair of hands and feet each. Using harnesses and artificial body parts, they’ll offer a fascinating double bill that explores the theme of transcendence, and contains nude scenes (artistic, of course). An innovative dance that makes us wonder what we can achieve if we had more limbs and muscles.

For awesome neo-classical and contemporary dance, don’t miss the triple bill Bella Figura (Jun 20-21). Brought to you by Nederlands Dans Theater I, this world class show features the works of acclaimed choreographers Jirí Kylián, Lightfoot León and Johan Inger.

“Potent,” “complex” and “energetic” are keywords to describe the dance Rain (Jun 23-24) by Anne Teresa de Keersmaeker’s Belgian company, Rosas. Set against the mesmerizing music of avant-garde music composer Steve Reich, the performers flaunt their sensuous and agile moves. Definitely a hypnotizing dance to lose yourself in.

Mama Drama

This year’s festival will also feature compelling theatrical performances. For something introspective, catch Samovar: Check Out Chekov Through Comics (Jun 3-4) by Austrian theater group Schauspielhaus Vienna. Fusing caricatures and comic drawings of playwright Anton Chekov with creative use of sight and sound, this tragic comic-drama unfolds before our eyes.

Memories of a Geisha has many going gaga over the Japanese female entertainers, and the hype doesn’t seem to be over just yet. The theatrical performance Geisha (Jun 9-10) by local theater company TheatreWorks consists of poignant tales about geishas, maikos, their clients and families. Directed by the controversial Ong Keng Sen (Lear, Desdemona), it stars New York-based performer Karen Kandel and female impersonator Gojo Masanosuke, with the support of electronic wizard Toru Yamanaka from Japan’s dance collective Dumb Type.

If you are an avid gamer of war games such as Call of Duty and Counterstrike, don’t miss The Great War (Jun 16-17). This play, staged by The Netherlands’ Hotel Modern, revolves around the series of events a youthful combatant faces in World War I. Think mud, blood, smoke bombs and lots of male-bonding in this powerfully poignant piece.

For a heavy dose of adrenalin, don’t miss the thriller Phobia (Jun 21-24). Its inspiration is drawn from Alfred Hitchcock’s Vertigo (which we totally dig) and has riveting sound effects to send tingles down your spine. Spun with mystery and intrigue, this eerie play, speckled with drops of comical elements, will rivet from start to finish.

With such a compelling lineup of concerts, dance and theatrical performances, you just can’t blame us for getting excited about the Singapore Arts Festival months in advance. Mark your calendar, now.

It’s not exactly a long time coming, but four-year-old Scottish rock band Franz Ferdinand’s rock gig in Singapore is already the next big thing that every self-declared hipster should be looking forward to (us included, of course).

The reason why lead vocalist Alex Kapranos, bassist Bob Hardy, guitarist Nick McCarthy and drummer Paul Thomson formed the band is simple—they wanted to make girls dance, and dance some more.

When they started out, this wacky outfit had also managed to wire their hangout such that they didn’t have to pay electricity bills. Besides that, Kapranos was nearly charged for running an illegal bar and violating various health and safety, fire hazard and noise abatement laws. Not surprisingly, the list of madcap escapades of this band goes on, even in their groovy and playful videos that fuse high camp and high art, including the monumental “Take Me Out” and recent single “Do You Really Want To.”

Franz Ferdinand may be fairly young, but their fun and infectious tunes are already topping charts and causing commotions on the airwaves. Definitely “Take Me Out” has ruined many CD players as their owners looped the self-titled debut album ceaselessly on that track. You Could Have It So Much Better, their sophomore effort, fared well too. It has made music lovers jump around crazily in their bedrooms, toilets, garages, and even clubs. Now that this act is arriving for a live gig, fans need not indulge themselves within the four walls of their homes any longer. It’s time to dance wildly with many others in a gigantic stadium, preferably with an air guitar in hand. Rock on.